James Mason
James Neville Mason (/ˈmeɪsən/; 15 May 1909 – 27 July 1984) was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945). He starred in Odd Man Out (1947), the first recipient of the BAFTA Award for Best British Film.
James Mason | |
|---|---|
 Mason, 1940s | |
| Born | James Neville Mason 15 May 1909 Huddersfield, West Riding of Yorkshire, England |
| Died | 27 July 1984 (aged 75) Lausanne, Switzerland |
| Alma mater | Peterhouse, Cambridge |
| Occupation | Actor |
| Years active | 1931–1984 |
| Spouses | |
| Children | |
| Family | Belinda Carlisle (daughter-in-law) |
Mason starred in such films as George Cukor's A Star Is Born (1954), Alfred Hitchcock's North by Northwest (1959), Stanley Kubrick's Lolita (1962), Warren Beatty's Heaven Can Wait (1978), and Sidney Lumet's The Verdict (1982). He also starred in a number of successful British and American films from the 1950s to the early 1980s, including: The Desert Fox (1951), Julius Caesar (1953), Bigger Than Life (1956), 20,000 Leagues Under the Sea (1954), Journey to the Center of the Earth (1959), Georgy Girl (1966), and The Boys from Brazil (1978).
Mason was nominated for three Academy Awards, three Golden Globes (winning the Golden Globe in 1955 for A Star is Born) and two BAFTA Awards throughout his career. Following his death in 1984, his ashes were interred near the tomb of his close friend, fellow English actor Sir Charlie Chaplin.
Early life, family and education
Mason was born on 15 May 1909, in Huddersfield, in the West Riding of Yorkshire, the youngest of three sons of John Mason and Mabel Hattersley, daughter of Joseph Shaw Gaunt.[1][2] A wealthy wool merchant like his father before him, John Mason travelled a good deal on business, mainly in France and Belgium; Mabel – who was "uncommonly well-educated" and had lived in London to study and begin work as an artist before returning to Yorkshire to care for her father – was "attentive and loving" in raising her sons.[3] The Masons lived in a house in its own grounds on Croft House Lane in Marsh, which was replaced in the mid-1970s by flats called Arncliffe Court. A small residential development opposite where the house once stood is now called James Mason Court.
Mason was educated at Marlborough College and took a first in architecture at Peterhouse, Cambridge, where he became involved in stock theatre companies in his spare time. He had no formal training in acting and initially embarked upon it for fun.
Career
1931–1939: Early roles
After Cambridge, Mason made his stage debut in Aldershot in The Rascal in 1931.[4][5] He joined the Old Vic theatre in London under the guidance of Tyrone Guthrie.[6] While there he appeared in productions of The Cherry Orchard, Henry VIII, Measure for Measure, The Importance of Being Earnest, Love for Love, The Tempest, Twelfth Night, and Macbeth. Featuring in many of these were Charles Laughton and Elsa Lanchester. In the mid-1930s he also appeared at the Gate Theatre, Dublin, notably in Pride and Prejudice with Betty Chancellor.[7] In 1933, Alexander Korda gave Mason a small role in The Private Life of Don Juan but sacked him three days into shooting.[8]
From 1935 to 1938, Mason starred in many British quota quickies, starting with his first film Late Extra (1935), in which he played the lead. Albert Parker directed. Mason appeared in Twice Branded (1936); Troubled Waters (1936), also directed by Parker; Prison Breaker (1936); Blind Man's Bluff (1936), for Parker's The Secret of Stamboul (1936), and The Mill on the Floss (1936), an "A" movie. Mason had a key support role in Korda's Fire Over England (1937) with Laurence Olivier and Vivien Leigh. He was in another "A", The High Command (1937) directed by Thorold Dickinson, then went back to quickies, starring in Catch As Catch Can (1937), directed by Roy Kellino. Korda cast him as the villain in The Return of the Scarlet Pimpernel (1937)
Mason began appearing in some televised productions of plays, made in the very early days of television: Cyrano de Bergerac (1938), The Moon in the Yellow River (1938), Bees on the Boat-Deck (1939), Square Pegs (1939), L’Avare (1939), and The Circle (1939). He returned to features with I Met a Murderer (1939) based on a story by Mason and Pamela Kellino, who also starred with Mason and whom he would marry. Her husband Roy Kellino directed.
