R. Stevie Moore discography
This is a list of albums by R. Stevie Moore. Most are not officially released and originally only available as handmade cassettes.[1]
| R. Stevie Moore discography | |
|---|---|
.jpg.webp) R. Stevie Moore in 2013 | |
| Studio albums | 158 |
| Compilations | 44 |
| Live albums | 67 |
Albums
| Year | Title | Original label |
|---|---|---|
| 1969 | On Graycroft | self-released |
| 1972 | Homers | |
| 1973 | Invites Comparison | |
| Monotheism | ||
| Iconoclasm | ||
| 1974 | Next | |
| 1975 | Stevie Moore Often | |
| Stevie Moore Or Less | ||
| NTH: Instrumental Illness | ||
| Stevie Does The Beatles/Apologies To Mr. Gottlieb (1974) | ||
| 1976 | Stevie Moore Returns | |
| Play | ||
| Instrumentality/Aviation | ||
| The Voice/Lake Inferior | ||
| 1977 | Piano Lessons | |
| Swing And A Miss | ||
| 1978 | Sheetrock | |
| The North | ||
| Pow Wow | ||
| Delicate Tension/Moore Stuff | HP Music | |
| Games & Groceries | self-released | |
| Sample For Approval | ||
| 1979 | R | |
| Quits | ||
| Clack! | ||
| 1980 | Drumdrops | |
| Urgent/XVII | ||
| 1981 | (1952-19??) | |
| Criterions/Eek! A Mouse | ||
| Dumb Philosophy | ||
| Basic | ||
| Pop Pain | ||
| Column 88 | ||
| F N I | ||
| Logarithms | ||
| 1982 | Pioneer Paramus | |
| Pathos | ||
| Themes | ||
| We Love You Boxheads | ||
| Privacy | ||
| When | ||
| You And Your Employees | ||
| Toxic Shock Syndrome | ||
| Pleasant Tents | ||
| Boxheads 2 | ||
| No Reason | ||
| Trial And Error | ||
| How Can You Resist R. Stevie Moore? | ||
| 1983 | Subject To Change | |
| W.O.M.A.N. | ||
| Boxhead Gothics No. 3 | ||
| Repertoire | ||
| The Church Session | ||
| It's What's Happening Baby! | ||
| Serving Suggestion | ||
| Stevedore | ||
| FM FM | ||
| Curiously Enough | ||
| Hostile Territory | ||
| Crises | ||
| Musts | ||
| On Standby | ||
| As If Vinyl Didn't Exist | ||
| Amateur Hour | ||
| Solid State | ||
| 1984 | R. Stevie Moore Gets Off | |
| Closer Tha Never | ||
| 1984U. | ||
| Embarrass Paris | ||
| State Of Affairs | ||
| K7 | ||
| Kaffeeklatsch | ||
| Organ Donor | ||
| Jabberwocky | ||
| 1985 | Skeletons | |
| Barely | ||
| R. Stevie Moore's Three Blazers | ||
| Umpteenth | ||
| R. Stevie Moore Is Worth It | ||
| 1986 | The Sanctuary Sessions/Glad Music | New Rose |
| Man Of The Year Vol. 1 | self-released | |
| Man Of The Year Vol. 2 | ||
| Purpose | ||
| Man Of The Year Vol. 3 | ||
| Belief | ||
| All Well And Good | ||
| Pandemonium | ||
| 1987 | Googleplex | |
| Clips | ||
| Teenage Spectacular | New Rose | |
| 1988 | Middle Age Vernacular | self-released |
| Effluvium | ||
| 1991 | Persevere | |
| 1992 | Re-cital | |
| Voiced | ||
| 1993 | 7 Songlets | |
| Sequestered | ||
| 1994 | Ersatz | |
| Executive Turntable | ||
| Goosebumps | ||
| Who Cares? | ||
| Absinthe | ||
| A New Day Of Restoration | ||
| Herculean Rationale | ||
| May | ||
| 1995 | Fundraiser | |
| Chapter Eleven | ||
| Phlegm Soundtrack | ||
| In One Ear And Out The Other | ||
| Element | ||
| An Afternoon With R. Stevie Moore | ||
| Dull | ||
| 1996 | The Day The Earth Stood On Stilts | |
| Vague | ||
| Really? | ||
