Peter Zummo

Writing in the British culture blog "The Ransom Note," Tim Wilson commented that some of Zummo's "most familiar" music was created with cellist Arthur Russell.[6] Zummo played on most of Russell's recordings and produced several of them.[7][4] Their collaborations in multiple musical styles included Russell's disco single, “Kiss Me Again.” In it, according to a review in The New Yorker, “phrases emerge and wrap around each other: Peter Zummo’s gorgeous trombone motif, Russell’s pizzicato cello theme, and a growing drone of loud, dissonant guitars…When the smoke clears, genre is just a memory.”[8] In 2014, Zummo and longtime collaborators, bass player Ernie Brooks and percussionist Bill Ruyle, recorded Russell's This Love Is Crying with New Zealand musician and composer Liam Finn.[9][10]

Russell, in turn, played often for Zummo, notably on the Bessie Award–winning composition Lateral Pass, created for a dance by choreographer Trisha Brown, with a stage set by artist Nancy Graves.[11] In 2014, Foom Music, in London, released an original recording of this 1985 piece. According to Piccadilly Records, the CD demonstrated that “Zummo’s signature trombone style, renowned for its rich and soothing tone, has become one of the most beloved features of Russell’s celebrated sound."[12]

Peter Zummo, Arthur’s Landing at the New Museum, 2009

In the fall of 2014, Mikhail Barishnikov's Baryshnikov Arts Center, in New York City, awarded a residency for the creation of new work to Zummo and Brooks.[13] Additional support over the years has come from the National Endowment for the Arts, the New York State Council on the Arts, Meet the Composer, the New York Foundation for the Arts, and other funders.[3]

Zummo appears as himself in Jonathan Demme's Accumulation with Talking Plus Water Motor, a film featuring Trisha Brown,[14] and in Wild Combination: A Portrait of Arthur Russell, a documentary by Matt Wolf.[15] Zummo contributed to the score of Tramas, Italian director Augusto Contento's cinematic portrait of São Paulo, Brazil, worked with artist Donald Judd to realize Trisha Brown's Newark, and played for Andrei Șerban–Liz Swados collaborations, including Fragments of a Greek Trilogy.[16][17][18]

Performing for other bandleaders, Zummo has appeared in the Lounge Lizards, Gods and Monsters, Stephen Gaboury’s B-Twist Orchestra for the dance company Ballets with a Twist, Go: Organic Orchestra, Tilt Brass, Downtown Ensemble, Flexible Orchestra, The Necessaries, and Dinosaur L. He has also played in units put together by composers David Behrman, Philip Corner, Guy De Bievre, Tom Hamilton, William Hellerman, Annea Lockwood, Jackson MacLow, Ben Neill, Phill Niblock, Pauline Oliveros, Vernon Reid, Steve Swell, Yasunao Tone, Lise Vachon, Yoshi Wada, and others.[3][1][19] Zummo performed on Teo Macero’s Fusion, which featured both the Lounge Lizards and the London Philharmonic Orchestra.[20]

After Zummo's early classical-music education in his hometown, Cleveland, Ohio, he earned bachelor’s and master’s degrees in music and composition at Wesleyan University, in Middletown, Connecticut.[21][22] There he studied with John Cage, Alvin Lucier, Ken McIntyre, Clifford Thornton, Daoud Haroon, Dick Griffin, and Sam Rivers, among others.[3][1] After leaving Wesleyan, Zummo moved to New York City, where he continued trombone studies with Carmine Caruso and Roswell Rudd and sought out the influences of James Fulkerson and Stuart Dempster.[3][19]

In New York City, Zummo developed extended techniques for the trombone and other instruments and created many works, including several with his wife, then-choreographer and dancer Stephanie Woodard. For several years, he wrote music and performance reviews in the SoHo Weekly News.[6] For a 2006 article by “Blue” Gene Tyranny in Dram, Zummo described his compositional approach as being about “persons not instruments,” elaborating that he provides “material for musicians and sufficient instructions, so they don’t make arbitrary but rather logical or heartfelt decisions.” His work, Zummo continued, thus “engenders a social situation reflecting modern society.”[3]

Zummo was senior faculty advisor with the New York Arts Program, a New York City-based project of Ohio Wesleyan University and the Great Lakes Colleges Association, and artistic director of The Loris Bend Foundation, a nonprofit presenter of music, dance, and media.[23][3]

Peter Zummo, Arthur’s Landing at the New Museum, 2009

Selected works:[24][3]