1941–1957: Leading man status
Second World War
He registered as a conscientious objector during World War II (causing his family to break with him for many years) but his tribunal did not exempt him on the requirement to do non-combatant military service, which he also refused to perform. He appealed against that aspect of the tribunal's decision.[9] His appeal became irrelevant once he was included in a general exemption for film work.[10] In 1941–42 he returned to the stage to appear in Jupiter Laughs by A. J. Cronin. He established himself as a leading man in Britain in a series of films: The Patient Vanishes (1941); Hatter's Castle (1941) with Robert Newton and Deborah Kerr; The Night Has Eyes (1941); Alibi (1942) with Margaret Lockwood; Secret Mission (1942); Thunder Rock (1942) with Michael Redgrave; and The Bells Go Down (1943) with Tommy Trinder.
Mason became hugely popular for his brooding anti-heroes, and occasional outright villains, in the Gainsborough series of melodramas of the 1940s, starting with The Man in Grey (1943). The film was a huge hit and launched him and co-stars Lockwood, Stewart Granger and Phyllis Calvert, to top level stars. Mason starred in two war time dramas, They Met in the Dark (1943) and Candlelight in Algeria (1944), then returned to Gainsborough melodrama with Fanny By Gaslight (1944) with Granger and Calvert; it was another big hit. Mason starred in Hotel Reserve (1944), a thriller, then did a ghost story for Gainsborough with Lockwood, A Place of One's Own (1945). Far more popular was a melodrama, They Were Sisters (1945).[11][12]
Sydney Box cast Mason in a psychodrama about musicians, The Seventh Veil (1945) as the tyrannical guardian of pianist Ann Todd. It was a huge success in Britain and the US and demand for Mason was at a fever pitch. Exhibitors voted him the most popular star in Britain in each year between 1944 and 1947. They also thought he was the most popular international star in 1946; he dropped to second place the following year.[13][14] He was the most popular male star in Canada in 1948.[15]
Mason had a relatively minor role in The Wicked Lady (1945) with Lockwood, a big hit. Mason then received his best reviews to date playing a mortally wounded IRA bank robber on the run in Carol Reed's Odd Man Out (1947).[16][17] Mason was able to turn producer with Sydney Box on The Upturned Glass (1947), which starred Mason with a script by Mason's wife. It was not particularly successful. Neither was Bathsheba, a play the Masons did on Broadway. Mason went to Hollywood for his first film, Caught (1949), directed by Max Ophüls. Mason then played Gustave Flaubert in MGM's Madame Bovary (1949). He did another with Ophüls, The Reckless Moment (1949), and followed that with East Side, West Side (1949) with Barbara Stanwyck at MGM and One Way Street (1950) at Universal. He made Pandora and the Flying Dutchman (1951) with Ava Gardner. None of these films was particularly successful.
Films at 20th Century Fox
Mason's Hollywood career was revived when he was cast as General Rommel in The Desert Fox: The Story of Rommel (1951), directed by Henry Hathaway. To do the film he agreed to sign a contract with 20th Century Fox for seven years at one film a year.[18] Mason did a film at Republic Pictures written by his wife and directed by Roy Kellino, Lady Possessed (1951). At Fox, he played a spy in 5 Fingers (1951), directed by Joseph L. Mankiewicz. MGM hired him to play Rupert of Hentzau in The Prisoner of Zenda (1952) opposite Granger. He was in the lower budgeted Face to Face (1952) then went to Paramount to play a villainous sea captain opposite Alan Ladd in Botany Bay (1953).
