Pool Sharks

Fields helped make this film in New York City, taking time off from the Ziegfeld Follies, as publicity for the film pointed out. Vaudeville was Fields' primary vocation, and it would be nine years before he made his next known film, 1924's Janice Meredith.

Fields wore his obviously fake moustache in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to Charlie Chaplin's, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Fields's character dumps a small child out of a chair so that he can steal it to get closer to the woman he is chasing.

The animators hands being seen in a poorly edited sequence in the Billiards scene

Fields was an expert juggler. As with his early films, Pool Sharks was intended to highlight a pool ball juggling act that featured in the actor's vaudeville show. In the final film, however, there is only a brief shot of Fields juggling several billiard balls, as his act was largely replaced with several poorly edited stop motion sequences depicting impossible shots, such as the balls jumping off the table and re-racking themselves on the wall. Though innovative for the time, they are poorly animated, with obvious edits, and the animator's hand can actually be seen moving the balls along in one of the frames.