| 1997 | Plight | |
| Disturbed | ||
| Senior Superlatives | ||
| 1998 | Comeback Special | |
| 1999 | I'll Say It's My Fault | |
| 2000 | Love Compartment | |
| 2001 | The Jinx | |
| Midi-Bran Piano Rolls | ||
| 2003 | Report Card | |
| 2004 | Conscientious Objector | |
| Far Out | ||
| Save R. Stevie | ||
| 2005 | Aesthetic | |
| Platformat | ||
| Sister Krys | ||
| Difficult Personality | ||
| 2006 | Albeit | |
| Zeitgeist | ||
| Tell Laura I Love Herbert | ||
| Disorganized Overactivity Or Tabitha Soren | ||
| Hear Lies | ||
| 2007 | Moored | |
| Downplaying My Significance | ||
| 2008 | A.W.O.L. | |
| Fukt! | ||
| 2009 | Fakebook | |
| Sentimental Ties | ||
| Coo Coo Rockin Time | ||
| 2010 | Errorism | |
| Monotheism 2010 | ||
| Text Rage | ||
| Rodan | ||
| Mind Crack | ||
| Space Bar | ||
| 2011 | Advanced | 2000 Records |
| Advanst | self-released | |
| 2012 | Please Leave | |
| LUNATIKFRINJ | ||
| Free Pussy Riot | ||
| Control Panel | ||
| 2013 | Burst Upon The Scene | |
| New World Elder | ||
| Genital Juice | ||
| Oral Roberts | ||
| Dilletante Field Trip Bully | ||
| ENNUI | ||
| May I Be Excused? | ||
| Spoiler Alert | ||
| 2014 | Price Check Moore's Code ~ Freedom Now | |
| Epiglottis Captcha Fracking | ||
| Lymph Nodes | ||
| Fifteen Tons | ||
| 2015 | Make It Be (with Jason Falkner) | Bar/None |
| Knickerbocker Thuggery Combover | self-released | |
| New Age Sewage Anticeptic Tank | ||
| ENGLITCH | ||
| Drip and Dribble (draft) | ||
| 2016 | (we could be) "Gyros" (just for 1 day) | |
| NO WORLD WE'RE FOR | ||
| What Can I Say? | ||
| Product Item Diary | ||
| Barista Parlor Golden Sound | ||
| Amnesia Insomnia Shania | ||
| Unamericana Survival Strategys | ||
| 2017 | Nobody Pays Me Much Mind (Until I'm Gone) | |
| When dja Get Back | ||
| MUSICITY | ||
| 2018 | The Embodiment of Progressive Ideals (with Alan Jenkins and the Kettering Vampires) | Cordelia |
| Oatmeal Goatmilk | self-released | |
| Emotion Picture | ||
| Cancel & Gretel | ||
| The Here..... with neon black | ||
| WORLD WAR FOUR (The Best Of) | ||
| NAP | ||
| 2019 | Afterlife | Bar/None |
Compilations
| Year | Title | Original label |
|---|---|---|
| 1976 | Phonography | Vital |
| 1978 | Delicate Tension | H.P. Music |
| 1983 | This Was R. Stevie Moore: The First Ten Years | self-released |
| Ass-ault (Dollar Tape) | ||
| Rarities | ||
| Country Disguises | ||
| More Moore Versions | ||
| Lost And Found | ||
| Comp Tapes | ||
| 1984 | Greatest Hits | |
| Everything You Wanted To Know About R. Stevie Moore But Were Afraid To Ask | New Rose | |
| What's The Point?!! | Cuneiform | |
| 1985 | Verve | Hamster |
| 1987 | R. Stevie Moore (1952-19??) | Cordelia |
| 1988 | Warning | New Rose |
| 1990 | Has-Beens and Never-Weres | Heliotrope |
| Greatesttits | Fan Club | |
| 1993 | Contact Risk | Fruit of the Tune |
| 1994 | Unpopular Singer Vol. 1 | self-released |
| Unpopular Singer Vol. 2 | ||
| Unpopular Singer Vol. 3 | ||
| 1995 | Revolve | Pink Lemon |
| Unpopular Singer Vol. 4 | self-released | |
| 1999 | The Future Is Worse Than The Past | Megaphon |
| 2000 | The Essential R. Stevie Moore | self-released |