Mason was one of many stars in MGM's The Story of Three Loves (1953). At Fox, he reprised his role as Rommel in The Desert Rats (1953), then he was reunited with Mankiewicz at MGM, playing Brutus in Julius Caesar (1953), opposite Marlon Brando. The film was very successful. Mason worked with Carol Reed in The Man Between (1953), then Fox used him as a villain again in Prince Valiant (1954). Mason did another film with a screenplay by his wife and directed by Roy Kellino, Charade (1954).
Warner Bros., hired him to play Judy Garland's leading man in the George Cukor directed musical drama film A Star Is Born (1954). He took the role after Cary Grant turned the role down. Mason won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy and was nominated for the Academy Award for Best Actor. Jack Moffitt of The Hollywood Reporter praised the film writing, "A Star Is Born is the perfect blend of drama and musical — of cinematic art and popular entertainment."[19]
He went over to Disney to play Captain Nemo in 20,000 Leagues Under the Sea (1954), a huge hit which also starred Kirk Douglas. During 1954 and 1955, Mason was the host of some episodes of Lux Video Theatre on CBS television.[20] Mason appeared with Lucille Ball and Desi Arnaz in Forever, Darling (1956) then starred in and produced a film at Fox, Bigger Than Life (1956), directed by Nicholas Ray. Mason played a small-town school teacher driven insane by the effects of cortisone. He did another for Fox, the hugely popular melodrama, Island in the Sun (1957).
1958–1970: Established actor
_James_Mason.jpg.webp)
Mason began appearing regularly on television in shows such as Panic!, General Electric Theater, Schlitz Playhouse, Goodyear Theatre and Playhouse 90 (several episodes including John Brown's Raid). He starred in two thrillers for Andrew L. Stone, Cry Terror! (1958) and The Decks Ran Red (1958) then played a suave master spy hunting down Cary Grant with romantic assistance from Eva Marie Saint in North by Northwest (1959), directed by Alfred Hitchcock.
At Fox he had a huge hit returning to Jules Verne science fantasy as the determined Scottish scientist and explorer in Journey to the Centre of the Earth (1959), taking over a role meant for Clifton Webb. He did a comedy A Touch of Larceny (1960) and was Sir Edward Carson in The Trials of Oscar Wilde (1960). He continued to appear on TV shows like The DuPont Show with June Allyson, Golden Showcase, Theatre '62 and The Alfred Hitchcock Hour.
He did The Marriage-Go-Round (1961), then played Dolores' sexually obsessive stepfather Humbert Humbert in Stanley Kubrick's version of Lolita (1962). He starred in Tiara Tahiti (1962), then Hero's Island (1962), which he also produced. He was in Torpedo Bay (1963).
In 1963 Mason settled in Switzerland, and embarked on a transatlantic career.[21] He began to drift into support roles, or second leads: the epic The Fall of the Roman Empire (1964); The Pumpkin Eater (1964), with Anne Bancroft; a river pirate who betrays Peter O'Toole's character in Lord Jim (1965); a Chinese noble in Genghis Khan (1965); The Uninhibited (1965); a guest role on Dr Kildare; James Leamington in the Swinging London-set Georgy Girl (1966), a role that earned him a second Academy Award nomination, this one for Best Actor in a Supporting Role.
In 1967, Mason narrated the documentary The London Nobody Knows. An ardent cinephile on top of his career interests, Mason narrated two British documentary series supervised by Kevin Brownlow: Hollywood (1980), on the silent cinema and Unknown Chaplin (1983), devoted to out-take material from the films of Sir Charlie Chaplin. Mason had been a long-time neighbour and friend of the actor and director Charlie Chaplin. In the late 1970s, Mason became a mentor to up-and-coming actor Sam Neill.[22]
He was in several episodes of ITV Play of the Week and he had the lead in The Deadly Affair (1967) for Sidney Lumet (playing a character based on George Smiley though it was renamed); and Stranger in the House (1968). He provided a supporting role in Duffy (1968), The Blue Max (1966) and Mayerling (1968) but was top billed in The Sea Gull (1968) for Sidney Lumet and starred as Bradley Morahan in Age of Consent (1969) for Michael Powell, a film which Mason also produced. The movie featured Helen Mirren's first major film role, and was Powell's last major film. He also had the star role in Spring and Port Wine (1970).
