Peterhouse, Cambridge

The foundation of Peterhouse dates to 1280, when letters patent from Edward I dated Burgh, Suffolk, 24 December 1280 allowed Hugh de Balsham, to keep a number of scholars in the Hospital of St John,[7] where they were to live according to the rules of the scholars of Merton.[8] After disagreement between the scholars and the Brethren of the Hospital, both requested a separation.[9] As a result, in 1284 Balsham transferred the scholars to the present site with the purchase of two houses just outside the then Trumpington Gate to accommodate a Master and fourteen "worthy but impoverished Fellows". The Church of St Peter without Trumpington Gate was to be used by the scholars.[9] Bishop Hugo de Balsham died in 1286, bequeathing 300 marks that were used to buy further land to the south of St Peter's Church, on which the college's Hall was built.

The earliest surviving set of statutes for the college was given to it by the then Bishop of Ely, Simon Montacute, in 1344. Although based on those of Merton College, these statutes clearly display the lack of resources then available to the college. They were used in 1345 to defeat an attempt by Edward III to appoint a candidate of his own as scholar. In 1354–55, William Moschett set up a trust that resulted in nearly 70 acres (280,000 m²) of land at Fen Ditton being transferred to the College by 1391–92. The College's relative poverty was relieved in 1401 when it acquired the advowson and rectory of Hinton through the efforts of Bishop John Fordham and John Newton. During the reign of Elizabeth I, the college also acquired the area formerly known as Volney's Croft, which today is the area of St Peter's Terrace, the William Stone Building and the Scholars' Garden.

In 1553, Andrew Perne was appointed Master. His religious views were pragmatic enough to be favoured by both Mary I, who gave him the Deanery of Ely, and Elizabeth I. A contemporary joke was that the letters on the weathervane of St Peter's Church could represent "Andrew Perne, Papist" or "Andrew Perne, Protestant" according to which way the wind was blowing.[9] Having previously been close to the reformist Regius Chair of Divinity, Martin Bucer, later as vice-chancellor of the university Perne would have Bucer's bones exhumed and burnt in Market Square. John Foxe in his Actes and Monuments singled this out as "shameful railing". There is a hole burnt in the middle of the relevant page in Perne's own copy of Foxe.[10] Perne died in 1589, leaving a legacy to the college that funded a number of fellowships and scholarships, as well bequeathing an extensive collection of books. This collection and rare volumes since added to it is now known as the Perne Library.

St Peter's College, view from Trumpington Street, 1815

Between 1626 and 1634, the Master was Matthew Wren. Wren had previously accompanied Charles I on his journey to Spain to attempt to negotiate the Spanish Match. Wren was a firm supporter of Archbishop William Laud, and under Wren the college became known as a centre of Arminianism. This continued under the Mastership of John Cosin, who succeeded Wren in 1634. Under Cosin significant changes were made to the college's Chapel to bring it into line with Laud's idea of the "beauty of holiness".[9] On 13 March 1643, in the early stages of the English Civil War, Cosin was expelled from his position by a Parliamentary ordinance from the Earl of Manchester. The Earl stated that he was deposed "for his opposing the proceedings of Parliament, and other scandalous acts in the University".[11] On 21 December of the same year, statues and decorations in the Chapel were pulled down by a committee led by the Puritan zealot William Dowsing.[9][12]

The college was the first in the University to have electric lighting installed, when Lord Kelvin provided it for the Hall and Combination Room to celebrate the College's six-hundredth anniversary in 1883–1884. It was the second building in the country to get electric lighting, after the Palace of Westminster.[5]

The college developed a strong reputation for the teaching of history from the time of Harold Temperley,[13] and during World War II its fellowship simultaneously included four professors in the university's faculty for that subject – Herbert Butterfield, David Knowles, Michael Postan and Denis Brogan.[14]

In the 1980s Peterhouse acquired an association with Conservative, Thatcherite politics. Maurice Cowling and Roger Scruton were both influential fellows of the College and are sometimes described as key figures in the so-called "Peterhouse right" – an intellectual movement linked to Margaret Thatcher.[15] The Conservative politicians Michael Portillo and Michael Howard both studied at Peterhouse. During this period, which coincided with the mastership of Hugh Trevor-Roper, the college endured a period of significant conflict among the fellowship, particularly between Trevor-Roper and Cowling.[16]

Trevor-Roper feuded constantly with Cowling and his allies, while launching a series of administrative reforms. Women were admitted in 1983 at his urging. The British journalist Neal Ascherson summarised the quarrel between Cowling and Trevor-Roper as:

Lord Dacre, far from being a romantic Tory ultra, turned out to be an anti-clerical Whig with a preference for free speech over superstition. He did not find it normal that fellows should wear mourning on the anniversary of General Franco's death, attend parties in SS uniform or insult black and Jewish guests at high table. For the next seven years, Trevor-Roper battled to suppress the insurgency of the Cowling clique ("a strong mind trapped in its own glutinous frustrations"), and to bring the college back to a condition in which students might actually want to go there. Neither side won this struggle, which soon became a campaign to drive Trevor-Roper out of the college by grotesque rudeness and insubordination.[17]

In a review of Adam Sisman's 2010 biography of Trevor-Roper, the Economist wrote that picture of Peterhouse in the 1980s was "startling", stating the college had become under Cowling's influence a sort of right-wing "lunatic asylum", who were determined to sabotage Trevor-Roper's reforms.[18] In 1987 Trevor-Roper retired complaining of "seven wasted years."[19]

Peterhouse may have been one of the sources of inspiration for Tom Sharpe's Porterhouse Blue.[20]

In the 20th century Peterhouse has established a more modern and welcoming reputation.

The area closest to Trumpington Street is referred to as First Court. It is bounded to the north by the Burrough's Building (added in the 18th century), to the east by the street, to the south by the Porters' lodge and to the west by the chapel. Above the Porters' lodge is the Perne Library, named in honour of Andrew Perne, a former Master, and originally built in 1590 to house the collection that he donated to the college. It was extended towards the road in 1633 and features interior woodwork that was added in 1641–48 by William Ashley, who was also responsible for similar woodwork in the chapel.[21] Electric lighting was added to the library in 1937.[22] The area above the Perne Library was used as the Ward Library (the college's general purpose library) from 1952 to 1984, but that has now been moved to its own building in the north-west corner of the college site.[23]

The Burrough's Building is situated at the front of the college, parallel to the Chapel. It is named after its architect, Sir James Burrough, the Master of Caius,[24] and was built in 1736. It is one of several Cambridge neo-Palladian buildings designed by Burrough. Others include the remodelling of the Hall and Old Court at Trinity Hall and the chapel at Clare College. The building is occupied by fellows and college offices.

Peterhouse's Dining Hall

Old Court lies beyond the Chapel cloisters. To the south of the court is the dining hall, the only College building that survives from the 13th century. Between 1866 and 1870, the hall was restored by the architect George Gilbert Scott, Jr. Under Scott, the timber roof was repaired and two old parlours merged to form a new Combination Room. The stained glass windows were also replaced with Pre-Raphaelite pieces by William Morris, Ford Madox Brown and Edward Burne-Jones.[9] The fireplace (originally built in 1618) was restored with tiles by Morris, including depictions of St Peter and Hugo de Balsham.[25] The hall was extensively renovated in 2006-7.

The north and west sides of Old Court were added in the 15th century, and classicised in the 18th century.[9] The chapel makes up the fourth, east side to the court. Rooms in Old Court are occupied by a mixture of fellows and undergraduates. The north side of the court also house Peterhouse's MCR (Middle Combination Room).

Interior of the Chapel

Viewed from the main entrance to Peterhouse on Trumpington Street, the altar end of the Chapel is the most immediately visible building. The Chapel was built in 1628 when the Master of the time Matthew Wren (Christopher Wren's uncle) demolished the college's original hostels. Previously the college had employed the adjacent Church of St Mary the Less as its chapel. The Chapel was consecrated on 17 March 1632 by Dr Francis White, Bishop of Ely.[7] The building's style reflects the contemporary religious trend towards Arminianism. The Laudian Gothic style of the Chapel mixes Renaissance details but incorporated them into a traditional Gothic building. The Chapel's Renaissance architecture contains a Pietà altarpiece and a striking ceiling of golden suns. Its placement in the centre of one side of a court, between open colonnades is unusual, being copied for a single other college (Emmanuel) by Christopher Wren.[26] The original stained glass was destroyed by Parliamentarians in 1643, with only the east window's crucifixion scene (based on Rubens's Le Coup de Lance) surviving.[nb 1] The current side windows are by Max Ainmiller, and were added in 1855. The cloisters on each side of the Chapel date from the 17th century. Their design was classicised in 1709, while an ornamental porch was removed in 1755. The Peterhouse Partbooks, music manuscripts from the early years of the Chapel, survive, and are one of the most important collections of Tudor and Jacobean church music. The Chapel Choir, one of the smallest in Cambridge, has recently attracted wider interest for its regular performances of this material, some of which has not been heard since the 16th century. The restoration of the 1763 John Snetzler organ in the Chapel was by Noel Mander.

The first person buried in the Chapel was Samuel Horne, a fellow of the college.[7] Horne was probably chaplain.