| More Essential | ||
| 2002 | Essential V.3 | |
| Hundreds of Hiding Places | Megaphon | |
| 2003 | Hobbies Galore | self-released |
| Nevertheless Optimistic | Innova | |
| 2004 | Tra La La La Phooey | Comfort Stand |
| 2006 | Thoroughly Years (Phonography 2) | Hamster |
| 2007 | Unpopular Singer Vol. 6 | self-released |
| R. Stevie Moore Sings Ford Theatre | iTunes | |
| 2008 | Meet The R. Stevie Moore | Cherry Red |
| Myth Of Melody | self-released | |
| Special Needs | Park the Van | |
| 2009 | Me Too | Cherry Red |
| 2012 | Lo Fi Hi Fives ...A Kind Of Best Of | OGenesis Records |
| Hearing Aid | Megaphone | |
| 2013 | Personal Appeal | Care in the Community |
| Once and For All | Megaphon/Moloko | |
| In The History of Ever | Oma333 | |
| 2014 | WET PAINT | I Thought You Were a Marxist Records |
Live albums
| Year | Title |
| 1980 | Hurrah's (NYC) |
| 1983 | R. Stevie Moore & The Rayvens 1 (Folk City NYC) |
| R. Stevie Moore & The Rayvens 2 (Maxwell's, Hoboken NJ) | |
| Boxheads 4: Broadcast (WFMU, East Orange NJ) | |
| 1984 | The Biggest Names In Show Business (WFMU) |
| Olives And More (WFMU) | |
| The Scott And Gary Show (NYC Cable TV) | |
| In Person (The Jetty, Bloomfield NJ) | |
| Folk City, NYC | |
| 120 Nuits (Live at Paris) | |
| The Bitter End, NYC | |
| Boston, The Channel | |
| The Dive, NYC | |
| 1985 | Two Evenings With R. Stevie Moore In New York (Irving Plaza/Folk City) |
| The Jetty Vol. 2 | |
| Radio Performance (WFMU) | |
| 1986 | R. Stevie Moore Sings At Speakeasy |
| Speakeasy Vol. 2 | |
| Last Live Show/Lone Star Cafe | |
| 1987 | RSM: Live On WFMU |
| 1993 | RSM On WFMU |
| Maxwell's | |
| 1997 | RSM Live '97 (Mother NYC/Tierney's NJ) |
| RSMKO Sing, Stork Club, WFMU | |
| Baggot Inn/Knitting Factory NYC | |
| 1998 | Tonic, NYC |
| Stork Club, WFMU | |
| Weird NJ At Maxwell's | |
| 1999 | WRVU, Vanderbilt, Nashville |
| Sutler, Nashville | |
| Mercury Lounge, NYC | |
| RSM And The Bees, Darress Theater NJ | |
| 2000 | Maxwell's Y2K |
| Maxwell's Again | |
| 2001 | Nova Nights |
| 2002 | Madison TN High School Gym, Taxmen Reunion |
| Maxwell's IPO | |
| 2003 | Fez NYC |
| Life On WFMU, With Kenny G | |
| Maxwell's | |
| 2004 | GKS Brooklyn |
| Dr. Demento Show, B.B. King's, NYC | |
| Acme Underground NYC, IPO w/Breetles | |
| Tonic w/Ariel Pink | |
| 2005 | Serena Bar, Chelsea Hotel, NYC |
| West End, NYC | |
| Tonic w/Ariel Pink #2 | |
| BSR FM Phone-In (Home Alone) | |
| 2006 | Tonic, NYC |
| 2007 | Knitting Factory Tap Bar, NYC |
| Maxwell's | |
| Knitting Factory | |
| 2008 | Cake Shop |
| Music Hall Of Williamsburg/Bowery Ballroom | |
| Coco66 | |
| Cake Shop #2 | |
| Cake Shop #3 | |
| Cake Shop #4 | |
| Knitting Factory | |
| Death By Audio | |
| Surreal Estate | |
| 2009 | Maxwell's |
| Sputnik | |
| Cake Shop | |
| Kenny's Castaways | |
| 2010 | Mercury Lounge |
| Bruar Falls | |
Singles/EPs
| Year | Title |
| 1973 | "Roger Ferguson & Ethos" (Basic Sounds Ltd.) |
| 1977 | Four From Phonography EP (H.P. Music) |
| 1978 | Stance EP (H.P. Music) |
| "Goodbye Piano"/"I Wish I Could Sing" (Flamingo) | |
