Rabatak inscription

The Rabatak inscription was found near the top of an artificial hill, a Kushan site, near the main Kabul-Mazar highway, to the southeast of the Rabatak pass which is currently the border between Baghlan and Samangan provinces. It was found by Afghan mujahideen digging a trench at the top of the site, along with several other stone sculptural elements such as the paws of a giant stone lion, which have since disappeared.

An English aid worker who belonged to the demining organization HALO Trust, witnessed and took a photograph of the inscription before reporting the discovery. The photograph was sent to the British Museum, where its significance as an official document that named four kings of Kushan, was recognised by Joe Cribb. He determined that it was similar to an inscription found in the 1950s at Surkh Kotal by the French Archaeological Delegation in Afghanistan. Cribb shared the photograph with one of only a handful of living people able to read the Bactrian language, Nicholas Sims-Williams of the School of Oriental and African Studies (SOAS). More photographs arrived from HALO Trust workers, and a first translation was published by Cribb and Sims-Williams in 1996.

Because of the civil war in Afghanistan years passed before further examination was possible. In April 2000 Jonathan Lee, an English specialist in Afghan history, travelled with Robert Kluijver, director of the Society for the Preservation of Afghanistan's Cultural Heritage, from Mazar-i Sharif to Pul-i Khumri, the provincial capital of Baghlan, to locate the stone. It was eventually found in a storehouse at the Department of Mines and Industry. Lee took photographs that allowed Sims-Williams to publish a more accurate translation, and another translation once Sims-Williams had examined the stone in person (2008).

Variations of the Greek alphabet (narrow columns) in the Kushan script (wide columns)

In July 2000 Robert Kluijver travelled with a delegation of the Kabul Museum to Pul-i Khumri to retrieve the stone inscription (weighing between 500 and 600 kilograms [1,100 and 1,300 lb]). It was brought by car to Mazar-i Sharif and flown from there to Kabul. At the time the Taliban had a favorable policy towards the preservation of Afghan cultural heritage, including pre-Islamic heritage. The inscription, whose historical value had meanwhile been determined by Sims-Williams, became the centrepiece of the exhibition of the (few) remaining artifacts in the Kabul Museum, leading to a short-lived inauguration of the museum on 17 August 2000. Senior Taliban officials objected to the display of pre-Islamic heritage, which led to the closing of the museum (and the transfer of the Rabatak inscription to safety), a reversal of the cultural heritage policy and eventually leading to the destruction of the Buddhas of Bamyan and other pre-Islamic statuary (from February 2001 onwards).

Today the Rabatak inscription is again on display in the reopened Afghan National Museum, or Kabul Museum.

The Rabatak site, again visited by Robert Kluijver in March 2002, has been looted and destroyed (the looting was performed with bulldozers), reportedly by the local commander at Rabatak.

Kanishka ordered the carving of the Rabatak inscription.

B. N. Mukherjee also published a translation of the inscription.[2][3]

1–3

"The year one of Kanishka, the great deliverer, the righteous, the just, the autocrat, the god, worthy of worship, who has obtained the kingship from Nana and from all the gods, who has laid down (i.e. established) the year one as the gods pleased."

3–4

"And it was he who laid out (i.e. discontinued the use of) the Ionian speech and then placed the Arya (or Aryan) speech (i.e. replaced the use of Greek by the Aryan or Bactrian language)."

4–6

"In the year one, it has been proclaimed unto India, unto the whole realm of the governing class including Koonadeano (Kaundinya< Kundina) and the city of Ozeno (Ozene, Ujjain) and the city of Zageda (Saketa) and the city of Kozambo (Kausambi) and the city of Palabotro (Pataliputra) and so long unto (i.e. as far as) the city of Ziri-tambo (Sri-Champa)."

6–7

"Whichever rulers and the great householders there might have been, they submitted to the will of the king and all India submitted to the will of the king."

7–9

"The king Kanishka commanded Shapara (Shaphar), the master of the city, to make the Nana Sanctuary, which is called (i.e. known for having the availability of) external water (or water on the exterior or surface of the ground), in the plain of Kaeypa, for these deities – of whom are Ziri (Sri) Pharo (Farrah) and Omma."

9-9A

"To lead are the Lady Nana and the Lady Omma, Ahura Mazda, Mazdooana, Srosharda, who is called ... and Komaro (Kumara) and called Maaseno (Mahasena) and called Bizago (Visakha), Narasao and Miro (Mihara)."

10–11

"And he gave same (or likewise) order to make images of these deities who have been written above."

11–14

"And he ordered to make images and likenesses of these kings: for king Kujula Kadphises, for the great grandfather, and for this grandfather Saddashkana (Sadashkana), the Soma sacrificer, and for king V'ima Kadphises, for the father, and for himself (?), king Kanishka."

14–15

"Then, as the king of kings, the son of god, had commanded to do, Shaphara, the master of the city, made this sanctuary."

16–17

"Then, the master of the city, Shapara, and Nokonzoka led worship according to the royal command."

17–20

"These gods who are written here, then may ensure for the king of kings, Kanishka, the Kushana, for remaining for eternal time healthy., secure and victorious... and further ensure for the son of god also having authority over the whole of India from the year one to the year thousand and thousand."

20

"Until the sanctuary was founded in the year one, to (i.e. till) then the Great Arya year had been the fashion."

21

"...According to the royal command, Abimo, who is dear to the emperor, gave capital to Pophisho."

22

"...The great king gave (i.e. offered worship) to the deities."

23

"..."

Note: This translation differs from Nicholas Sims-Williams, who has "Vima Taktu" as the grandfather of Kanishka (lines 11–14). Further, Sims-Williams does not read the words "Saddashkana" or "Soma" anywhere in the inscription.[4][5][6]

• Religion in Afghanistan
• Pre-Islamic Hindu and Buddhist heritage of Afghanistan

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• Sims-Williams, Nicholas and Cribb, Joe 1996, "A New Bactrian Inscription of Kanishka the Great", Silk Road Art and Archaeology, volume 4, 1995–6, Kamakura, pp. 75–142.
• Fussman, Gérard (1998). "L’inscription de Rabatak et l’origine de l’ère saka." Journal asiatique 286.2 (1998), pp. 571–651.
• Pierre Leriche, Chakir Pidaev, Mathilde Gelin, Kazim Abdoulaev, " La Bactriane au carrefour des routes et des civilisations de l'Asie centrale : Termez et les villes de Bactriane-Tokharestan ", Maisonneuve et Larose – IFÉAC, Paris, 2001 ISBN 2-7068-1568-X . Actes du colloque de Termez 1997. (Several authors, including Gérard Fussman « L'inscription de Rabatak. La Bactriane et les Kouchans » )
• S.R. Goyal "Ancient Indian Inscriptions" Kusumanjali Book World, Jodhpur (India), 2005.
• Sims-Williams, Nicholas (1998): "Further notes on the Bactrian inscription of Rabatak, with an Appendix on the names of Kujula Kadphises and Vima Taktu in Chinese." Proceedings of the Third European Conference of Iranian Studies Part 1: Old and Middle Iranian Studies. Edited by Nicholas Sims-Williams. Wiesbaden. 1998, pp. 79–93.
• Sims-Williams, Nicholas (2008). "The Bactrian Inscription of Rabatak: A New Reading." Bulletin of the Asia Institute 18, 2008, pp. 53–68.

• Sims-Williams on the Rabatak inscription
• Photograph of the Rabatak inscription
• Indian inscriptions
• Greek transcription