Portal:Music

The Music Portal

Grooved side of the Voyager Golden Record launched along the Voyager probes to space, which feature music from around the world

Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Definitions of music vary depending on culture, though it is an aspect of all human societies and a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice.

In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz, the performers may take turns leading and responding while sharing a changing set of notes. In a free jazz context, there may be no structure whatsoever, with each performer acting at their discretion. Music may be deliberately composed to be unperformable or agglomerated electronically from many performances. Music is played in public and private areas, highlighted at events such as festivals, rock concerts, and orchestra performances, and heard incidentally as part of a score or soundtrack to a film, TV show, opera, or video game. Musical playback is the primary function of an MP3 player or CD player and a universal feature of radios and smartphones.

Music often plays a key role in social activities, religious rituals, rite of passage ceremonies, celebrations, and cultural activities. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and sheet music. Compositions, performances, and recordings are assessed and evaluated by music critics, music journalists, and music scholars, as well as amateurs. (Full article...)

General images -

The following are images from various music-related articles on Wikipedia.

Featured articles -

Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1Berlioz by August Prinzhofer, 1845Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.The elder son of a provincial doctor, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence. (Full article...)
    portrait of white man in early middle age, seen in left profile; he has bushy hair and a neckbeard but no moustache.
    Berlioz by August Prinzhofer, 1845


    Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.

    The elder son of a provincial doctor, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence. (Full article...)
  • Image 2Still Reigning is a live performance DVD by the thrash metal band Slayer, released in 2004 through American Recordings. Filmed at the Augusta Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album, Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 "Reign in Pain" tour. Still Reigning was voted "best live DVD" by the readers of Revolver magazine, and received gold certification in 2005.The DVD is notable for the finale, which features Slayer covered in stage blood while performing the song "Raining Blood", leading to a demanding mixing process plagued by production and technical difficulties. The DVD's producer Kevin Shirley spent hours replacing cymbal and drum hits one-by-one. He publicly aired financial disagreements he had with the band and criticized the quality of the recording, and as a result was allegedly subjected to threats and insults from people associated with the band. (Full article...)
    Still Reigning is a live performance DVD by the thrash metal band Slayer, released in 2004 through American Recordings. Filmed at the Augusta Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album, Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 "Reign in Pain" tour. Still Reigning was voted "best live DVD" by the readers of Revolver magazine, and received gold certification in 2005.

    The DVD is notable for the finale, which features Slayer covered in stage blood while performing the song "Raining Blood", leading to a demanding mixing process plagued by production and technical difficulties. The DVD's producer Kevin Shirley spent hours replacing cymbal and drum hits one-by-one. He publicly aired financial disagreements he had with the band and criticized the quality of the recording, and as a result was allegedly subjected to threats and insults from people associated with the band. (Full article...)
  • Image 3"Push the Button" is a song recorded by English girl group the Sugababes for their fourth studio album Taller in More Ways (2005). Composed by Dallas Austin and the Sugababes, it was inspired by an infatuation that group member Keisha Buchanan developed with another artist. Musically, the song is an electropop and R&B song with various computer effects. It was released as the lead single from Taller in More Ways on 23 September 2005, by Island Records."Push the Button" received positive reviews from music critics, who praised its conception and production, with some naming it one of the best pop singles of the 2000s. Becoming one of the group's most commercially successful releases, the song peaked at number one in Austria, Ireland, New Zealand, and the United Kingdom, and reached the top five across Europe and in Australia. It was nominated for Best British Single at the 2006 Brit Awards. (Full article...)
    "Push the Button" is a song recorded by English girl group the Sugababes for their fourth studio album Taller in More Ways (2005). Composed by Dallas Austin and the Sugababes, it was inspired by an infatuation that group member Keisha Buchanan developed with another artist. Musically, the song is an electropop and R&B song with various computer effects. It was released as the lead single from Taller in More Ways on 23 September 2005, by Island Records.

    "Push the Button" received positive reviews from music critics, who praised its conception and production, with some naming it one of the best pop singles of the 2000s. Becoming one of the group's most commercially successful releases, the song peaked at number one in Austria, Ireland, New Zealand, and the United Kingdom, and reached the top five across Europe and in Australia. It was nominated for Best British Single at the 2006 Brit Awards. (Full article...)
  • Image 4LaBelle in 2012Leah LaBelle Vladowski (September 8, 1986 – January 31, 2018) was an American singer. She rose to prominence in 2004 as a contestant on the third season of American Idol, placing twelfth in the season finals. In 2007, LaBelle began recording covers of R&B and soul music for her YouTube channel. These videos led to work as a backing vocalist starting in 2008 and a record deal in 2011 with Epic in partnership with I Am Other and So So Def Recordings. LaBelle released a sampler, three singles, and a posthumous extended play (EP).Born in Toronto, Ontario, and raised in Seattle, Washington, LaBelle began pursuing music ambition as a career in her teens. As a child, she performed in the Total Experience Gospel Choir and the musical Black Nativity. In 2005, LaBelle attended the Berklee College of Music for a year before dropping out and relocating to Los Angeles. While in college, she collaborated with Andreao Heard on a demo. Following the advice of an industry contact, LaBelle released her music through her YouTube channel. Keri Hilson hired LaBelle as a backing vocalist after hearing her rendition of "Energy", which led to her working for other artists on their tours. (Full article...)