1970–1985: Later roles
Mason supported Charles Bronson in Cold Sweat (1970) and Lee Van Cleef in Bad Man's River (1971). He was a support in Kill! Kill! Kill! Kill! (1971) and top billed in Child's Play (1972) for Lumet, replacing Marlon Brando. He was one of many stars in The Last of Sheila (1973) and played the evil Doctor Polidori in Frankenstein: The True Story (1973). He had support roles in The MacKintosh Man (1973), 11 Harrowhouse (1974), The Marseille Contract (1974), and Great Expectations (1974) and was top billed in Mandingo (1975).
Mason's later 70s performances included Kidnap Syndicate (1975), The Left Hand of the Law (1975), Autobiography of a Princess (1975), Inside Out (1975), The Flower in His Mouth (1975), Voyage of the Damned (1976), Hot Stuff (1977), Cross of Iron (1977), Jesus of Nazareth (1977), The Yin and the Yang of Mr. Go (1978), The Water Babies (1978), Heaven Can Wait (1978), The Boys from Brazil (1978), Murder by Decree (1979) (as Watson), The Passage (1979), Bloodline (1979) and as the vampire's servant, Richard Straker, in Salem's Lot (1979).
Mason was in North Sea Hijack (1980), supporting Roger Moore, Evil Under the Sun (1982), Ivanhoe (1982), and A Dangerous Summer (1982). One of his last roles, that of the corrupt lawyer Ed Concannon in The Verdict (1982), opposite Paul Newman, earned him his third and final Oscar nomination, for Best Actor in a Supporting Role. He had parts in Yellowbeard (1983), Alexandre (1983), and George Washington (1984).
Having completed playing the lead role in Dr. Fischer of Geneva (1985), adapted from Graham Greene's eponymous novella for the BBC, he stepped into the role in The Shooting Party originally meant for Paul Scofield, who was unable to continue after being seriously injured in an accident on the first day of shooting. This was to be Mason's final screen performance in a feature film.[23] He did appear on television in A.D. (1985) and The Assisi Underground (1985).
Personal life
Mason was a devoted lover of animals, particularly cats. He and his wife, Pamela Mason, co-authored the book The Cats in Our Lives, which was published in 1949. James Mason wrote most of the book and also illustrated it. In The Cats in Our Lives, he recounted humorous and sometimes touching tales of the cats (as well as a few dogs) he had known and loved.
In 1952, Mason purchased a house previously owned by Buster Keaton. He discovered reels of nitrate film thought to have been lost, stored in the house and produced by the comedian, such as The Boat (1921). Mason arranged to have the decomposing films transferred to safety stock and thus saved them from oblivion.[24]
In his youth, Mason was a keen fan of his local Rugby League team, Huddersfield. In later years he also began to follow the fortunes of Huddersfield Town.[25]
Mason was married twice:
- From 1941 to 1964 to British actress Pamela Mason (née Ostrer) (1916–1996); they had one daughter, Portland Mason Schuyler (1948–2004), and one son, Morgan (who is married to Belinda Carlisle, the lead singer of the Go-Go's). Pamela Mason filed suit for divorce from James in 1962, for lack of support, claiming adultery on his part with three Jane Does.[26] According to their son Morgan and other sources, Pamela herself had had numerous affairs, but due to her attorney Marvin Mitchelson's skill, she won a monetary settlement of at least $1 million ($9.275 million today) when the marriage was finally dissolved in 1964; it was reported as "America's first million-dollar divorce".[27][28] As a result of this success, Mitchelson became a sought-after celebrity divorce attorney.[29]
- Australian actress Clarissa Kaye (1971–his death). Tobe Hooper's DVD commentary for Salem's Lot reveals that Mason regularly worked contractual clauses into his later work guaranteeing Kaye bit parts in his film appearances.
