Pablo O'Higgins

Pablo Esteban O'Higgins (born Paul Higgins Stevenson; March 1, 1904 - July 16, 1983) was an American-Mexican artist, muralist and illustrator.

Drawing of a mother and child by Pablo O'Higgins
Pablo Esteban O'Higgins
Born
Paul Higgins Stevenson[1]

(1904-03-01)1 March 1904[1]
Salt Lake City, Utah, United States[1]
Died16 July 1983(1983-07-16) (aged 79)[1]
NationalityMexican,[1] American
EducationAcademy of Arts, San Diego[1]
Known forPainting

Early life and education

Born in Salt Lake City, Utah, O'Higgins was raised there and in San Diego, California.[1] In 1922 he abandoned his first career as a pianist and entered the Academy of Arts in San Diego.[1]

Within two years he'd become a student of Diego Rivera, assisting Rivera on his murals at the National School of Agriculture at Chapingo, and the Public Education Secretariat.[2]

Mexico and murals

Like Rivera, O'Higgins became an active member of the Mexican Communist Party.[1] He immigrated to Mexico permanently in 1924, joined the party in 1927,[1] and maintained his party membership until 1947.[1] His political illustrations for the Daily Worker won him a year's study at the Academy of Art in Moscow on a Soviet Scholarship in 1933.[3]

In 1937, O'Higgins was the co-founder, with fellow artists Leopoldo Méndez and Luis Arenal, of the Taller de Gráfica Popular ("People's Graphic Workshop").[1] The Taller became inspiration to many politically active leftist artists; for example, American expressionist painter Byron Randall went on to found similar artist collectives after becoming an associate member.[4][5] In May 1940 O'Higgins had the honor of being the only non-native Mexican artist with work included in the seminal "Twenty Centuries of Mexican Art" exhibit organized by the Museum of Modern Art.[3]

In 1961 O'Higgins was awarded honorary Mexican citizenship for "his contributions to the national arts and education".[1] One of his murals can be seen at the Abelardo L. Rodriguez Market, Mexico City.[6]

His 1945 mural for the Ship Scalers Union Hall in Seattle is installed in Kane Hall at the University of Washington in Seattle.[7][8] The mural depicts Seattle's Ship Scalers Union's (SSU) history as a strongly anti-racist, anti-discriminatory, and progressive force in social politics.[9]

Among O'Higgins' students was the American graphic designer Bob Cato,[10] and artist and muralist Marion Greenwood.[11]

Drawing of a man carrying agave leaves by Pablo O'Higgins

Further reading
  • Acevedo, Esther. "Young Muralists at the Abelardo L. Rodriguez Market." in Mexican Muralism: A Critical History, Alejandro Anreus, Robin Adèle Greeley, and Leonard Folgarait. Berkeley and Los Angeles: University of California Press 2012, pp. 125–147.
  • Espinosa Campos, Eduardo. "Pablo O'Higgins: arte mural para las escuelas". In La pintura mural en los centros de educación en México. Pinacoteca 2003.é
  • Flores, Laura. "Pablo O'Higgins: Pintura y Cambio Social." Metamórphosis, Northwest Chicano Magazine of Art and Literature. IV no. 2, col. V no. 1 (1982/1983).ó
  • Fundación Cultural María y Pablo O'Higgins. Pablo O'Higgins, Contruyendo vidas. Mexico City 2005.
  • Hijar, Alberto. Pablo O'Higgins: Apuntes y dibujos de trabajadores. Monterrey: Secretaría de Educación y Cultura 1987.
  • Poniatowska, Elena and Gilbert Bosques. Pablo O'Higgins. Mexico City: Banco Nacional de Comercio Exterior 1984.
  • UNAM. Pablo O'Higgins: Voz de Lucha y Arte. Mexico City: UNAM-Gobierno del Distrito Federal, Gobierno del Estado de Nuevo León, Fundación Cultural María y Pablo O'Higgins, A.C., 2005.
  • Vogel, Susan. Becoming Pablo O'Higgins. San Francisco and Salt Lake City: Pince-Nez Press 2010 ISBN 978-1930074217

References
  1. Murray, Edmundo (2007-03-01). "Dictionary of Irish Latin American Biography - O'Higgins, Pablo". Society for Irish Latin American Studies. Retrieved 8 May 2010.
  2. Rochfort, Desmond, Mexican Muralists: Orozco, Rivera Siqueiros, Chronicle Books, San Francisco, 1993
  3. "Pablo O´Higgins , 1904 - 1983". Andrés Blaisten Museum. Archived from the original on 16 November 2006. Retrieved 8 May 2010.
  4. Makin, Jean, ed. (1999). Codex Mendez. Tempe: Arizona State U. See also Prignitz, Helga (1992). El Taller de Gráfica Popular en México 1937–1977. Mexico: Instituto Nacional de Bellas Artes.
  5. Vogel, Susan (2010). Becoming Pablo O’Higgins. San Francisco/Salt Lake City: Pince-Nez Press.
  6. Gomez Florez, Laura (2008-05-19). "Remodelan el histórico mercado Abelardo L. Rodríguez como parte del rescate del Centro" (in Spanish). Mexico City: La Jornada. Retrieved June 3, 2009.
  7. Oscar Rosales Castañeda. "The Chicano Movement in Washington State 1967-2006 Part 2- Chicano Cultural Awakening". University of Washington.
  8. Gigi Peterson (2011). "Recobrando / Recovering The Struggle against Racial Discrimination: The Journey of the Pablo O'Higgins Mural for Seattle Ship Scalers Union" (PDF). Labor: Studies in Working-Class History of the Americas. 8 (4): 7–40. doi:10.1215/15476715-1375294. The Struggle against Racial Discrimination moved from the basement of Kane Hall to its second floor, which it dominates. (p. 40)
  9. Farley, Adam. "The Ship Scalers Union and Seattle's Racial Progressivism in the 20th Century". Retrieved 12 March 2015.
  10. "Bob Cato, 75, Designer of Covers for Albums". The New York Times. 20 March 1999.
  11. "The Great Women of Muralism in Mexico". Mexicanist.com. 2020-01-04. Retrieved 2020-01-10.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.