Out of the Clouds

During a day at an airport in London, many complications arise, involving both passengers and airline crew members. Pilot Gus Randall (Anthony Steel) is a compulsive gambler who is caught up in a smuggling ring as well as a love triangle; Nick Millbourne (Robert Beatty) is the chief duty officer who wants to get back in the sky and vies with Gus for the attention of stewardess Penny Henson (Eunice Gayson); and passengers Bill Steiner (David Knight) and German Leah Rosch (Margo Lorenz) cross paths on opposite journeys; after their flights are grounded by bad weather, they fall in love. Nick and Penny also find happiness together.

London's Heathrow Airport was also a "star" in Out of the Clouds.

Out of the Clouds is loosely based on the novel The Springboard by John Fores and was adapted by Rex Reinits. The screenplay was written by Michael Relph and John Eldridge.

The film marked a change of pace for Anthony Steel, who was typically cast in war films.[2]

The Ministry of Transport and Civil Aviation co-operated in the production of the film. Technical assistance was provided by BOAC, British European Airways and Pan-American World Airways.[3] Principal photography at London Airport started in early June 1954 with a temporary production office set up at the airport.[4] The film used one of Ealing Studios' largest ever sets to create the interior of the terminal building. An exact replica set of the Heathrow visual control room (air traffic control tower cab) was also built, as filming at the actual location was impractical.[4]

Out of the Clouds premiered at the Leicester Square Theatre in London on 14 February 1955.[1] It opened up in the United States two years later, on 31 July 1957.[5]

Variety called it "good average entertainment."[6]

Modern views about the film are mixed. Film historian George Perry describes the film in his 1991 book Forever Ealing [7] as, "... another of Ealing’s attempts at a behind the scenes approach – this time an anatomy of London Airport, a much smaller community in the mid-Fifties than now. Compared with Arthur Hailey’s treatment of the same formula in the Sixties in his novel 'Airport', the result is remarkably tame. As is usual in such Ealing pictures, and in this one more than most, the background and setting are more interesting than the foreground characters, and Paul Beeson’s EastmanColour photography provides a fascinating record of how Heathrow looked in its early days."[8]

The authors of the 2009 book The Cinema of Basil Dearden and Michael Relph conclude that the film's background and its setting are more interesting than its characters.[4] Film historian Charles Barr describes the film as "an acquired value as a period piece" in his 1998 book Ealing Studios.[9]

The US edition of TV Guide writes that, "it has the feel of a soap opera crossed with a documentary,"[10] and Leonard Maltin's review is typical of modern critics' view of Out of the Clouds: "Work and play among commercial pilots; nothing special."[11]

In re-release, Out of the Clouds is the last disc in Ealing Classics 2009, Volume 1.[12]

A restored version, with eight minutes of footage reinserted, was shown on Talking Pictures TV from 2019. The restored scenes can be distinguished by their faded colour.[13]

• Out of the Clouds at the British Film Institute
• Out of the Clouds at BritMovie (archived)
• Out of the Clouds at IMDb
• Review of film at Variety