    LaBelle in 2012

    Leah LaBelle Vladowski (September 8, 1986 – January 31, 2018) was an American singer. She rose to prominence in 2004 as a contestant on the third season of American Idol, placing twelfth in the season finals. In 2007, LaBelle began recording covers of R&B and soul music for her YouTube channel. These videos led to work as a backing vocalist starting in 2008 and a record deal in 2011 with Epic in partnership with I Am Other and So So Def Recordings. LaBelle released a sampler, three singles, and a posthumous extended play (EP).

    Born in Toronto, Ontario, and raised in Seattle, Washington, LaBelle began pursuing music ambition as a career in her teens. As a child, she performed in the Total Experience Gospel Choir and the musical Black Nativity. In 2005, LaBelle attended the Berklee College of Music for a year before dropping out and relocating to Los Angeles. While in college, she collaborated with Andreao Heard on a demo. Following the advice of an industry contact, LaBelle released her music through her YouTube channel. Keri Hilson hired LaBelle as a backing vocalist after hearing her rendition of "Energy", which led to her working for other artists on their tours. (Full article...)
  • Image 5"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex.When it was first released, "Touch Me I'm Sick" was a hit on college radio. Its heavily distorted and fuzzy guitars, snarling vocals, blunt bass line and energetic drumming contributed to a dirty sound that influenced many local musicians, and helped develop the nascent Seattle grunge scene. According to AllMusic, "the song's raw, primal energy made it an instant anthem which still stands as one of [grunge's] all-time classics". A staple of Mudhoney's live shows, it remains the band's most recognizable song. (Full article...)
    "Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex.

    When it was first released, "Touch Me I'm Sick" was a hit on college radio. Its heavily distorted and fuzzy guitars, snarling vocals, blunt bass line and energetic drumming contributed to a dirty sound that influenced many local musicians, and helped develop the nascent Seattle grunge scene. According to AllMusic, "the song's raw, primal energy made it an instant anthem which still stands as one of [grunge's] all-time classics". A staple of Mudhoney's live shows, it remains the band's most recognizable song. (Full article...)
  • Image 6Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular.Industry publications, music retail trade, and bluegrass music journals have featured articles about the Elderly repair staff. The company also provides consignment services for rare and vintage instruments. Since its founding in 1972, Elderly has undergone two major expansions: into mail order in 1975 and then into Internet sales in the 1990s. In 2005 it was the subject of a lawsuit by Gibson Guitar Corporation concerning trademark infringement. Today it is recognized internationally for its services and products; its mail order and Internet business account for 65–70 percent of its total revenue. Elderly grossed $12 million in 1999, and by 2007 was grossing $17 million annually. (Full article...)
    Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular.

    Industry publications, music retail trade, and bluegrass music journals have featured articles about the Elderly repair staff. The company also provides consignment services for rare and vintage instruments. Since its founding in 1972, Elderly has undergone two major expansions: into mail order in 1975 and then into Internet sales in the 1990s. In 2005 it was the subject of a lawsuit by Gibson Guitar Corporation concerning trademark infringement. Today it is recognized internationally for its services and products; its mail order and Internet business account for 65–70 percent of its total revenue. Elderly grossed $12 million in 1999, and by 2007 was grossing $17 million annually. (Full article...)
  • Image 7Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!". Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single. (Full article...)
    Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.

    Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!". Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single. (Full article...)
  • Image 8Turnage in 2014 at the Cabrillo Festival of Contemporary MusicBlood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into the larger nine movement suite that is now performed. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.Like other compositions by Turnage, Blood on the Floor incorporates elements of both classical and jazz music. Due to this, it has been described as being part of the "third stream" genre, a term coined by Turnage's former teacher Gunther Schuller. The suite is written as a concerto grosso and features a blend of classical, jazz, non-western and electronic instruments. As part of this fusion, the suite contains space for soloists to improvise in four of its movements. Blood on the Floor shows elements of non-functional harmony and has complex rhythmic changes, often changing metre every bar. Motifs are found recurring throughout the suite. (Full article...)

    Turnage in 2014 at the Cabrillo Festival of Contemporary Music

    Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into the larger nine movement suite that is now performed. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.

