Quartet in Autumn

Marcia, Letty, Norman and Edwin work in the same office. None is married (Edwin being a widower) and all are nearing retirement age. Letty plans to move to the country and live with her long-time friend Marjorie, a widow. She has to change her plans when Marjorie announces that she is to marry a clergyman some years younger than herself.

After Marcia and Letty retire, each is faced with challenges. The house in which Letty has a bedsit is sold and she becomes uncomfortable there. Edwin finds her a room in the house of an elderly widow, where she is reasonably comfortable. Marcia, already reclusive, and vulnerable after having a breast removed, has to deal with the loss of the routine that was an essential part of her life. She withdraws even further from the outside world, and eats less and less. She is found in a state of collapse by a voluntary social worker who has been visiting her, and, coincidentally, by Edwin and his parish priest. She is taken to hospital but dies a few days later, weighing six stone. She has unexpectedly left her house to Norman, in whom she had indulged a brief and secret semi-romantic interest.

When Marjorie's fiancé deserts her for a younger woman, she renews her invitation to Letty to come and live with her. But by now Letty is not so sure she wants to live in the country, and does not immediately make up her mind. She realises that she has opportunities to make her own choices. Similarly, Norman can decide whether or not to live in Marcia's house.

At the end of the book, Letty tells Norman and Edwin that Marjorie has invited the three of them to join her for a day in the country. She thinks this would be a consolation for the jilted Marjorie, and, though she envisages no romantic developments, enjoys being in a position to supply some male company.

Pym conceived of the novel in 1972:[2]

Have thought of an idea for a novel based on our office move – all old, crabby characters, petty and obsessive, bad tempered – how easily one of them could have a false breast! But I'd better not write it till I have time to concentrate on it (look what happened to the last).

At the time, Pym was still working full-time at the International African Institute in London, and recovering from a mastectomy after developing cancer in her left breast. As she transitioned to retirement in late 1973 and 1974, Pym commenced work on the novel. Whereas most of her novels had been written in short time spans, Pym took three years to write Quartet in Autumn. She had not had a novel published since 1961, and had no realistic expectations that this would be either.[3] She completed the novel in 1976, under the original title of Four Point Turn. The poet Philip Larkin, who had a long-running correspondence with Pym, read the final draft and found it very strong. He was surprised by the sombre tone, so unlike Pym's earlier comic style, and suggested the title did not suit.[4] Pym submitted the novel to Hamish Hamilton Limited in 1976 but it was rejected.[5]

On 21 January 1977, The Times Literary Supplement ran an article in which high-profile literary figures listed their most underrated and overrated British novelists of the century. Pym was chosen as the most underrated writer by both Larkin and Lord David Cecil; she was the only novelist to be selected by two contributors. On the strength of this review, literary interest in Pym was revived after 16 years, and she was approached by several publishers for new material.[6]

Quartet in Autumn was published by Macmillan in 1977. It was published in the United States by E.P. Dutton the following year, the second of her novels to be so (Less than Angels had been published in a small run in the 1950s) and the first to have mainstream success in the US.

The novel was released as an audiobook by Chivers Press, read by Elizabeth Stephan. It was published in Portugal as Quarteto no Outono, France as Quatuor d'automne, Germany as Quartett im Herbst, and Turkey as Sonbahar Kuarteti.

Combined with the media interest after the piece in The Times Literary Supplement, Quartet in Autumn was a success, with almost universally positive reviews, including in The Guardian and The Sunday Times.[7] Kirkus Reviews considered the book "Terribly brisk, but very affecting".[8] The only publications to write mixed reviews were The Sunday Telegraph and the New Statesman.[9] As this was the first time most American readers had heard of Pym, there was especial interest in her from American media outlets. The New York Review of Books favourably reviewed Quartet alongside the earlier Excellent Women[10] while The New York Times published a review entitled The Best High Comedy.[11]

The novel was shortlisted for the 1977 Booker Prize, but the winner was Paul Scott's Staying On.

Quartet in Autumn was serialised by BBC radio on its Woman's Hour programme in 1978.[12]

In 2015, York Theatre Royal commissioned a workshop version of a stage adaptation, written by Amanda Whittington and directed by C P Hallam.[13]