Palm Springs Weekend

• Syndicated columnist, radio and television talk show host and personality Shirley Eder makes a cameo as herself in the record store scene.
• Mike Henry plays the parking valet at the Riviera Hotel.
• Dawn Wells and Linda Gray appear as featured extras in non-speaking roles.
• Connie Stevens, Robert Conrad, Tina Cole, and Troy Donahue all appeared in the 1959–63 TV series Hawaiian Eye.

Jack Warner was impressed by the success of Where the Boys Are (1960). He wanted to make a similar film about the influx of teenagers into Palm Springs during the Easter vacation break, using the large number of young actors they had under contract. The studio had the title, Palm Springs Weekend even before they had a script.

In June 1962, Warner gave the job of producing to Michael A. Hoey, who had never produced before, but had impressed Warner through his work as an editor at the studio over four years, most recently The Chapman Report. The studio signed Hoey to a contract as producer and Palm Springs Weekend was going to be his first movie.[1][5]

Earl Hamner Jnr, whose novel Spencer's Mountain had just been bought by Warners, was hired to write the screenplay. Hamner:

They gave the screenplay duties [on Spencer's Mountain] to someone else, and I think Mr. Warner thought that he owed me one. He called me one day and asked me what I thought of Palm Springs. I was just newly arrived from New York, and I told him that I'd never been there. He said, 'I want you to go there over Easter Weekend and poke around and see if you come back with a movie.' ... I suppose since he'd just done Spencer's Mountain, he trusted that I could write about young people.[6]

When Norman Taurog signed to direct, he felt the script needed some work, so the studio hired David Schwartz, who had just adapted Sex and the Single Girl. They did not like his work so another writer was hired, Danny Arnold, to do a weekly polish.[1]

There was some criticism of the script from Palm Springs councillors.[6]

The lead actors were all under contract to Warner Bros, apart from Stefanie Powers and Jerry Van Dyke.[7] Tuesday Weld was originally considered for the role of Gail, before Connie Stevens was cast. Troy Donahue was always considered for the part of Jim Munroe. Donahue says he refused to play the role – "nobody thought this was the kind of movie that would be particularly advantageous to our careers"[6] – but the studio put him on suspension. He ran out of money and agreed to make the film.

Ty Hardin's character was written especially for him as Hoey was impressed by his work in The Chapman Report. Steve Trilling of Warners wanted the part of Eric to be played by Edd Byrnes but Hoey went with Robert Conrad instead.[1] "Palm Springs Weekend was an incredible break for me", said Conrad later. "I saw an opportunity to do some real acting."[6]

Some reports say that Donahue's wife Suzanne Pleshette was considered to play Bunny, but Hoey says this was never the case as she was too mature; Stefanie Powers was borrowed from Columbia for the part.[1]

Filming went from 10 February to 16 May 1963.[1] It was filmed on location in Palm Springs, as well as in the studio at Warners.[8][9]

Troy Donahue later recalled:

The best thing about the film was that it was being made in Palm Springs. And I was there to drink and get laid. I remember that a friend of mine and I started at opposite ends of town. Halfway through the movie, we crossed paths. I got everything he got going in his direction, and he got everything I got coming in mine. I mean, the picture was tame compared to the reality.[6]

Connie Stevens later said "By far, that film was one of the most fun times of my life."[6]

The two resorts seen in the film are the Irwin Schuman-designed Riviera Hotel (now a Margaritaville Resort) on North Indian Canyon Drive; and the Desert Palms Inn – seen onscreen as "Las Casa Yates" – on Jones Road in Cathedral City. The two hotels served as location for much of the film, both the actual locations and their soundstage replicas.[6] Set design was by George Hopkins.

The car that Eric Dean drives is a silver 1963 Ford Thunderbird, while Doug Fortune's car is shown as a red 1957 Mercury Montclair. When Fortune's car is wrecked, however, he is pulled from a red 1954 Mercury Monterey.[10]

Cora Dixon's dialogue regarding Easter vacation ("I don't know how your father is going to stand all those teenagers – and the income tax deadline – all in the same week") appears to indicate that the film's setting is specifically April 1963, when Easter Sunday fell on April 14, the day before Tax Day.

Frank Perkins composed the score for the film. Larry Kusik and Paul Evans wrote one song that appears in the finished film, "Live Young." It is sung over the opening credits by Troy Donahue, an instrumental version is heard during the party scene at Ruth Stewart's house.

The Modern Folk Quartet appear as themselves in the sequence at Jack's Casino and are shown singing two songs, "The Ox Driver's Song" and one unidentified song.

Ty Hardin sings an a cappella version of the traditional "The Yellow Rose of Texas", and sings with Jerry Van Dyke on Ray Henderson and Mort Dixon's standard, "Bye Bye Blackbird."

Musical excerpts from the film soundtrack were released as a long-playing vinyl recording in 1963.[11] The album was reissued on compact disc by Intrada Records in 2017.[12]

The DVD was released in 2009.[15] The DVD is part of the Warner Bros. Romance Classics Collection, which also contains three other films starring Troy Donahue: Parrish (1961), Rome Adventure (1962) and Susan Slade (1961).[16]