Praxis Makes Perfect

Heather Phares of Allmusic told that "aside from the biographical concept and the largely electronic arrangements, they don't repeat themselves much."[2] At Fact, Steve Shaw affirmed that the release "possesses all of the keen humour of the former, modest and understated to a tee."[3] Dan Lucas of Under the Radar said that "the appeal of the album lies in its musicianship and perfect production", and that the "synths and drum machines create a panic-laden sci-fi landscape; meanwhile, acoustic guitars slip deftly in and out of the songs."[4] At Mojo, Andy Cowan felt that the release "achieves the tricky balancing act between playful [...] and poignant". David Welsh of musicOMH said that the release is "crammed with literary snippets," and has "realpolitik themes", however "for all the fresh blood, this is familiar territory."[5] At NME, Alex Hoban noted that "ironically, the depth of the source material shows up the problem with concept albums – no matter how great the idea, it still needs killer hooks."[6] Anna Wilson Clash wrote that it is "audaciously ambitious in conceptual scope, it’s not evenly matched in musicality."[7] PopMatters' Evan Sawdey noted that "the album is missing that quintessential 'something', their lyrics more pointed yet somehow less focused, their journey meandering, their use of narration forcing the concept upon the listener instead of letting it happen naturally."[8] At Loud and Quiet, Chris Watkeys told that in "listening to this album [it] feels like walking around inside a glistening, neon pink kaleidoscope, or a musical sweet shop where there aren't any flavours you don't like."[9]

Professional ratings

Review scores
Source	Rating
Allmusic	[2]
Evening Standard	[10]
Fact	[3]
The Guardian	[11]
Mojo	[12]
musicOMH	[5]
NME	7/10[6]
The Observer	[13]
Q	[14]
The Skinny	[15]

Praxis Makes Perfect has received generally positive reception by music critics. At Metacritic, the assign a "weighted average" score to ratings and reviews from selected mainstream music critics, which based on 21 reviews, the album holds a Metascore of 71.[16] At AnyDecentMusic?, they assign a "weighted average" rating to selected mainstream ratings and reviews, which based on 24 reviews, the album has a rating of 7.1-out-of-ten.[17]

Heather Phares of Allmusic wrote that "this is a wonderfully entertaining collection of pop songs that just happen to be well-versed in history and political and economic theories."[2] At Fact, Steve Shaw highlighted that this album is "displaying a razor wit and awareness of a goal at the same time."[3] Dan Lucas of Under the Radar said that "Praxis Makes Perfect confirms the pun-happy pairing as leaders in the admittedly niche genre of concept albums about historical figures with whom listeners may at first not be familiar."[4] At Mojo, Andy Cowan called the effort "a master-class in high-voltage electronic pop, whether you buy into its concept or not." Simon McEwen of Q told that the album in being "concise at just 30 minutes, perphaps explaining why 'the concept' is not fully realised, but it is still unlikely you'll hear a better anti-fascist-Marxists-electro-pop record all year."[14] Drowned in Sound's Aaron Lavery rated the album an 8-out-of-ten, and wrote that it "works better as a cohesive record, dipping you into a strange mix of left-wing politics and cheery synth pop."[18] At This Is Fake DIY, David Rowlinson rated the album an 8-out-of-ten, and wrote that the album is imbued "with an undoubtable sincerity", and noted how the release "transcends any concept and leaves you with simple endearing pop moments you just can’t help but fall for."[19] Chris Watkeys of Loud and Quiet rated the album an 8-out-of-ten, and called this "a half-hour slice of perfectly formed, instantly accessible, shiny melodic sonic joy."[9] At The Skinny, Wilbur Kane proclaimed this album to be "a synthesised delight."[15]

At NME, Alex Hoban told that "Ultimately the confusion and convolution is all part of the charm on this adventure into a world of history and imagination."[6] David Welsh of musicOMH wrote that the "side project, collaboration or fully fledged act, Neon Neon have a Mercury nomination under their belts – and now a follow-up LP that, for better or worse, peddles the same worthy wares."[5] Pitchfork's Marc Hogan rated the album a 7.0-out-of-ten, and said that "Praxis Makes Perfect's songs never quite hit the highs of its predecessor's best tracks, but it's a more coherent album, and still strangely rewarding in its own way."[20] At Clash, Anna Wilson rated the album a 7-out-of-ten, and noted that "nevertheless an appealing curio and trailblazer in the small sphere of biographical concept albums."[7]

However, The Guardian's Maddy Costa told that "Praxis doesn't quite make perfect on the second album [...] but there are times when it comes close."[11] At The Observer, Kitty Empire wrote that "Praxis Makes Perfect might lack in fresh musical directions [...] their percolating analogue-digital pop remains little altered [...] it makes up for in apposite italophile detail."[13] Sam Richards of Uncut rated the album a 6-out-of-ten, and called the album "fun", yet at the same time "musically filmsy", and wrote that "the songs here aren't quite as strong" as on the first album.[21] At the Evening Standard, David Smyth noted that "the lo-fi electronica sound is less imaginative than the concept but the tunes lift this sparse oddity."[10] PopMatters' Evan Sawdey rated the album a 4-out-of-ten, and told that "after listening to the album, however, perhaps we can expect something a bit more focused in five more."[8]

Praxis Makes Perfect was the No. 43 sold album in all of the United Kingdom in its debut week. The albums spent a total of two weeks on the chart.