Mason's autobiography, Before I Forget, was published in 1981.
Death
Mason survived a severe heart attack in 1959.[30] He died as result of another heart attack on 27 July 1984 in Lausanne, Switzerland,[31] and was cremated. Mason left his entire estate to his second wife, Clarissa Kaye, but his will was challenged by his two children. The lawsuit had not been settled when she died on 21 July 1994 from cancer.[32] Clarissa Kaye Mason left her holdings to the religious guru Sathya Sai Baba, including the actor's ashes, which she had retained in their shared home. Mason's children sued Sai Baba and subsequently had Mason's ashes interred in Corsier-sur-Vevey, Vaud, Switzerland.[33] The remains of Mason's friend Charlie Chaplin are in a tomb a few steps away.[33] Mason's children specified that his headstone read: "Never say in grief you are sorry he's gone. Rather, say in thankfulness you are grateful he was here", words that were spoken to Portland Mason by U.S. Senator Ted Kennedy after the actor's death.[34]
Acting credits
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1935 | Late Extra | Jim Martin | |
| 1936 | Twice Branded | Henry Hamilton | |
| Prison Breaker | 'Bunny' Barnes | ||
| Troubled Waters | John Merriman | ||
| Blind Man's Bluff | Stephen Neville | ||
| The Secret of Stamboul | Larry | ||
| The Mill on the Floss | Tom Tulliver | ||
| 1937 | Fire Over England | Hillary Vane | |
| The High Command | Capt. Heverell | ||
| Catch As Catch Can | Robert Leyland | ||
| The Return of the Scarlet Pimpernel | Jean Tallien | ||
| 1939 | I Met a Murderer | Mark Warrow | |
| 1941 | This Man Is Dangerous | Mick Cardby | aka The Patient Vanishes |
| 1942 | Hatter's Castle | Dr Renwick | |
| The Night Has Eyes | Stephen Deremid | aka Terror House | |
| Alibi | Andre Laurent | ||
| Secret Mission | Raoul de Carnot | ||
| Thunder Rock | Streeter | ||
| 1943 | The Bells Go Down | Ted Robbins | |
| The Man in Grey | Lord Rohan | ||
| They Met in the Dark | Richard Francis Heritage | ||
| 1944 | Candlelight in Algeria | Alan Thurston | |
| Fanny by Gaslight | Lord Manderstoke | aka Man of Evil | |
| Hotel Reserve | Peter Vadassy | ||
| 1945 | A Place of One's Own | Smedhurst | |
| They Were Sisters | Geoffrey Lee | ||
| The Seventh Veil | Nicholas | ||
| The Wicked Lady | Capt. Jerry Jackson | ||
| 1947 | Odd Man Out | Johnny McQueen | |
| The Upturned Glass | Michael Joyce | ||
| 1949 | Caught | Larry Quinada | |
| Madame Bovary | Gustave Flaubert | ||
| The Reckless Moment | Martin Donnelly | ||
| East Side, West Side | Brandon Bourne | ||
| 1950 | One Way Street | Frank Matson | |
| 1951 | Pandora and the Flying Dutchman | Hendrik van der Zee | |
| The Desert Fox | Field Marshal Erwin Rommel | ||
| 1952 | Lady Possessed | Jimmy del Palma | Also producer and writer |
| 5 Fingers | Ulysses Diello | ||
| Face to Face | The Captain ('The Secret Sharer') | ||
| The Prisoner of Zenda | Rupert of Hentzau | ||
| Botany Bay | Capt. Paul Gilbert | ||
| 1953 | The Story of Three Loves | Charles Coutray | Segment: "The Jealous Lover" |
| The Desert Rats | Field Marshal Erwin Rommel | ||
| Julius Caesar | Brutus | ||
| The Man Between | Ivo Kern | ||
| The Tell-Tale Heart | Narrator | Voice; Animated short subject | |