    Like other compositions by Turnage, Blood on the Floor incorporates elements of both classical and jazz music. Due to this, it has been described as being part of the "third stream" genre, a term coined by Turnage's former teacher Gunther Schuller. The suite is written as a concerto grosso and features a blend of classical, jazz, non-western and electronic instruments. As part of this fusion, the suite contains space for soloists to improvise in four of its movements. Blood on the Floor shows elements of non-functional harmony and has complex rhythmic changes, often changing metre every bar. Motifs are found recurring throughout the suite. (Full article...)
  • Image 9"Don't Say You Love Me" is the debut single of M2M, a Norwegian pop duo consisting of singers Marion Raven and Marit Larsen. The song first appeared on Radio Disney before its official US radio and single release in October 1999. It was released on the soundtrack to the film Pokémon: The First Movie in November 1999 and appears in the film's closing credits. The song was featured on M2M's debut album, Shades of Purple (2000), and also appeared on their compilation album The Day You Went Away: The Best of M2M (2003).The song received positive reviews. Chuck Taylor from Billboard said it was "absolutely enchanting" and would appeal to both young and mature listeners. It reached number 2 in Norway, number 4 in both Australia and New Zealand, number 16 in the UK and number 21 on the US Billboard Hot 100. It was certified gold in the US and Australia and remained M2M's biggest hit. M2M performed the song on episodes of the television series One World, Top of the Pops and Disney Channel in Concert. Two similar music videos were released for the song, with one showing clips from Pokémon: The First Movie. (Full article...)
    "Don't Say You Love Me" is the debut single of M2M, a Norwegian pop duo consisting of singers Marion Raven and Marit Larsen. The song first appeared on Radio Disney before its official US radio and single release in October 1999. It was released on the soundtrack to the film Pokémon: The First Movie in November 1999 and appears in the film's closing credits. The song was featured on M2M's debut album, Shades of Purple (2000), and also appeared on their compilation album The Day You Went Away: The Best of M2M (2003).

    The song received positive reviews. Chuck Taylor from Billboard said it was "absolutely enchanting" and would appeal to both young and mature listeners. It reached number 2 in Norway, number 4 in both Australia and New Zealand, number 16 in the UK and number 21 on the US Billboard Hot 100. It was certified gold in the US and Australia and remained M2M's biggest hit. M2M performed the song on episodes of the television series One World, Top of the Pops and Disney Channel in Concert. Two similar music videos were released for the song, with one showing clips from Pokémon: The First Movie. (Full article...)
  • Image 10The Ecstatic is the fourth album by American rapper Mos Def, released on June 9, 2009, by the independent record label Downtown Records. After venturing further away from hip hop with an acting career and two poorly received albums, Mos Def signed a recording contract with Downtown and recorded The Ecstatic primarily at the Record Plant in Los Angeles. He worked with producers such as Preservation, Mr. Flash, Oh No, and Madlib, with the latter two reusing instrumentals they had produced on Stones Throw Records. The work of Stones Throw rapper MF Doom was also cited by Mos Def as an influence, while singer Georgia Anne Muldrow, formerly of the record label, performed as one of the album's few guest vocalists, along with rappers Slick Rick and Talib Kweli.Described by music journalists as a conscious and alternative hip hop record, The Ecstatic features an eccentric, internationalist quality. Mos Def's raps about global politics, love, war, spirituality, and social conditions are informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, incorporating a number of Islamic references throughout the album. Its loosely structured, lightly reverbed songs use unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def titled the album after one of his favorite novels, Victor LaValle's The Ecstatic (2002), believing its titular phrase evoked his singular musical vision. For the album's front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in red tint. (Full article...)
    The Ecstatic is the fourth album by American rapper Mos Def, released on June 9, 2009, by the independent record label Downtown Records. After venturing further away from hip hop with an acting career and two poorly received albums, Mos Def signed a recording contract with Downtown and recorded The Ecstatic primarily at the Record Plant in Los Angeles. He worked with producers such as Preservation, Mr. Flash, Oh No, and Madlib, with the latter two reusing instrumentals they had produced on Stones Throw Records. The work of Stones Throw rapper MF Doom was also cited by Mos Def as an influence, while singer Georgia Anne Muldrow, formerly of the record label, performed as one of the album's few guest vocalists, along with rappers Slick Rick and Talib Kweli.

    Described by music journalists as a conscious and alternative hip hop record, The Ecstatic features an eccentric, internationalist quality. Mos Def's raps about global politics, love, war, spirituality, and social conditions are informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, incorporating a number of Islamic references throughout the album. Its loosely structured, lightly reverbed songs use unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def titled the album after one of his favorite novels, Victor LaValle's The Ecstatic (2002), believing its titular phrase evoked his singular musical vision. For the album's front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in red tint. (Full article...)
  • Image 11Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording. (Full article...)
    Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.

    Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording. (Full article...)
  • Image 12"Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single in January 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" represents Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats."Telephone" received positive reviews from critics who called it a stand-out track from The Fame Monster and praised Gaga's chemistry with Beyoncé. Several critics included it in their best-of list of 2010. It was nominated for a Grammy Award for Best Pop Collaboration with Vocals, and won a ASCAP Pop Music Award and a BMI Award. Following the album's release, the song charted in many countries, including Australia, Canada, the Netherlands, New Zealand, Sweden and Hungary. Peaking at number three in the US, it was particularly successful in Europe where it topped the charts in Belgium, Croatia, Denmark, Ireland, Norway and the UK. The song sold 7.4 million digital copies worldwide in 2010, making it the year's fourth best-selling single. (Full article...)
    "Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single in January 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" represents Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats.

    "Telephone" received positive reviews from critics who called it a stand-out track from The Fame Monster and praised Gaga's chemistry with Beyoncé. Several critics included it in their best-of list of 2010. It was nominated for a Grammy Award for Best Pop Collaboration with Vocals, and won a ASCAP Pop Music Award and a BMI Award. Following the album's release, the song charted in many countries, including Australia, Canada, the Netherlands, New Zealand, Sweden and Hungary. Peaking at number three in the US, it was particularly successful in Europe where it topped the charts in Belgium, Croatia, Denmark, Ireland, Norway and the UK. The song sold 7.4 million digital copies worldwide in 2010, making it the year's fourth best-selling single. (Full article...)
  • Image 13"Mother" is a song by American singer-songwriter Meghan Trainor from the deluxe edition of her fifth major-label studio album, Takin' It Back (2022). She co-wrote the song with Sean Douglas and its producers, Gian Stone and her brother Justin. Epic Records released it to US hot adult contemporary radio stations as the deluxe edition's lead single on March 27, 2023. A pop song with doo-wop influences, it interpolates the Chordettes' single "Mr. Sandman". Inspired by men who said Trainor's pregnancy would end her career, the song is about women's empowerment; in its lyrics, she asks the male subject to stop mansplaining and to listen to her.Critics were favorable of its musical composition, but they criticized Trainor for calling herself mother, usually an African-American Vernacular English (AAVE) slang term also adopted by the LGBTQ community. The song reached the top 30 on national record charts in Belgium, Ireland, Suriname, and the United Kingdom. Charm La'Donna directed and choreographed the music video for it, which stars Kris Jenner. The latter dons a platinum blonde bob and appears in a white silk gown in a scene which channels Marilyn Monroe's performance of "Diamonds Are a Girl's Best Friend" and later with Trainor in matching black gowns. The video received praise for the fashion choices; critics described it as glamorous. (Full article...)
    "Mother" is a song by American singer-songwriter Meghan Trainor from the deluxe edition of her fifth major-label studio album, Takin' It Back (2022). She co-wrote the song with Sean Douglas and its producers, Gian Stone and her brother Justin. Epic Records released it to US hot adult contemporary radio stations as the deluxe edition's lead single on March 27, 2023. A pop song with doo-wop influences, it interpolates the Chordettes' single "Mr. Sandman". Inspired by men who said Trainor's pregnancy would end her career, the song is about women's empowerment; in its lyrics, she asks the male subject to stop mansplaining and to listen to her.

    Critics were favorable of its musical composition, but they criticized Trainor for calling herself mother, usually an African-American Vernacular English (AAVE) slang term also adopted by the LGBTQ community. The song reached the top 30 on national record charts in Belgium, Ireland, Suriname, and the United Kingdom. Charm La'Donna directed and choreographed the music video for it, which stars Kris Jenner. The latter dons a platinum blonde bob and appears in a white silk gown in a scene which channels Marilyn Monroe's performance of "Diamonds Are a Girl's Best Friend" and later with Trainor in matching black gowns. The video received praise for the fashion choices; critics described it as glamorous. (Full article...)
  • Image 14Poster from 2007 Philadelphia productionA Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D.C.Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)

    Poster from 2007 Philadelphia production

    A Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D.C.

    Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)
  • Image 15"Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer. The song was praised by critics for its energy and distinctive vocals, guitar, and piano. It has been interpreted as Dylan's account of his writer's block in the early 1970s and of his wish to deliver less politically engaged material and to find a new balance between public and private life. (Full article...)
    "Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.

    The song was praised by critics for its energy and distinctive vocals, guitar, and piano. It has been interpreted as Dylan's account of his writer's block in the early 1970s and of his wish to deliver less politically engaged material and to find a new balance between public and private life. (Full article...)

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