| "Cannot Keep My Fingers Out Of My Mouth"/"Groceries" | |
| 1979 | "New Wave"/"Same" (Classass Music Industries) |
| 1984 | "Chantilly Lace" + "Teen Routines"/"Bloody Knuckles" (New Rose) |
| 1992 | "I Hate People"/"Everyone But Everyone" (Singles Only Label) |
| 2001 | Colliding Circles EP |
| A Clever Combo (The Breetles) EP | |
| Frank Balesteria EP | |
| 2002 | Alma Mater, The Mighty Rams EP |
| You Must Be Out Of My Mind EP | |
| Horse In Striped Pajamas | |
| 2003 | A White Shade Of Pale EP |
| Five Minutes More EP | |
| 2006 | Encyclopediac 3 EP |
| 2009 | "U.R. True"/"How Many Moore" b/w "Advertising Agency Of Fucking"/"Oh Pat" (OGenesis) |
| "Came Twice" (Spunky Monkey Music) | |
| "Pop Rock Logic" (Spunky Monkey Music) | |
| 2011 | "You Came Along Just In Time" (People In A Position To Know Records) |
| "Me Too" b/w "Nothing Is As It Was" (Slowboy Records) | |
| "Pop Music" b/w "Love Is The Way To My Heart" (OGenesis) | |
| 2012 | SteviePink Javascript (with Ariel Pink) (People In A Position To Know Records) |
| Ku Klux Glam E.P. (Slowboy Records) | |
| "Post Break-Up Sex" Split 7" w/The Vaccines (OGenesis) | |
| "Advertising Agency Of Fucking" b/w "Conflict Of Interest" (People In A Position To Know Records) | |
| "How Many Moore?" b/w "Who You Gonna Do-do On Today?" (People In A Position To Know Records) | |
| "Little Man" b/w "Dirty Woman" (People In A Position To Know Records) | |
| "E Not Laid" b/w "Inconsiderations Pt. 1" (People In A Position To Know Records) | |
| "A To The S On The A By The P" b/w "Actually I Do Must Leave" (People In A Position To Know Records) | |
| 2015 | "Boysage" Split 7" w/Boys Age (Border Series / Bleeding Gold) |
| "Coming Up" (with Supercute!) (People In A Position To Know Records) | |
Other recordings
| Year | Title |
| 1969 | Grease |
| The Sound Of Fugto | |
| Unleashed Ignorance In Bb Minor Augmented | |
| The Marlborough Sings | |
| 1971 | Jones w/Victor Lovera |
| Eenque w/Lovera | |
| 1972 | All Twenty Minutes w/Lovera |
| Goods w/Herald | |
| Prethos w/Lovera | |
| 1973 | Mere Static/Planet 81 w/Lovera |
| Ob Newschk w/Lovera | |
| 1974 | Ethos 1 & 2 w/Lovera |
| Studio Ethos w/Lovera | |
| Phoney | |
| 1975 | Stevie Does The Beatles |
| Eros Ethos w/Lovera | |
| 1976 | Smashers w/Lovera |
| 1982 | Candid Cassette |
| 1983 | Under The Covers |
| 1984 | Boota Theatre |
| Messy Merci Me | |
| Rare Radio Interviews | |
| 1986 | Dubs One/Say Man |
| Dubs Two | |
| 1997 | Objectivity w/Yukio Yung (JAR Music) |
| 1999 | Dates w/Dave Gregory |
| Watch: Gore/Moore w/Bryan Gore | |
| 1997 | FairMoore w/Jad Fair (Old Gold) |
| 2006 | Manuscription w/Lane Steinberg |
| The Yung & Moore Show w/Yukio Yung | |
| 2009 | Stop Them w/BJanoff |
| 2011 | Stalactites & Stalagmites w/Tropical Ooze |
| 2012 | Ku Klux Glam w/Ariel Pink |
| Wedding Album w/Keel Her | |
| 2014 | Round Eye w/ Round Eye |
References
- "R. Stevie Moore Official Tapelist". Due to the decrease in cassette tape/player availability in recent years, Moore has switched to CD-R as the standard medium for his mail-order service.
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