| 1954 | Prince Valiant | Sir Brack | |
| Charade | The Murderer / Maj. Linden / Jonah Watson | Also producer and writer | |
| A Star Is Born | Norman Maine | ||
| 20,000 Leagues Under the Sea | Captain Nemo | ||
| 1956 | Forever, Darling | The Guardian Angel | |
| Bigger Than Life | Ed Avery | Also producer and writer | |
| 1957 | Island in the Sun | Maxwell Fleury | |
| 1958 | Cry Terror! | Jim Molner | |
| The Decks Ran Red | Capt. Edwin Rummill | ||
| 1959 | North by Northwest | Phillip Vandamm | |
| A Touch of Larceny | Cmdr. Max Easton | ||
| Journey to the Center of the Earth | Sir Oliver S. Lindenbrook | ||
| 1960 | The Trials of Oscar Wilde | Sir Edward Carson | |
| 1961 | The Marriage-Go-Round | Paul Delville | |
| 1962 | Escape from Zahrain | Johnson | Uncredited |
| Lolita | Prof. Humbert Humbert | ||
| Tiara Tahiti | Capt. Brett Aimsley | ||
| Hero's Island | Jacob Weber | ||
| 1963 | Torpedo Bay | Captain Blayne | |
| 1964 | The Fall of the Roman Empire | Timonides | |
| The Pumpkin Eater | Bob Conway | ||
| 1965 | Lord Jim | Gentleman Brown | |
| Genghis Khan | Kam Ling | ||
| The Uninhibited | Pascal Regnier | ||
| 1966 | Georgy Girl | James Leamington | |
| The Blue Max | General Count von Klugermann | ||
| Dare I Weep, Dare I Mourn | Otto Hoffman | ||
| 1967 | The Deadly Affair | Charles Dobbs | |
| The London Nobody Knows | Narrator | Documentary | |
| Stranger in the House | John Sawyer | (also known as Cop Out) | |
| 1968 | Duffy | Charles Calvert | |
| Mayerling | Emperor Franz-Joseph | ||
| The Sea Gull | Trigorin, a writer | ||
| 1969 | Age of Consent | Bradley Morahan | |
| 1970 | Spring and Port Wine | Rafe Crompton | |
| Cold Sweat | Captain Ross | ||
| The Yin and the Yang of Mr. Go | Y.Y. Go | ||
| 1971 | Bad Man's River | Francisco Paco Montero | |
| Kill! Kill! Kill! Kill! | Alan Hamilton | ||
| 1972 | Child's Play | Jerome Mailey | |
| 1973 | John Keats: His Life and Death | Narrator (voice) | |
| The Last of Sheila | Phillip | ||
| The Mackintosh Man | Sir George Wheeler | ||
| 1974 | 11 Harrowhouse | Charles D. Watts | |
| Great Expectations | Abel Magwitch | ||
| The Marseille Contract | Jacques Brizard | Released as The Destructors | |
| 1975 | The Year of the Wildebeest | Narrator | Documentary |
| Mandingo | Warren Maxwell | ||
| Kidnap Syndicate | Fillippini | ||
| The Left Hand of the Law | Senator Leandri | ||
| Autobiography of a Princess | Cyril Sahib | ||
| Inside Out | Ernst Furben | ||
| The Flower in His Mouth | Bellocampo | ||
| 1976 | People of the Wind | Narrator | Documentary |
| Voyage of the Damned | Juan Ramos | ||
| Fear in the City | Prosecutor | ||
| 1977 | Cross of Iron | Oberst Brandt | |
| Homage to Chagall: The Colours of Love | Narrator | Documentary | |
| 1978 | The Water Babies | Mr Grimes Voice of Killer Shark |
|
| Heaven Can Wait | Mr Jordan | ||
| The Boys from Brazil | Eduard Seibert | ||
| 1979 | Murder by Decree | John H. Watson | |
| The Passage | Prof. John Bergson | ||
| Bloodline | Sir Alec Nichols | ||
| 1982 | Evil Under the Sun | Odell Gardener | |
| Ivanhoe | Isaac of York | ||
| A Dangerous Summer | George Engels | ||
| The Verdict | Ed Concannon | ||
| Socrates | Socrates | ||
