Peter Koppes

On his return in March 1980, Koppes came to Sydney and formed a three-piece band, Limazine, in Sydney with Nick Ward (AKA Nigel Murray) on drums, and began performing. It was not long before Koppes again teamed up to play music with Steve Kilbey who had recently moved there too. Following an invitation to play a support from a manager/promoter friend, they formed The Church.[2][3] Supposedly, the name was chosen as it was unclaimed, but later allusions to spiritual interests by Kilbey hint that it was less coincidental, and it has been stated in Robert Dean Lurie's book on Steve Kilbey that the name comes from a line in the David Bowie song "Moonage Daydream": 'The Church of Man, love, Is such a holy place to be'. At this time, Marty Willson-Piper (originally from Liverpool, United Kingdom) arrived in Australia. He attended a show with a friend of Koppes and was asked to join the band because he could play guitar, looked like he belonged in the band, and the music needed another player to develop it further. Initially, only Koppes was a fully proficient musician, Kilbey was an erratic bass guitarist and Willson-Piper was searching for his guitar style. Included in the original Church lineup was ex-Limazine drummer Nick Ward, who had been a school colleague of Steve's. Together they arranged and completed Kilbey's song ideas, and made a demo tape utilising studio time at a friend's 4 Track studio to record backing tracks that would later be overdubbed at home using Steve and Nick's recorders.

Willson-Piper contributed to the demo, and with Koppes spent a week arranging his parts for some live shows. At the same time Koppes had garnered interest from publisher Chris Gilbey, of The Beatles' publishing company Northern Songs who then witnessed the first and only rehearsal with Willson-Piper before the gigs, however he missed the first show and the second was cancelled due to the band not wanting to risk being unable to pay for the PA and lights. Koppes then announced to Chris that the band couldn't continue and was disbanding. Gilbey said he would sign the band anyway, paying them a stipend, putting them in a rehearsal studio, recording an album. Gilbey found them an agent, leading to a record release with EMI.

The Church achieved early chart success in Australia with songs such as 'The Unguarded Moment' and 'Almost With You' that were also released internationally. The band also gained recognition for its distinctive jangling harmony guitar style which was originally instigated by Koppes and sometimes mistakenly attributed solely to 12 string electric guitar.

Soon after recording the second album The Blurred Crusade however, Koppes became disenchanted with several non-musical aspects of the band and intended to depart. He was convinced to return to participate in an Australian tour to promote the album which was then followed by a US visit with Kilbey to meet Capitol Records who were interested in signing the band.

Thereafter Koppes continued with The Church to tour internationally, recording several more albums, though he recommenced writing and recording his own songs. His song 'As You Will' was included as a B/side and extra CD track for the band's Heyday album and some of the demos were released in 1987 as an EP called 'When Reason Forbids - A Requiem' and the album 'Manchild And Myth' on an independent Australian label, Session Records. Later Rykodisc would combine them for release in the USA where the record attracted favourable notice in Billboard magazine's 'Recommended' section.

In 1988, The Church had strong chart success in the US and Australia with 'Under The Milky Way' and its corresponding album Starfish (album) which included a song written earlier by Koppes called 'A New Season". Pressures and extended absences may have brought about the split in Koppes's marriage, a topic which features in some songs on his second album 'From The Well' recorded and released soon after. At the time, Steve also invited Koppes to write and record some songs for his double solo album Remindlessness and he contributed "Danielle" and "Soul Sample".

The Church then recorded Gold Afternoon Fix, which featured Koppes's song "Transient". This soon became a fan favourite and a much loved inclusion in their live set. This was followed by the album 'Priest=Aura'. Koppes had at that stage been a continuous (as well as founding) member of The Church, except for the four-year period 1992–1996. Due to mounting frustrations with artistic constraints on his input, Peter again felt disconnected from the band. Koppes' decision to leave The Church reflected two main factors; the band earned zero dollars for the two-week tour of Australia after all expenses had been paid, and secondly, he continued to feel shut out of the creative process - a long-standing complaint that stretched back at least as far as the Seance (album) days, if not further.[4] After recording the Priest=Aura album with the band, Koppes departed, leaving Steve Kilbey and Marty Willson-Piper the only remaining members. Temporary drummer Jay Dee Daugherty (Patti Smith Group) played with the lineup for a while. Kilbey and Willson-Piper recorded Sometime Anywhere as The Church even though they were at that time effectively a duo.

Koppes pursued his interest in his solo band The Well with ex-Flowers/Icehouse keyboardist Anthony Smith, and bassist Jim Leone of the Celibate Rifles. This band also included recently removed drummer of The Church, Richard Ploog, who had earlier invited Koppes to record and perform with Celibate Rifles' Damien Lovelock's solo project The Wigmen. They also performed some of Koppes's songs from his first album when they played live.

