Paris by Night

Paris By Night was conceived by immigrant Tô Văn Lai in 1983, in Paris, France, to "fill the cultural void" felt by Vietnamese refugees living in France. Shortly afterwards, the show's production company transferred to Orange County, California, which has a larger Vietnamese community.[2]

The show is set up with "melodramatic performances, catchy pop tunes, Vaudeville-esque comedy, and elaborate set designs", with a large emphasis of production focusing on expressing Vietnamese culture. In recent years, the rising popularity of K-pop and J-pop has applied creative pressure to Thúy Nga CEO Marie Tô, who responded by insisting on keeping with the Vietnamese style, commenting "Of course, K-pop is very big now…but we kind of want to create our own image. The singer[s] we produce, we want to create their image—not imitating K-pop or anything." The show has since been noted as not only a form of entertainment, but a "way to connect to a larger identity".[3]

This is a partial list of the venues and locations used in Paris By Night:

When first produced in the 1980s, the show was made for Vietnamese people who had been living in France in the 1960s and 1970s. However, the show found a larger audience in the United States by the late 1980s. As a result of the digital age of the 21st century, the show has become more readily accessible online. According to Thúy Nga, the main demographic of the shows consisted of people under the age of 40.[3] Presenter Nguyễn Cao Kỳ Duyên commented on the show's popularity in Vietnam, noting "We actually give the Vietnamese audience in Vietnam a very high level of entertainment unmatched by what they have now."[2]

As an overseas Vietnamese production and classified as a "reactionary cultural product" by the Vietnamese government, Paris by Night cannot be legally purchased in Vietnam, although unauthorized copies can be easily obtained in the black market. It sometimes features performances that are related to historical events, critical of the ruling Vietnamese Communist Party. In 2004, in Paris by Night 74, Hoang Oanh sang a song about Operation Passage to Freedom and a video montage was shown depicting beleaguered-looking northern Vietnamese fleeing to the anti-communist south during the partition of Vietnam, where they were met by Ngô Đình Diệm and his government's officials. This performance coincided with the 50th anniversary of the migration. In 2005, Paris by Night 77 was devoted to the 30-year anniversary of the Fall of Saigon, and included songs explicitly critical of communist rule, lack of human rights, accompanied by montages of the closing stages of the Ho Chi Minh Campaign, the flight of distressed anti-communist refugees, and interpretative dancing critical of VCP rule, such as throat-slitting gestures. It also included documentary segments on the progress of Vietnamese immigrant communities since 1975, including one segment praising American support for South Vietnam and Operation Babylift—the communist government views the babylift of orphans as "abduction"—and gave awards to Vietnamese humanitarians and American political officials who helped Vietnamese refugees, as well as the Republic of Vietnam Air Force fighter pilot Nguyễn Qúy An.

In Paris by Night 91, for the 40th anniversary of the Tet Offensive, one medley involved Quang Lê singing about the beauty of the former Huế, backed by female dancers, before an explosion knocks them and the bridge over the Perfume River to the ground, something perpetrated by the communists during the Battle of Huế during the Tet Offensive. Khánh Ly then proceeded to sing Trịnh Công Sơn's "Song for dead bodies" about the communist massacre at Huế, which killed thousands. A video montage of the massacre, inconsolable relatives and the subsequent exhumation and religious reburial was shown in the background during Khanh Ly's performance.

It is also the subject of some controversies among the overseas Vietnamese population due to what some perceive as its support of the current government of Vietnam. Paris by Night 40, with the topic of motherhood, featured a song by the composer Trịnh Công Sơn titled "Ca Dao Mẹ", which was performed by Don Hồ. The song included a reenactment of a bombing during the Vietnam War and showed a mother grieving over the death of her child and her husband. Some were offended by the song's antiwar message while others see this as an indictment against American and South Vietnamese troops even though the scene did not make it clear which side was doing the bombing. After a boycott, Thúy Nga reissued Paris by Night 40 with the bombing scenes removed. Paris by Night 40 is the most commercially successful production.[6] The director of the segment, Lưu Huỳnh, later went on to direct The White Silk Dress in Vietnam, a film with similar themes.

In Paris by Night 96, Thúy Nga Productions's Nguyễn Ngọc Ngạn wrote a skit about a Vietnamese American gay kid, starring Bang Kieu. This sparked conversations among Vietnamese American parents and their gay children. It helped build more tolerance for the Vietnamese American LGBT community overseas. This shows the company's cultural influence over the Vietnamese American culture, experience and audience.

There has also been increasing recent criticism of the production over-Americanizing its shows, with traditional Vietnamese culture and aspects no longer being emphasized as before, as well as the production largely losing its original French cabaret influence and roots. In fact, Paris by Night has not been filmed in its namesake city since 2003, Paris by Night 70.

• Thuy Nga's Forum.
• Thuy Nga France (In Vietnamese, French, & English).
• Thuy Nga worldwide shopping website.
• Thuy Nga – Channel at YouTube
• Thuy Nga Paris By Night Fan's Blog Archived 2011-02-18 at the Wayback Machine
• A. Smith & Co. Productions
• Nguyen Ngoc Ngan's Vuot Bien Account (Vietnamese).
• Nguyen Ngoc Ngan's Vuot Bien Account (English).