Raymond Antrobus

Raymond Antrobus was born in Hackney, East London, to an English mother and a Jamaican father who in the 1960s had emigrated to England to work.[7][8] As a young child Antrobus was thought to have learning difficulties until his deafness was discovered when he was six years old.[3] Speaking of his early years, he has said:

"My dad had a really deep voice, so I never struggled hearing him. His presence was a huge thing for me – being able to lie on his chest and feel his vibrations as he would read the story, there was a dimension of comfort and closeness in that. My parents would often read to me. My mum would read a William Blake poem and we'd talk about it. My dad would read poems to me by Linton Kwesi Johnson. He put a poem called The Song of the Banana Man by Evan Jones on my bedroom wall and my mum put William Blake's London on my wall. They both had a passion for poetry."[9]

Antrobus became a teacher and was one of the first recipients of an MA degree in Spoken Word education from Goldsmiths, University of London, and has had fellowships from Royal Society of Literature, Cave Canem, Complete Works 3 and Jerwood Compton.[7][3][10] In 2015 he was shortlisted for Young Poet Laureate of London.[11][12]

Interviewed in 2016, he said: "I've had many jobs working in removals, gyms, swimming pools, security, etc, but now I make my living off teaching and touring my poetry... and I've never felt more useful working in education as a Jamaican British poet."[8] Of his beginnings as a poet, he says: "When I realised that I wanted to pursue poetry as a career I started looking for a community. At first I came across the London Slam and Open Mic scene, which to me is more of a community than it is a genre. ... and once I found that community I felt very nurtured by it. So for me, certainly there were people like Karen McCarthy Woolfe, Jacob Sam-La Rose, and Roger Robinson who were doing a lot of mentoring at the time, but really my first poetry mentor was Malika Booker, which must have been when I was about 21."[13]

From 2010 to 2018, Antrobus was a founding member of Chill Pill at The Albany in Deptford[14] and the Keats House Poets Forum,[15] Antrobus co-curated shows featuring such people as Kae Tempest, Sabrina Mahfouz, Inua Ellams, Kayo Chingyoni, Warsan Shire, Anthony Anaxagorou and Hannah Lowe.[13][16] Antrobus has read and performed at major UK festivals and internationally, including in South Africa, Kenya, North America, Sweden, Italy, Germany and Switzerland,[17] and has held multiple residencies in schools, as well as at Pupil Referral Units.[18]

His work has been widely published in many literary magazines, journals and other outlets, among them BBC 2, BBC Radio 4, Poetry Review, New Statesman, Poetry, The Deaf Poets Society, The Big Issue, The Jamaica Gleaner and The Guardian.[19][20] In 2019, he headlined the London Book Fair as "Poet of the Fair".[13][21][22]

In 2012, Burning Eye Books published Shapes & Disfigurements of Raymond Antrobus, about which one reviewer wrote: "Exploring themes of outsider introspection, family connections, love and tangential inspiration, bestriding the continents in search of the answers to the keys questions, it's a chapbook that summons a chest-swelling furore of emotions."[23] His second pamphlet, To Sweeten Bitter — "a very personal exploration of the father/son relationship"[24] — came out in 2017, the same year as his poem "Sound Machine", first published in The Poetry Review, won the Geoffrey Dearmer Award, judged by Ocean Vuong.[18]

Antrobus's debut book, The Perseverance, was published by Penned in the Margins in 2018, going on to many accolades and critical acclaim. Among those who gave positive reviews of The Perseverance, Kaveh Akbar said: "It's magic, the way this poet is able to bring together so much — deafness, race, masculinity, a mother's dementia, a father's demise — with such dexterity. Raymond Antrobus is as searching a poet as you're likely to find writing today.'"[25] Describing the book as "an insightful, frank and intimate rumination on language, identity, heritage, loss and the art of communication", Malika Booker writes: "These colloquial, historical and conversational poems plunder the space of missing, and absence in speech/ our conversations — between what we hear and what we do not say. ... Thought-provoking and eloquent monologues explore the poet's Jamaican/ British heritage with such compassion, where the spirit and rhythm of each speaker dominates. These are courageous autobiographical poems of praise, difficulties, testimony and love.'"[25]

The collection was a Poetry Book Society Choice,[18] and won the Ted Hughes Award (judged by Linton Kwesi Johnson, Mark Oakley and Clare Shaw) in March 2019,[3] followed in May 2019 by the Rathbones Folio Prize, awarded for the first time to a poet.[26] The Perseverance was also shortlisted for the Griffin Prize, the Jhalak Prize, and the Somerset Maugham Award, and was chosen as Poetry Book of the Year by both The Guardian and The Sunday Times, and Book of the Year by the Poetry School.[25][3] Also in May 2019, Antrobus was shortlisted for the Forward Prize for Poetry.[27][28] In December 2019, The Perseverance was awarded the Sunday Times/University of Warwick Young Writer of the Year Award.[29][30]

Antrobus wrote his first picture book, Can Bears Ski? (2020), after being unable to find any children's titles with a deaf protagonist.[31]

• "Status", And Other Poems, 7 June 2013.
• "To Sweeten Bitter", Magma Poetry, 2015.
• "Dear Hearing World", The Deaf Poets Society, 2016.
• "His Heart", And Other Poems, 15 November 2016.
• "Sound Machine", The Poetry Review, 107:1, Spring 2017; The Poetry Society. Winner of Geoffrey Dearmer Award.
• "Echo" (podcast), Poetry, 6 March 2017.
• "I Move through London Like a Hotep", Poetry, May 2018.
• "Ode To My Hair", Wildness Journal, issue 14, 2018.
• "Maybe I Could Love a Man", MOKO, Caribbean Arts & Letters, 2018.
• "After Being Called A Fucking Foreigner in London Fields", New Statesman, 24 October 2018.
• "For Rashan Charles", Poets.org, February 2019.
• "Maybe my most important identity is being a son", Poetry Foundation, March 2019.
• "Happy Birthday Moon", Forward Arts Foundation, 2019 (from The Perseverance).

• "In Praise of Michael Rosen and the Truth", Apples and Snakes blog, 2014.
• "Echo (A Deaf Sequence)", Poetry Magazine, 9 March 2017.
• "Raymond Antrobus at Kingston Book Festival", British Council, Literature blog, 22 March 2018.

• 2012: Shapes & Disfigurements of Raymond Antrobus – chapbook (Burning Eye Books)[41]
• 2017: To Sweeten Bitter – chapbook, Foreword by Margaret Busby (Outspoken Press)[42]

• 2018: The Perseverance (Penned in the Margins, ISBN 9781908058522)
• 2020: Can Bears Ski? illus. Polly Dunbar (Walker Books, ISBN 9781406382624)
• 2021: All The Names Given (Picador, ISBN 9781529059496)

• 2021: Inventions In Sound (BBC Radio 4, prod. Eleanor McDowall)[43]
• 2022: Recaptive number 11,407 (BBC World Service, prod. Ant Adeane)[44]