As well as his contributions to The Church, Koppes has also released several solo albums, and albums with his group The Well (1989-1995), which largely occupied his time on hiatus from The Church. The Well featured former Church drummer Richard Ploog on drums, Anthony Smith (inaugural keyboardist for Flowers/Icehouse) and Jim Leone of The Celibate Rifles on bass. The Well played live and recorded songs that were released as an EP called Iridescence and later the fan favourite solo album Water Rites.

There was still contact with Steve Kilbey, who asked Koppes to play guitar on some songs for albums he was producing, Australian artists Margot Smith's Adored and Lifetime, Stephen Cummings' Everything Breaks Your Heart, and Canadian Mae Moore's Full Circle.

Koppes collaborated on songwriting with singer Margot Smith, and played in her live band. (Steve Kilbey and Tim Powles also co-wrote, played and/or produced some of Smith's material on her first two albums Sleeping with the Lions (1993) and Taste (1998). Smith died in 2011; her third album Inhumaninane was released posthumously.

Koppes returned to The Church as a guest player on the album Magician Among the Spirits in 1996. In 1997 Koppes participated in what would become a new incarnation of the Church - under the title of The Refo:mation, Koppes, Kilbey and new drummer Powles (who had debuted on Sometime Anywhere) recorded the album Pharmakoi/Distance-Crunching Honchos with Echo Units.

This reunification of sorts led to a suggestion that The Church reform for a tour to raise interest and funds for recording another album. This it did, producing Hologram of Baal released in 1998, marking Koppes' formal return to the Church fold.

During this same period Koppes's Immersion Music record label was set up in partnership with mentor Sebastian Chase of MGM Distribution, to represent his previous solo catalogue and new solo release 'Love Era/Irony'. Included, was an album by Margot Smith called 'Taste' which featured Peter, Steve Kilbey and Tim Powles.

The Church, reinvigorated, has since released many more lauded albums including the A Box Of Birds covers album, and After Everything Now This. On the Parallel Universe album, Peter sang the psychedelic 'Reward', on Forget Yourself the sublime 'Appalatia', on Uninvited, Like the Clouds he sings the epic 'Never Before', and on Untitled #23 vinyl edition, the very memorable 'LLC ' (an anagram for Little Love Central).

In 2002, Koppes released his 5th solo album 'Simple Intent'. He was involved in various stints including co-writing and recording the song "Moon Over Water" with Sydneysider New Folk artist David Lane in 2003, and as session guitarist on various tracks of Australian Hip Hop artist Figg Kidd's 2003 major label album, 'What Is Figg Kidd?'.

Since relocation to the Sunshine Coast in Queensland Australia in 2004, Koppes has developed a songwriting relationship with fellow local/international singer/songwriter Michelle Bradford-Jones. They produced soundtrack material and anthem song 'Journey of Friends ' for a fundraising cancer benefit documentary commemorating the Smiling For Smiddy Foundation.

Not announced officially until mid 2020 was Koppes' departure again from The Church in mid-2019, following cancellation of the rest of the year's touring due to Tim Powles' severe foot injury sustained on the last date of that USA tour.

Since then he has produced and played on songs by emerging young local female singer songwriter Mayah, whose 2019 debut single 'Endless Mistakes' achieved almost 500,000 streams within a year, and a second single 'Butterflies (The Rush Inside)', released in early 2020, achieved 40,000 streams in six months. Live streams of three performances were made together during the CoronaVirus-19 pandemic.

In July 2020, an EP released by Emma Tomlinson, also a Sunshine Coast singer-songwriter, featured Koppes on finger-style nylon guitar and Ebow electric guitar, for the highlight track 'Silver Lightning'. They have also appeared live together on occasions, such as Emma's sold-out show for Noosa Alive Festival in 2019.

In September 2020 following two singles and an EP, Koppes' recording ensemble Syncretism, with guitarist Dave Scotland released the 'Lone Drifters?' album. Scotland had been a fellow member of Baby Grande, the Canberra glam rock band founded in the 1970s with Steve Kilbey later of The Church. Dave Scotland had remained largely unknown except as a very celebrated guitarist by those who have heard his extraordinary style of playing, left-handed on a right-handed guitar. The modern-sounding album is a co-production of Scotland's songs and Koppes' lyrics, rich with guitars and effects.

In August 2022 an album of 56 short piano instrumentals with orchestral effects was released exemplifying revolutionary music theory relating to Modes and Scales associated with Augmented Chords and Diminished Chords as well as the previously unidentified seven note scale/mode for the Dominant7#9 chord also known as unofficially as the Hendrix Chord.