Noele Gordon

Gordon attended RADA, appearing in repertory theatres and the West End stage. From June 1943 to July 1944, she appeared in the musical The Lisbon Story at the London Hippodrome. In April 1949, she took the role of Meg Brockie in the original London production of Brigadoon for 685 performances at Her Majesty's Theatre. She stayed with the show for a national tour. In 1953, she toured as Mrs Sally Adams in Call Me Madam after Billie Adams had played the role in the London season at the Coliseum.

She appeared in two British films, 29 Acacia Avenue (1945) and Lisbon Story (1946) in minor parts.

In 1954, Gordon spent a year in New York City learning American television production at New York University.[5][6] Her acting career came to a halt in 1955, when she joined Associated Television in London, where she presented their first-ever programme, The Weekend Show. She worked behind the scenes as Head of Lifestyle programmes. Gordon helped Reg Watson and Ned Sherrin launch ATV Midlands in 1956.[7]

As well as being a producer, Gordon became a presenter for the new Birmingham-based service. Her first television appearance for ATV in the Midlands, Tea With Noele Gordon, was the first popular ITV chat show, and while presenting this series, she became the first woman to interview a British Prime Minister,[7] when Harold Macmillan was in office. Initially commissioned as an emergency schedule filler, the show became so successful that Gordon gave up her executive position to concentrate on presenting.[8] She then moved on to present a daily live entertainment show, Lunchbox, an early daytime programme.[7]

In the summer of 1964, Lunchbox came to an end after more than 2,000 episodes. It made way for a new daily soap opera, Crossroads, in which Gordon played the role of motel owner Meg Richardson (later Meg Mortimer), a part which had been developed with Gordon in mind, as she was still under contract to Lew Grade's ATV.[9]

First in 1969, and over the following decade, she won the TV Times award for portraying the "most compulsive character" on eight occasions. Crossroads also turned Noele Gordon into a gay icon.[3][10]

Gordon was the only member of the Crossroads cast who had a permanent contract;[11] all other cast members were booked on an ad hoc basis.

Gordon stayed with the programme until she was sacked in 1981, when ATV was in the process of being re-constituted into a new company, Central Independent Television. Central were obliged to continue ATV's commitment to Crossroads; however, Head of Programmes Charles Denton and Head of Drama Margaret Matheson wanted to end the soap opera in favour of more expensive and lavish drama productions. The decision to dismiss Gordon – the show's most popular cast member – was taken in the hope that viewers would desert the show, giving Central a valid excuse to axe it.[12] The British press had stated that Denton was the one responsible for the sacking of Gordon, though it was later revealed that Jack Barton, producer and head writer of Crossroads, was responsible for Gordon's sacking. Margaret Matheson had stated that it was not Denton or herself who sacked Gordon. According to Denton, "I simply carried out the request of the Crossroads producer [Barton] to dismiss her. I took the flack as that was part of my job to protect my staff."[13] She returned to Crossroads in August 1983 for two episodes.

In 1985, Matheson's successor Ted Childs ordered Crossroads to be revamped; one element in the updating of the show was its renaming as Crossroads Motel. The programme's new look was designed to bring back Gordon on an 'as and when' basis, starting with a three-month stint from April 1985. Gordon's return as Meg was devised by the new producer, Phillip Bowman, who himself ended the involvement with the series of regulars Ronald Allen and Sue Lloyd. Gordon, who had already appeared in 3,521 episodes, was too ill to make the planned return.

After the termination of her Crossroads contract, Gordon starred in the musical Gypsy at Leicester's Haymarket Theatre, followed by a revival of Irving Berlin's musical Call Me Madam, touring the Midlands. It then moved to the Victoria Palace Theatre in the West End, where it ran for only 88 performances. Her last stage role was in No, No, Nanette at Plymouth's Theatre Royal. She became ill during the run and had to be replaced.

In an interview she gave to TV Times in 1981, Gordon announced that she might, once her stage work had come to an end, take up the offer of returning to presenting. In the same interview, she commented that a future role as a breakfast television presenter was being negotiated. She would, however, not return to television full-time because of her theatre commitments.[14]