Pinacoteca do Estado de São Paulo

The Pinacoteca do Estado de São Paulo (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is one of the most important art museums in Brazil.[2] It is housed in a 1900 building in Jardim da Luz, Downtown São Paulo, designed by Ramos de Azevedo and Domiziano Rossi to be the headquarters of the Lyceum of Arts and Crafts. It is the oldest art museum in São Paulo, founded on December 24, 1905, and established as a public state museum since 1911.[3]

Pinacoteca do Estado de São Paulo
Pinacoteca do Estado de São Paulo
Interactive fullscreen map
Established1905
LocationSão Paulo, Brazil
Coordinates23°32′4″S 46°38′2″W
Visitors397,000[1] (2007)
DirectorMarcelo Araújo
CuratorIvo Mesquita
Public transit access Luz
WebsitePinacoteca.org.br

After passing through a renovation conducted by Paulo Mendes da Rocha in the 1990s, the museum became one of the most dynamic cultural institutions of the country, lining up with the international circuit of exhibitions, hosting cultural events and keeping an active bibliographic production.[4] "Pina", as the Pina, as the museum is also known, administrates the a space called Estação Pinacoteca (Portuguese for "Pinacoteca Station), or Pina Estação, installed in a old building which was once owned by the DOPS, in Bom Retiro district, where it holds temporary contemporary art exhibitions, the Walter Wey Library and the institution's documentation center, called Documentation and Memory Center.

The Pinacoteca houses one of the largest and most representatives Brazilian art collections, mainly noted for its vast assemblage with more than ten thousand pieces of art covering mostly the history of Brazilian painting in the 19th and 20th centuries. It is also noteworthy the Brasiliana Collection, a collection composed by foreign artists actives in Brazil or inspired by the country iconography, the Nemirovsky Collection, with an ample and expressive collection of masterpieces of Brazilian modernism and, recently, the Roger Wright Collection, received by the institute in January 2015.

Logotype and naming
Reading by Almeida Júnior (1850-1899), found in the museum's collection.

Since January 2006, Pinacoteca uses a logo representing only its nickname, "Pina".[5] According to the director of institutional relations at the museum, Paulo Vicelli, the changing oficializes the name that the visitors were already using. The Pinacoteca Station started being named as "Pina Station", and the Jardim da Luz museum as "Pina Luz". The new visual identity was created by the publicity agency F/Nazca Saatchi & Saatchi. The memorable elements from the museum architecture, such as the columns, the wall bricks and the grand staircase, makes appearances in the visual identity.

History

Background

The Pinacoteca origins takes you back to the criation of the Lyceum of Arts and Crafts of São Paulo. This one is a result of a context of intense social, political and economic changes that took place in São Paulo at the second half of the 19th century. The then province, which remained quite discreet until the 1870s, was transmuting, boosted by the coffee cycle expansion and the rail transport settlement. The country was receiving extensive flow of immigrants (intensified after the slavery abolitionism), that allowed meaningful transformations, embracing from the material culture and eating habits to the recently developed forms of socialization. The urban centers were becoming more modern and denser. In the city of São Paulo, the net worth accumulated by the coffee producers were reinvested in the newly industry. Brand new buildings were built and the rammed earth technique was taking the brickwork place. Noble neighborhoods were built to house the manor houses and palaces of the coffee barons, following the European architectural standards, marked by eclecticism. More numerous were the working-class neighborhoods that emerged, rapidly expanding the urban core.[6][7]

2008 heist

On June 12, 2008, three armed men broke into the museum with a crowbar and a carjack around 5:09 am and stole The Painter and the Model (1963) and Minotaur, Drinker and Women (1933) by Pablo Picasso, Women at the Window (1926) by Emiliano Di Cavalcanti, and Couple (1919) by Lasar Segall. It was the second theft of art in São Paulo in six months. On August 6, 2008, two paintings were discovered in the house of one of the thieves and recovered by police in the same city.[8][9][10]

Collection

The Pinacoteca has a wide-ranging collection of Brazilian art, mainly noted for its vast assemblage of 19th-century paintings and sculptures, one of the largest in the country, as well as for a number of iconic Brazilian Modernist artworks.[3] The collection also includes a department of works on paper, European paintings and sculptures from 19th-century artists, decorative arts, etc.

Paintings

(selection)

See also

References
  1. (in Portuguese)Alfano, Ana Paula. Istoé Gente. Retrieved on 2008-1-11.
  2. "Pinacoteca muda logotipo do museu e quer ser conhecida só como Pina - 27/01/2016 - Ilustrada". Folha de S.Paulo. Retrieved 2023-04-23.
  3. Pinacoteca do Estado de São Paulo, Encyclopaedia Itaú Cultural Visual Arts, retrieved 2009-11-21
  4. (in Portuguese)Arc08. Ministério da Cultura. Retrieved on 2009-21-11.
  5. "Pinacoteca muda logotipo do museu e quer ser conhecida só como Pina - 27/01/2016 - Ilustrada". Folha de S.Paulo. Retrieved 2023-04-23.
  6. Lemos, Lourenço & Rocha, 1994, pp. 19-20.
  7. Barros (ed.), 2005, pp. 21-22.
  8. "Two Picassos stolen in Brazil". BBC News. June 13, 2008. Archived from the original on February 20, 2016.
  9. "Thieves steal Picassos, Brazilian works from São Paulo museum". France 24. June 13, 2008.
  10. "Quadros recuperados devem voltar hoje para Pinacoteca". Globo.com. August 7, 2008. Archived from the original on January 2, 2015.
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