| 1983 | Yellowbeard | Captain Hughes | |
| Alexandre | The Father | ||
| 1984 | Dr. Fischer of Geneva | Dr Fischer | |
| 1985 | The Shooting Party | Sir Randolph Nettleby | |
| The Assisi Underground | Bishop Nicolini | Final film role | |
Television
| Year | Title | Role | |
|---|---|---|---|
| 1962 | The Alfred Hitchcock Hour | Warren Barrow | Season 1 Episode 5: "Captive Audience" |
| 1973 | Frankenstein: The True Story | Dr. John Polidori | TV miniseries |
| 1977 | Jesus of Nazareth | Joseph of Arimathea | TV miniseries |
| 1979 | North Sea Hijack | Admiral Brinsden | Released as Assault Force on US TV |
| Salem's Lot | Richard K. Straker | TV miniseries | |
| 1983 | Don't Eat the Pictures | Demon | TV |
| 1984 | George Washington | Edward Braddock | TV miniseries |
| 1985 | A.D. | Tiberius | TV miniseries |
Theatre
| Year | Title | Role | Notes |
|---|---|---|---|
| 1933 | Henry VIII | Cromwell | The Old Vic, London |
| 1933 | Measure for Measure | Claudio | |
| 1933-34 | The Cherry Orchard | Yasha | |
| 1934 | The Tempest | Francisco | |
| 1934 | The Importance of Being Earnest | Merriman | |
| 1934 | Macbeth | Lennox | |
| 1947 | Bathsheba | David | Ethel Barrymore Theatre, Broadway |
| 1979 | Faith Healer | Frank Hardy | Longacre Theatre, Broadway |
Radio
| Year | Programme | Episode/source |
|---|---|---|
| 1950 | Suspense | Banquo's Chair |
| 1952 | Odd Man Out[35] | |
| 1953 | The Queen's Ring |
Awards and nominations
| Year | Award | Category | Work | Result | Ref |
|---|---|---|---|---|---|
| 1954 | Academy Awards | Best Actor | A Star is Born | Nominated | |
| 1966 | Best Supporting Actor | Georgy Girl | Nominated | ||
| 1982 | The Verdict | Nominated | |||
| 1962 | British Academy Film Awards | Best British Actor | Lolita | Nominated | |
| 1967 | The Deadly Affair | Nominated | |||
| 1954 | Golden Globe Awards | Best Actor - Motion Picture Musical or Comedy | A Star is Born | Won | |
| 1962 | Best Actor - Motion Picture Drama | Lolita | Nominated | ||
| 1982 | Best Supporting Actor - Motion Picture | The Verdict | Nominated | ||
| 1982 | Los Angeles Film Critics Association | Best Supporting Actor | Nominated | ||
| 1954 | New York Film Critics Circle | Best Actor | A Star is Born | Nominated | |
| 1957 | Child's Play | Nominated | |||
| 1953 | National Board of Review | Best Actor | Face to Face / Julius Caesar The Desert Rats / The Man Between | Won | |
References
- "Mason, James Neville (1909–1984), actor". Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004. doi:10.1093/ref:odnb/31418. ISBN 978-0-19-861412-8. (Subscription or UK public library membership required.)
- "No Buyer for Mason Poster". The Free Library. 2 December 2010. Retrieved 7 March 2018.
- James Mason: A Bio-Bibliography, Kevin Sweeney, Greenwood Press, 1999, p. 3
- Russell, William (28 July 1984). "James Mason: Star of Magnetism and Menace". The Glasgow Herald. p. 8 – via Google News.
- Sweeney, Kevin (30 January 1999). James Mason: A Bio-bibliography. Greenwood Press. p. 5. ISBN 978-0-313-28496-0.
- Brian McFarlane "Mason, James (1909–1984)", BFI screenonline; McFarlane (ed) The Encyclopedia of British Film, London: Methuen/BFI, 2003, p.438
- Christopher Fitz-Simon, The Boys (London: Nick Hern Books, 1994) p. 73 et seq.
