Brian Jacques

Brian Jacques was born in Liverpool on 15 June 1939.[2] His parents were James Alfred Jacques, a haulage contractor, and Ellen Ryan.[1][3]

Jacques grew up in Kirkdale near to the Liverpool Docks. He was known by his middle name, Brian, because his father and a brother were also named James. His father loved literature and read his boys adventure stories by Daniel Defoe, Sir Thomas Mallory, Sir Arthur Conan Doyle, Robert Louis Stevenson, and Edgar Rice Burroughs, but also The Wind in the Willows with its cast of animals. Jacques showed early writing talent. At age ten, assigned to write an animal story, he wrote about a bird that cleaned a crocodile's teeth. His teacher could not believe that a ten-year-old wrote it, and caned the boy for refusing to admit copying the story.[1] He had always loved to write, but only then did he realize the extent of his abilities. He attended St John's School until age fifteen, when he left school (as was usual at the time) and set out to find adventure as a merchant sailor. His book Redwall was written for his "special friends",[1] the children of the Royal Wavertree School for the Blind, whom he first met while working as a milkman. He began to spend time with the children, reading books to them. However, he became dissatisfied with the state of children's literature, with too much adolescent angst and not enough magic,[4] and eventually began to write stories for them. He is known for the very descriptive style of his novels, which emphasize sound, smell, taste, gravity, balance, temperature, touch, and kinesthetics, not just visual sensations.

His work gained acclaim when Alan Durband, his former English teacher (who also taught The Beatles members Paul McCartney and George Harrison), showed it to his (Durband's) own publisher without telling Jacques.[1] Durband told his publishers: "This is the finest children's tale I've ever read, and you'd be foolish not to publish it". Soon after, Jacques was summoned to London to meet with the publishers, who gave him a contract to write the next five books in the series.

Redwall was an 800-page handwritten manuscript.[5] It is now common for children's books to have 350 pages, and the Harry Potter books far exceed that, but at the time it was commonly regarded that 200 pages were the maximum that would hold a child's attention.[5] It set the tone for the series as a whole, centering on the triumph of good over evil, with peaceful mice, badgers, voles, hares, moles and squirrels defeating rats, weasels, ferrets, snakes and stoats. Jacques did not shy away from the reality of battle, and many of the "good" creatures die. Redwall alludes to the surrounding human civilization, for example with a scene featuring a horse-drawn cart. The subsequent books ignore humans completely, portraying an Iron Age society from the misty past building castles, bridges and ships to the scale of forest creatures, writing their own literature and drawing their own maps. Jacques was highly involved in the audio books of his work, even personally enlisting his sons and others to voice Redwall inhabitants. Jacques said that the characters in his stories are based on people he encountered in his life. He based Gonff, the self-proclaimed "Prince of Mousethieves", on himself when he was a young boy hanging around the docks of Liverpool.[6] Mariel is based on his granddaughter. Constance the Badgermum is based on his maternal grandmother. Other characters are a combination of many of the people he had met in his travels.[6]

Jacques remembered well the rationing during and after the war, when he fantasized about the dishes in his aunt's illustrated Victorian cookbook. Groaning boards spread with sumptuous feasts are common scenes in his stories, described in intricate sensory detail. The war also informed his depictions of gruesome battles. Jacques was known to be old-fashioned in his living; he thought an old typewriter to be more reliable than a computer, and he was known to be not fond of video games and other modern technology, though he allowed an animated television series to be produced based on his work, which aired on PBS in the United States. In the series, he introduced himself at the beginning of each episode and answered children's questions at the end, though the British Teletoon airings omitted the Q&A session. He never felt that he fit the image of a "writer sitting in his garden."[7] Nevertheless, he was deeply touched by his success at reaching children. He was also pleased to be recognized by the people of Liverpool. His novels have sold more than twenty million copies worldwide[5] and have been published in twenty-eight languages.

Jacques also had musical interests. In the 1960s he formed a folk music band, the Liverpool Fishermen, with two of his brothers. He hosted a radio show called Jakestown on BBC Radio Merseyside from 1986 to 2006, featuring selections from his favourite operas.[2]

In June 2005, he was awarded an Honorary Doctorate of Letters by the University of Liverpool.[1] A prize was created at Bristol Grammar School, known as the 'Brian Jacques Award for Most Improved Creative Writing', and is awarded to a student in Year 8 as book tokens.[8]

He lived with his wife, Maureen, in Liverpool. Jacques and his wife had two sons, now adults, David and Marc, and grandchildren Hannah and Anthony. Marc is a joiner and bricklayer, while David is a muralist and professor of art.[1][7]

In 2011, Jacques was admitted to the Royal Liverpool Hospital to undergo emergency surgery for an aortic aneurysm.[9] He died from a heart attack on 5 February 2011.[10][11]

Wikimedia Commons has media related to Brian Jacques (author).

• Official website
• Redwall Wiki – collaborative Redwall information and news resource
• Brian Jacques at the Internet Speculative Fiction Database
• Brian Jacques at Library of Congress, with 56 library catalogue records