Poet

In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials.[2] For instance, Gaius Cilnius Maecenas, friend to Caesar Augustus, was an important patron for the Augustan poets, including both Horace and Virgil. While Ovid, a well established poet, was banished from Rome by the first Augustus.

Poets held an important position in pre-Islamic Arabic society with the poet or sha'ir filling the role of historian, soothsayer and propagandist. Words in praise of the tribe (qit'ah) and lampoons denigrating other tribes (hija') seem to have been some of the most popular forms of early poetry. The sha'ir represented an individual tribe's prestige and importance in the Arabian peninsula, and mock battles in poetry or zajal would stand in lieu of real wars. 'Ukaz, a market town not far from Mecca, would play host to a regular poetry festival where the craft of the sha'irs would be exhibited.

In the High Middle Ages, troubadors were an important class of poets and came from a variety of backgrounds. They lived and travelled in many different places and were looked upon as actors or musicians as much as poets. They were often under patronage, but many travelled extensively.

The Renaissance period saw a continuation of patronage of poets by royalty. Many poets, however, had other sources of income, including Italians like Dante Aligheri, Giovanni Boccaccio and Petrarch's works in a pharmacist's guild and William Shakespeare's work in the theater.

In the Romantic period and onwards, many poets were independent writers who made their living through their work, often supplemented by income from other occupations or from family.[3] This included poets such as William Wordsworth and Robert Burns.

Poets such as Virgil in the Aeneid and John Milton in Paradise Lost invoked the aid of a Muse.

Poets of earlier times were often well read and highly educated people while others were to a large extent self-educated. A few poets such as John Gower and John Milton were able to write poetry in more than one language. Some Portuguese poets, as Francisco de Sá de Miranda, wrote not only in Portuguese but also in Spanish.[4] Jan Kochanowski wrote in Polish and in Latin,[5] France Prešeren and Karel Hynek Mácha[6] wrote some poems in German, although they were poets of Slovenian and Czech respectively. Adam Mickiewicz, the greatest poet of Polish language, wrote a Latin ode for emperor Napoleon III. Another example is Jerzy Pietrkiewicz, a Polish poet. When he moved to Great Britain, he ceased to write poetry in Polish, but started writing novel in English.[7] He also translated poetry from English and into English.

Many universities offer degrees in creative writing though these only came into existence in the 20th century. While these courses are not necessary for a career as a poet, they can be helpful as training, and for giving the student several years of time focused on their writing.[8]

Lyrical poets who write sacred poetry ("hymnographers") differ from the usual image of poets in a number of ways. A hymnographer such as Isaac Watts who wrote 700 poems in his lifetime, may have their lyrics sung by millions of people every Sunday morning, but are not always included in anthologies of poetry. Because hymns are perceived of as "worship" rather than "poetry", the term "artistic kenosis" is sometimes used to describe the hymnographer's success in "emptying out" the instinct to succeed as a poet. A singer in the pew might have several of Watts's stanzas memorized, without ever knowing his name or thinking of him as a poet.

• List of poets
• Bard
• Lyricist
• List of poetry groups and movements

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• Reginald Gibbons (ed), The Poet's Work: 29 poets on the origins and practice of their art. University of Chicago Press (1979). ISBN 978-0-226-29054-6 at Google Books