- Mason, James (7 September 1981). Before I forget: autobiography and drawings. London: Hamish Hamilton. p. 89. ISBN 978-0-241-10677-8.
- Thomson, David (15 May 2009) Every word a poison dart, The Guardian
- Eric Ambler, Mason, James Neville (1909–1984), rev. Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2011, accessed 23 March 2013.
- Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939–48, p 207
- Gaumont-British Picture: Increased Net Profit, The Observer, 4 November 1945
- "James Mason named again as Britain's brightest star". The Mercury. Hobart, Tasmania. 2 March 1946. p. 3 Supplement: The Mercury Magazine. Retrieved 24 April 2012 – via National Library of Australia.
- "FILM WORLD". The West Australian (SECOND ed.). Perth. 28 February 1947. p. 20. Retrieved 27 April 2012 – via National Library of Australia.
- "FILM NEWS". The Mercury. Hobart, Tas. 11 June 1949. p. 14. Retrieved 4 March 2013 – via National Library of Australia.
- "JAMES MASON TOP OF BRITISH BOX OFFICE". The Courier-Mail. Brisbane. 20 December 1946. p. 4. Retrieved 10 July 2012 – via National Library of Australia.
- "JAMES MASON 1947 FILM FAVOURITE". The Irish Times. 2 January 1948. p. 7.
- Schallert, Edwin (6 May 1951). "English Stars Thrive Happily in Unusual Marital Melange". Los Angeles Times. p. E1.
- "'A Star Is Born': THR's 1954 Review". The Hollywood Reporter. Retrieved 31 July 2023.
- Becker, Christine (1 October 2005). "Televising Film Stardom in the 1950s". Framework.
- Kevin Sweeney. James Mason: A Bio-Bibliography, Westport, Connecticut: Greenwood Press, 1999, p.47
- Iley, Chrissy (23 July 2006). "Put it away, Sam ..." The Guardian. Manchester. Retrieved 17 October 2013.
- "Obituary: Paul Scofield". BBC News. 20 March 2008.
- Bailey, Steve. "The Boat". The Love Nest. Retrieved 19 February 2013.
- Archived at Ghostarchive and the Wayback Machine: "James Mason - Home James (1972)". YouTube.
- "Actress Charges Habitual Cruelty". Newspapers.com. Monroe Morning World. 24 November 1962. p. 8. Retrieved 2 June 2015.
- Smith, Dinitia (2 July 1996). "Pamela Mason, 80, An Author, Actress And Talk-Show Host". The New York Times. Retrieved 22 June 2020.
- Edge, Simon (24 April 2009). "James Mason: The Sad Cad". Daily Express. United Kingdom. Retrieved 23 October 2015.
- Pleck, Elizabeth H. (2012). Not Just Roommates: Cohabitation After the Sexual Revolution. Chicago: Univ. of Chicago Press. p. 148. ISBN 978-0226671031.
- "James Mason: Obituary". Archived from the original on 9 January 2014. Retrieved 9 January 2014.
- James Mason Obituary, Variety, 1 August 1984.
- Edge, Simon (24 April 2009). "James Mason: The sad cad". Sunday Express. Retrieved 2 May 2015.
- Davies, Caroline (25 November 2000). "James Mason's ashes finally laid to rest". The Daily Telegraph. Archived from the original on 11 January 2022.
- Glaister, Dan (10 March 1999). "15 years after his death, film star finds rest". The Guardian. Retrieved 4 June 2018.
- Kirby, Walter (10 February 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 38. Retrieved 2 June 2015 – via Newspapers.com.
External links
- James Mason at IMDb
- James Mason at the TCM Movie Database
- Performances listed in Theatre Archive University of Bristol
- James Mason at the Internet Broadway Database
- Literature on James Mason
- James Mason interview on BBC Radio 4 Desert Island Discs, 26 September 1981
- James Mason's Cats