Nicola Griffith

Griffith was born 30 September 1960 in Leeds, to Margaret Mary and Eric Percival Griffith.[2] Her parents—whom she describes as wanting "to belong to the middle of the middle class … to fit in"[2] ^: 7—reared Griffith and her four sisters in the Catholic faith.

Griffith's earliest surviving literary efforts include an illustrated booklet she was encouraged to create to prevent her from making trouble among her fellow nursery school students.[2] ^: 17 At age eleven she won a BBC student poetry prize and read aloud her winning work for radio broadcast.

As a pre-teen, Griffith felt same-sex attractions, and by sometime in her thirteenth year, she knew she "was a dyke."[3] She also felt cautioned by her parents' punishing response after one of her sisters acted on such desires at age fifteen. Thus her conclusion that "no hint of how I felt must be allowed …. Not until I reached sixteen"[2] ^: 2 when she would no longer be a minor.

To cope with her sexuality and her family's disapproval, Griffith began to drink alcohol, smoke cigarettes, and immerse herself in reading and music. In addition to the classics of English literature, she read the works of such novelists as Henry Treece[4] and Rosemary Sutcliff;[5][6] fantastic fiction including the works of E.E. Smith, Frank Herbert, and J.R.R. Tolkien; nonfiction about life sciences and history—Gibbon's History of the Decline and Fall of the Roman Empire was a particular favorite;[4] and such poetry as Homer's Iliad and John Masefield's Cargoes.[7] Her musical choices included classical canon, traditional church compositions, and folk music offset by David Bowie and other glam rockers.

During this time, a visit to relatives in Glasgow, Scotland—in particular a behind-the-scenes tour of a power station, with its efficient water recycling system—left Griffith feeling "terribly alert." She paid more attention thereafter to the occasional school course that interested her—chemistry, physics, and biology especially—and at age fourteen, broadened her artistic tastes to encompass the works of William S. Burroughs, Led Zeppelin, and Pink Floyd.[2] ^: 3–5

At fifteen, Griffith developed an attraction toward one of her friends, Una Fitzgerald, and once they were of age, they began dating; the relationship lasted two years.[2] ^: 16[3]

At this point, Griffith began an extended tour of Leeds' after-hours underbelly, even as her sister Helena developed a drug habit.[2] ^: 37–39 During this phase, Griffith met Carol Taylor,[8] and the two became longtime partners. Griffith moved out of her parents' household in Leeds and relocated to Hull, where she and Taylor initially lived a marginal existence. Recreational drugs became Griffith's default setting. Nonetheless, she states that in Hull, "My real education began."[2] ^: 41–56

Griffith got to know "feminists and intellectuals … bikers and drug dealers, and dykes pimping out their girlfriends." She found her first women's community there and read "earnest feminist fiction."

In the early 1980s, Griffith founded and left the band Janes Plane and began writing seriously.

In 1984, she began studying the physical art of self-defense the next year and in August, smoked her last cigarette. The following month she gave up hashish and amphetamines.

Griffith suffered some personal setbacks that had roots in 1985. Helena had gone from addiction to dealing heroin and amphetamines. As the year ended, Griffith, already sick with influenza, was hurt and briefly hospitalised after helping another woman in a bar assault. Delayed reaction to the attack contributed to what she later characterised as PTSD in June 1986.[9] Her writing and a women's self-defense course that she was teaching sustained her amid these difficulties, and Helena's counterexample helped persuade Griffith to abandon all recreational drug use, including magic mushrooms, which she had relied on extensively.[2] ^: 45–50

By the late 1980s, Griffith had begun experiencing symptoms of multiple sclerosis (MS), though her illness remained undiagnosed.

Griffith was diagnosed with multiple sclerosis in March 1993.[6]

While studying at Michigan State University, Griffith met and fell in love with fellow writer Kelley Eskridge.[6] On 4 September 1993, Griffith and Eskridge announced their commitment ceremony in The Atlanta Journal-Constitution,[10] perhaps the first same-sex commitment announcement the paper had published.

Griffith wanted citizenship so she could remain in the country with her wife, but because she was a lesbian, she couldn't receive citizenship through marriage, and all other pathways were closed.[11] She began working with an immigration lawyer who believed she may qualify for a National Interest Waiver on the basis of being an "alien of exceptional ability" if she could prove her worth as a writer.[11] Even after winning the Lambda Literary Award for Lesbian Science Fiction/Fantasy and James Tiptree, Jr. Award, she was not considered exceptional enough.[11] After reaching out to Allen Ginsberg, she received a letter from him stating, "Nicola Griffith is an astonishingly gifted writer. … Her work is of the very best in the lesbian and gay literary field. … In my opinion, it is in the national interest to grant her immigrant status in this country."[11] After much effort, Griffith received permission to live and work in the United States based on her "importance as a writer of lesbian/science fiction," making her the first out lesbian to receive a National Interest Waiver.[6] Her immigration resulted in a new law, and she is now a dual US/UK citizen.[12]

In 1995, Griffith and Eskridge moved to Seattle, where they still live today.

Griffith and Eskridge were legally married 4 September 2013.

• Ammonite, Del Rey, ISBN 0345452380 (1992)
• Slow River, Ballantine Books, ISBN 0345395379 (1995)
• So Lucky, MCD x FSG Originals, ISBN 9780374265922 (2018)
• Spear, Tordotcom, ISBN 9781250819321 (2022)

• The Blue Place, William Morrow, ISBN 0380974460 (1998)
• Stay, Black Lizard, ISBN 140003230X (2002)
• Always, Riverhead Books, ISBN 1594489351 (2007)

• Hild, Picador, ISBN 9781250056092 (2013)
• Menewood, MCD, ISBN 9780374208080 (2023)

• And Now We Are Going to Have a Party: Liner Notes to a Writer's Early Life, Payseur & Schmidt ISBN 9780978911416 (2007)

• Bending the Landscape: Fantasy, Overlook Books, ISBN 1585675768 (1997, with Stephen Pagel)
• Bending the Landscape: Science Fiction, Overlook Books, ISBN 0879517328 (1998, with Stephen Pagel)
• Bending the Landscape: Horror, Overlook Books, ISBN 1585673722 (2001, with Stephen Pagel)

• An Other Winter's Tale (1987)
• Mirrors and Burnstone (1988)
• The Other (1989)
• We Have Met the Alien (1990)
• The Voyage South (1990)
• Down the Path of the Sun (1990)
• Song of Bullfrogs, Cry of Geese (1991)
• Wearing My Skin (1991)
• Touching Fire (1993)
• Yaguara (1994)
• A Troll Story (2000)
• With Her Body, Aqueduct Press (2004, a collection containing Touching Fire, Songs of Bullfrogs, Cry of Geese, and Yaguara)
• It Takes Two (2009)
• Cold Wind, Tor Books, ISBN 9781466871342 (2014)[48]

• Holland, Cecelia (December 2013). "Locus Looks at Books : Divers Hands". Locus (635): 22. Review of Hild.