Nooravathu Naal
Nooravathu Naal (transl. The Hundredth Day) is a 1984 Indian Tamil-language mystery thriller film written and directed by Manivannan. The film stars Vijayakanth, Mohan and Nalini, with Thengai Srinivasan, Janagaraj and Sathyaraj in supporting roles. It is an unofficial adaptation of the 1977 Italian giallo film Sette note in nero.[2] The film was remade in Malayalam as Aayiram Kannukal (1986) and in Hindi as 100 Days (1991).[3][4]
Nooravathu Naal | |
---|---|
Directed by | Manivannan |
Written by | Manivannan |
Produced by | S. N. S. Thirumal |
Starring | Vijayakanth Mohan Nalini |
Cinematography | A. Sabapathy |
Edited by | B. Kanthasamy |
Music by | Ilaiyaraaja |
Production company | Thirupathisamy Pictures |
Release date |
|
Running time | 134 minutes[1] |
Country | India |
Language | Tamil |
Plot
Devi, a college student has a strange premonition one night of her sister being murdered. Her sister soon goes missing. After a few years, Devi meets and marries a rich businessman Ramkumar. Soon after, Devi has another vision of an unknown woman being murdered and seeks the help of her cousin Raj to help her save the possible victim. Raj is reluctant to believe her story but assists her anyway. Devi also finds a decomposed body in the bungalow where she lives with Ramkumar, which she believes is her sister's based on her previous vision. Devi and Raj's investigations lead them to the museum where Devi's sister worked and a strange man who tries to assassinate them. Whether Devi's strange premonitions are true and whether she and Raj are able to trap the mysterious killer forms the rest of the story.
Cast
- Vijayakanth as Raj
- Mohan as Ramkumar
- Nalini as Devi
- Thengai Srinivasan as Ramanathan
- Janagaraj as John
- Sathyaraj as Jagannathan
- Y. Vijaya as Parvathi
- Kovai Sarala as Manju
- Sudha as Saroja
- E. Ramdoss as the museum assistant
- Kokila as Sarasu
Production
Nooravathu Naal was directed by Manivannan and produced by S. N. S. Thirumal under Thirupathisamy Pictures, with cinematography by A. Sabapathy.[1] Manivannan selected Sathyaraj to portray a negative role. For the character look, he sported a clean-shaven pate, wore sunglasses and a red jerkin. He completed his portions within five days.[5]
Soundtrack
The music was composed by Ilaiyaraaja.[6][7] The song "Vizhiyile Mani Vizhiyil" was re-used from the song "Jotheyali Jothe Jotheyali" from the 1981 Kannada film Geetha.[8] It is set in the Carnatic raga known as Kapi.[9]
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | "Vizhiyile Mani" | Pulamaipithan | S. P. Balasubrahmanyam, S. Janaki | 04:01 |
2. | "Ulagam Muzhuthum" | Vairamuthu | K. J. Yesudas, Vani Jairam | 04:14 |
3. | "Uruguthey Idhayame" | Muthulingam | Vani Jairam | 04:22 |
Total length: | 12:37 |
Release and reception
Nooravathu Naal was released on 23 February 1984,[10] and ran for over 200 days in theatres.[11] Jayamanmadhan of Kalki praised the acting of star cast and Ilaiyaraaja's music but felt the film lacked pep in certain places.[12]
Legacy
Sathyaraj's performance as a psychopathic killer received acclaim and made him popular among audiences.[13] Nooravathu Naal became a milestone in Tamil cinema, with regards to "scene construction".[14] The serial killers Auto Shankar and Jayaprakash were inspired by the film to commit murders.[1][15] Sangeetha Devi Dundoo of The Hindu in her review of the Telugu film Tripura (2015) said that the idea of hiding corpses inside a wall is inspired from Nooravathu Naal.[16]
References
- Rajadhyaksha & Willemen 1998, p. 467.
- "Child's Play in India: Four Adaptations". Braineater. Archived from the original on 19 July 2017. Retrieved 15 April 2018.
- "Films that inspired real life crime". The Times of India. 9 June 2015. Archived from the original on 13 April 2018. Retrieved 15 April 2018.
- Arunachalam, Param. BollySwar: 1991–2000. Mavrix Infotech. p. 1. ISBN 9788193848210.
- Sathyaraj (22 February 2008). "My first break". The Hindu. Archived from the original on 21 December 2016. Retrieved 15 April 2018.
- "Nooravathu Naal Songs". Raaga.com. Archived from the original on 13 February 2011. Retrieved 28 November 2013.
- "Nooravathu Naal Tamil film EP Vinyl Record by Ilayaraja". Mossymart. Archived from the original on 30 July 2021. Retrieved 21 September 2021.
- NFAI [@NFAIOfficial] (13 November 2019). "#Remake#Ilaiyaraaja used the similar tune of his melodious song "Jotheyali" (Geetha, Kannada,1981) for the songs "Vizhiyile Mani" (Nooravathunaal, Tamil, 1984) & "Jaane Do Na" (Cheeni Kum, Hindi, 2007).Enjoy these different versions:@shreyaghoshal #SPBalasubrahmanyam #SJanaki" (Tweet). Archived from the original on 21 September 2021. Retrieved 21 September 2021 – via Twitter.
- Sundararaman 2007, p. 168.
- ராம்ஜி, வி. (5 December 2019). "ஒரே வருடத்தில் மோகன் 15 படங்கள்; ஒரேநாளில் 3 படம் ரிலீஸ்; அத்தனையும் ஹிட்". Hindu Tamil Thisai (in Tamil). Archived from the original on 6 May 2023. Retrieved 6 May 2023.
- Bhama Devi Ravi (22 July 2008). "Now, a film on the Vadapalani murders". The Times of India. Archived from the original on 13 April 2018. Retrieved 15 April 2018.
- ஜெயமன்மதன் (11 March 1984). "நூறாவது நாள்". Kalki (in Tamil). p. 33. Archived from the original on 23 February 2023. Retrieved 23 February 2023.
- Kesavan, N. (14 April 2016). "Villains with heroic pasts". The Hindu. Archived from the original on 7 January 2017. Retrieved 15 April 2018.
- Rao, Subha J. (11 May 2013). "Fifty and counting". The Hindu. Archived from the original on 21 May 2018. Retrieved 21 May 2018.
- "Bharathiraaja's latest venture". The Hindu. 24 March 2000. Archived from the original on 15 April 2018. Retrieved 15 April 2018.
- Dundoo, Sangeetha Devi (9 November 2015). "The wall tells an inspired story". The Hindu. Archived from the original on 21 December 2016. Retrieved 15 April 2018.
Bibliography
- Rajadhyaksha, Ashish; Willemen, Paul (1998) [1994]. Encyclopaedia of Indian Cinema. British Film Institute and Oxford University Press. ISBN 0-19-563579-5.
- Sundararaman (2007) [2005]. Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music (2nd ed.). Chennai: Pichhamal Chintamani. OCLC 295034757.