Red Dirt – Red Heart

Red Dirt - Red Heart is the third release in Morris' Australian blues 'n' roots trilogy. It follows Sharkmouth which focusses on back blocks of 1920s and 30s inner-city Melbourne while Van Diemen's Land focussed on larger events, such as the 1894 Australian shearers' strike and the 1850s Bendigo gold rush. Red Dirt - Red Heart focuses on the Australian interior; indigenous inhabitants, bushrangers, swagmen and The Nullarbor.[1]

Red Dirt - Red Heart has an underlining story about the indigenous people with songs about life in central Australia such as "Alice Springs" but there are also some biographical songs such as "God Loves a Sinner" and "Tiger Snake" written by Morris about himself.[2]

Morris said “Before I wrapped up these albums I had to include songs about the people who’ve been here for 40,000 to 50,00 years and their Aboriginal heroes like Bennelong and Pemulwuy. I got permission to do a song about the Kadaitcha Man by contacting the people from Skinnyfish Records and Gurrumul because I didn’t want to offend anyone.”

As Morris explains, the three-album project didn't begin as a trilogy; “I started off in 2012 wanting to do a blues album. Then I saw a photo of scam-artist Thomas ‘Shark Jaws’ Archer that inspired me to write a song about him." adding “Once I got through the first album I realised there was so many stories that I wanted to tell. Our tapestry of characters and places are so interesting. I have a passion for history"

In an interview on 6PR in December 2015, Morris said he believes Red Dirt - Red Heart is the best of the trilogy.[3]

He promoted the album with a video clip and live performances of "Lonesome Road" on television and radio.[4]

Professional ratings

Review scores
Source	Rating
News.com.au	[5]
The Music Au	[6]
100% Rock Magazine	[7]
The Australian	[8]

Noel Mengel from News.com.au said; " Most of the album sticks to the blues template but "Nullabour Sand" is a gentle folk-country reflection that suggests a musical direction worth exploring next time around. Bob Dylan and Leonard Cohen have kept the creative juices flowing into their 70s and 80s: Morris is intent on doing the same. "

Andrew McDonald from the Music AU said; "The album's themes make for a worthy close to his trilogy, and deal with Australian history in a unique way, examining Indigenous culture in the face of perverse whiteness. Australiana is in full force on tunes like the harmonica-driven "Bennelong", and the honestly danceable "Lonesome Road". Morris knows his audience on this album, and plays to them without concern; this is not an experiment or a new side of him, and the album does feel overly long in its continued examination of Australiana, but for fans of the man, this will more than satisfy." adding "The album is an engrossing listen for a blues fan."

Shane Pinnegar from 100% Rock Magazine said; "The climax to Russell Morris’s enormously successful Australiana trilogy is perhaps the most 'true blue', 'dinky-di Aussie' of the lot mining a folky blues seam as he sings of bushrangers and the wide open spaces of our great southern land".

Steeve Creedy from The Australian said; "Morris was deluged with accolades for Sharkmouth and Van Diemen’s Land. His friend and promoter Michael Chugg describes this as “a wonderful conclusion to an amazing trilogy’’. He would say that, but that doesn’t mean it isn’t true."

Morris toured the album throughout January and February 2016 .[9]