Patrick Galvin

Galvin was born in Cork in 1927 at a time of great political transition in Ireland. His mother was a Republican and his father a Free Stater which gave rise to ongoing political tension within the household and later informed his well loved poem "My Father Spoke with Swans" and his autobiographical memoir Song For a Poor Boy.[2] An autodidact, he came to know and love literature through the Russian, French and Irish classics. His early poetry shows the influences of Gaelic poetry whilst his later poetry reflects more international rhythms and themes. He had grown up during the time of the Spanish Civil war, influenced by his mother's Republican politics and later discovered a great affinity with the Andalusian poet, Federico García Lorca; these influences are evident in his epic poem about Michael Collins, 'The White Monument'. His childhood ended dramatically when he was sent to Daingean industrial school, noted for its abuse of young people in its care. This experience had a powerful influence on his earlier poetry which expresses the fear and brutality of that time:[3]

In his prose memoir Song For a Raggy Boy he contextualises those experiences within the Europe of the second world war. Irritated by Ireland's neutral stance he joined the Royal Air Force in 1943. His anti-war memoir Song for a Flyboy from 2003 records his war experiences and his play The Devil’s Own People from 1976 denounces Ireland's neutrality in the face of fascism and the Holocaust.

After the breakdown of his first marriage, at the age of 21, he went on to establish himself as a folksinger, songwriter and collector, recording nine volumes of folk songs as well as publishing Irish Songs of Resistance 1798 -1922.[4] He travelled widely during this period going behind the ‘Iron Curtain’ to East Germany as a troubadour. These experiences marked his work and his personal life. He began to publish poetry in many leading English and Irish journals and he co-founded and edited the literary magazine Chanticleer.[5] His first collection of poetry Heart of Grace, 1957 was closely followed by the second Christ in London, 1960. At that time he was also in the process of establishing himself as a playwright in London and Dublin where his work was closely monitored by the Catholic Church hierarchy in Ireland, which found that his play Cry the Believers was not one "to which young, impressionable minds could be exposed without risk to faith".[6] He was given the reputation of being the "Enfant terrible of the Irish Theatre" by one Irish critic. He came back to Ireland in the 1960s but, unable to adapt to the conservatism of that time, he returned to London and spent intervals abroad in Israel.

In 1973 he returned to Ireland, this time to Belfast as Writer in Residence at the Lyric Theatre. It also saw the publication of his third collection of poetry The Woodburners. That period of time with the Lyric Theatre established Galvin firmly as an exciting dramatist. His groundbreaking play We Do It For Love (the first satire about "the Troubles") broke all box office records for an Irish play at the Lyric. Through his work there he was influential in inspiring a new generation of writers in Northern Ireland. His final play at the Lyric, My Silver Bird, was an operetta based on the life and times of Grace O’Malley, dramatically culminating in the battle of Kinsale and the fall of the Gaelic order. The score was composed by Peadar O Riada. The play was first staged the night after Bobby Sands died and due to the prevailing political climate it was prevented from travelling to and showing at Cork Opera House as scheduled.

Galvin later went to live in Spain where he completed his fourth collection of poetry Folktales for the General. He returned to Cork in the 1980s and he began to work on his memoirs Song for a Poor Boy, Song For a Raggy Boy and Song for a Flyboy. In 1997 he wrote the screen play for Song For a Raggy Boy which got its world premiere at Cork Film Festival in 2003.

Patrick was Writer in Residence with East Midlands Arts (UK), DunLaoghaire Rathdown Council, Portlaoise Prison and finally with University College Cork where he was awarded a Doctorate of Literature in 2006. Galvin cofounded the 'Poetry Now Festival', which went on to become Ireland's leading poetry festival. With his wife Mary Johnson he co-founded the Munster Literature Centre in Cork which has given birth to the Frank O'Connor Festival and to the 'Frank O'Connor International Short Story Award, one of the largest in the world.

Throughout his life he has adapted his own work and other works for both BBC radio[7] and RTÉ radio. He travelled widely giving readings of both his prose and poetry, much of which is recorded in the Library of Congress in Washington. In 1984 he was elected to Aosdána. Patrick suffered a stroke in 2003. In spite of this, in 2005, the year of the City of Culture Cork, he co-translated the collection of poetry 'Everything But You'[8] from the original poetry of Turkish poet, Yilmaz Odabashi.

Latterly the constraints of his lengthy illness and his inability to give creative expression to his thoughts on the current state of Ireland, with its culture of greed, exploitation and refusal to deal with systematic physical and sexual clerical abuse, contributed greatly to his demise.[9]

Galvin was married four times, divorced three times, and had three sons and two daughters. He had one daughter, Christine Bygraves, from his first marriage. He was next married to Stella Jackson, and then for 27 years to Diana Ferrier (divorced 1978), with whom he had two sons, author Patrick Newley (died 2009) and film director Liam Galvin. His last marriage was to Mary Johnson, with whom he had a daughter, Grainne, and a son, Macdara. His widow died a few months after his death.[10]

• Irish Writers Online
• Aosdána (Irish Guild of Creative Artists)

• Podcast interview with Patrick Galvin recorded in March 2010 and Early recordings of Patrick reading some of his work
• A selection of Patrick Galvin's poetry at Poetry International Web
• Recording of Patrick Galvin singing his own song, James Connolly, in 1981 on YouTube