Rasa (theology)

Rasa (IAST rasa) refers to the creation and reception of a distinct 'flavor' or quality of something. As a Sanskrit theological concept, rasa was popularized by specific to Krishna-centered bhakti traditions, such as Gaudiya Vaishnavism from the fifteenth century. The theological use of the word can be found early, about two thousand years before the Nimbarka or Chaitanya schools of bhakti, in a phrase that Chaitanya traditions frequently quote: "Truly, the Lord is rasa" (raso vai sah) of the Taittiriya Upanishad (2.7.1). This statement expresses the view that God is the one who enjoys the ultimate rasa, or spiritual rapture and emotions.[1]

It is believed Rupa Goswami developed, under the direct guidance of Caitanya, the articulated and formulated theology of rasa as "the soul's particular relationship with the divinity in devotional love".[2] Rupa's text draws largely from the foundational theory of rasa formed by Bharata Muni, the originator of Sanskrit dramaturgy, or Natya Sastra (perhaps as early as the 2nd century BCE).[1] These relationships with the divinity in devotional love, rasa, can closely resemble the variety of loving feelings that humans experience with one another,[3] such as beloved-lover, friend-friend, parent-child, and master-servant.[4] Rasas are distinguished as lower and higher and according to Bhagavad Gita[5] it appears that the three higher rasas are acknowledged and preferred by Arjuna.[6] The higher rasas are described as loving, friendly, and fraternal types of relationships.

Raslila dance

In the Vaishnavism tradition of Manipur, the Rasa Lila is depicted through classic Manipuri dance. It revolves around the timeless story of love between Krishna and the cowherd girls, narrating the divine love story of Krishna, (svayam bhagavan) and Radha, his beloved. This dance form was started by Bhagya Chandra in 1779 and is still performed annually in some parts of India during Krishna Janmashtami, the festival celebrating Krishna's birth. According to different traditions, the rasa-lila is performed either by boys and girls, or by boys only. The dance is performed holding dandi (sticks) and is often accompanied with folk songs and devotional music.[7]

Books
  • Swami B.V. Tripurari, Rasa – Love Relationships in Transcendence. ISBN 1886069107
  • Swami B.V. Tripurari, Jiva Goswami's Tattva-Sandarbha: Sacred India's Philosophy of Ecstasy
  • Rupa Goswami, Nectar of Devotion (Bhakti-rasāmṛta-sindhu)

See also

Notes
  1. Schweig 2005, p. 79
  2. Schweig 2005, p. 78
  3. Schweig 2005, p. 80
  4. Cutler, Norman (1987). Songs of Experience. Indiana University Press. p. 1. ISBN 978-0253353344.
  5. Bhagavad Gita 11:44
  6. Schweig 2005, p. 84
  7. Massey 2004, pp. 181–184.

References
  • Haberman, D. The Bhaktirasāmṛtasindhu of Rūpa Gosvāmin, Indira Gandhi National Centre for the Arts and Motilal Banarsidass Publishers, Delhi, 2003.
  • Massey, Reginald (2004). India's Dances: Their History, Technique, and Repertoire. Abhinav Publications. ISBN 978-8170174349.
  • Schweig, G.M. (2005). Dance of divine love: The Rasa Lila of Krishna from the Bhagavata Purana, India's classic sacred love story. Princeton University Press. ISBN 0691114463.
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