I and H staircases, Gisborne Court, Peterhouse

Gisborne Court is accessible through an archway leading from the west side of Old Court. It was built in 1825-6.[9] Its cost was met with part of a benefaction of 1817 from the Rev. Francis Gisborne, a former fellow. The court is built in white brick with stone dressings in a simple Gothic revival style from the designs of William McIntosh Brookes. Only three sides to the court were built, with the fourth side being a screen wall. The wall was demolished in 1939, leaving only its footing.[28] Rooms in Gisborne Court are mainly occupied by undergraduates. Many previously housed distinguished alumni, including Lord Kelvin in I staircase.

Whittle Building in Gisborne Court, Peterhouse.

The Whittle Building, named after Petrean Frank Whittle, opened on the western side of Gisborne Court in early 2015. Designed in neo-gothic style by John Simpson Architects, it contains en-suite undergraduate accommodation, the student bar and common room, a function room and a gym. Its design recalls that of the original screen-wall that once stood in its place.[29] In 2015 the building was shortlisted for the Carbuncle Cup, given annually by the magazine Building Design to "the ugliest building in the United Kingdom completed in the last 12 months".[30][31]

Beyond Gisborne Court is Fen Court, a 20th-century building partially on stilts. Fen Court was built between 1939 and 1941 from designs by H. C. Hughes and his partner Peter Bicknell.[32] It was amongst the earliest buildings in Cambridge designed in the style of the Modern Movement pioneered by Walter Gropius at the Bauhaus. The carved panel by Anthony Foster over the entrance doorway evokes the mood in Britain as the building was completed. It bears the inscription DE PROFUNDIS CLAMAVI MCMXL — "out of the depths have I cried out 1940". These are the first words of Psalm 130, one of the Penitential Psalms. Alongside the inscription is a depiction of St Peter being saved from the sea.

An adjacent bath-house, known as the Birdwood Building, used to make up the western side of Gisborne Court. This was also designed by Hughes and Bicknell, and was built between 1932 and 1934.[32] It was demolished in 2013 to make way for the new Whittle Building.

The north-west corner of the main site is occupied by former Victorian warehouses containing the Ward Library, as well as a theatre and function room. The building it is housed in was originally the University's Museum of Classical Archaeology and was designed by Basil Champneys in 1883. It was adapted to its modern purpose by Robert Potter in 1982 and opened in its current form as a library two years later. In recent years, the final gallery of the old museum building has been converted into a reading room, named the Gunn Gallery, after Dr Chan Gunn.[33]

Exterior of the Hall, leading to the Deer Park.

While officially being named the Grove, the grounds to the south of Gisborne Court have been known as the Deer Park since deer were brought there in the 19th century. During that period it achieved fame as the smallest deer park in England. After the First World War the deer sickened and passed their illness onto stock that had been imported from the Duke of Portland's estate at Welbeck Abbey in an attempt to improve the situation. There are no longer any deer.

Peterhouse Deer Park in Spring

The remainder of the college's gardens divide into areas known as the Fellows' Garden, just to the south of Old Court, and the Scholars' Garden, at the south end of the site, surrounding the William Stone Building.

William Stone Building, Scholars' Garden

The William Stone Building stands in the Scholars' Garden and was funded by a £100,000 bequest from William Stone (1857–1958), a former scholar of the college. Erected in 1963-4, to a design by Sir Leslie Martin and Sir Colin St John Wilson, it is an eight-storey brick tower[34] housing eight fellows and 24 undergraduates. It has been refurbished, converting the rooms to en-suite.

The college also occupies a number of buildings on Trumpington Street.[35]

The Master's Lodge is situated across Trumpington Street from the College, and was bequeathed to the College in 1727 by a fellow, Dr Charles Beaumont, son of the 30th Master of the college, Joseph Beaumont. It is built in red brick in the Queen Anne style.[5]

The Hostel is situated next to the Master's Lodge. It was built in a neo-Georgian style in 1926 from designs by Thomas Henry Lyon. The Hostel was intended to be part of a larger complex but only one wing was built. It currently houses undergraduates and some fellows. During World War II the London School of Economics was housed in The Hostel and nearby buildings, at the invitation of the Master and Fellows.[36]

Behind the Hostel lies Cosin Court, which provides accommodation for fellows and mature, postgraduate, and married students. The court is named for John Cosin (1594–1672) who was successively Master of Peterhouse, Vice-Chancellor of Cambridge University and Prince-Bishop of Durham.

This row of Georgian townhouses houses first-year undergraduates, fellows, and some graduate students in basement flats. It is directly in front of the William Stone Building.[37]

Peterhouse has five Nobel laureates associated with it, either as former students or fellows.