Tony Curtis

Curtis enlisted in the United States Navy after the attack on Pearl Harbor. Inspired by Cary Grant's role in Destination Tokyo and Tyrone Power's in Crash Dive (1943), he joined the Pacific submarine force.[6] Curtis served aboard a submarine tender, the USS Proteus, until the end of the Second World War. On September 2, 1945, Curtis witnessed the Japanese surrender in Tokyo Bay from his ship's signal bridge about a mile away.[8]

Following his discharge from the Navy, Curtis attended City College of New York on the G.I. Bill. He then studied acting at The New School in Greenwich Village under the influential German stage director Erwin Piscator. His contemporaries included Elaine Stritch, Harry Belafonte, Walter Matthau, Beatrice Arthur, and Rod Steiger. While still at college, Curtis was discovered by Joyce Selznick, the notable talent agent, casting director, and niece of film producer David O. Selznick.

Under contract at Universal Pictures, he changed his name from Bernard Schwartz to Anthony Curtis and met unknown actors Rock Hudson, James Best, Julie Adams and Piper Laurie.[9] The first name was from the novel Anthony Adverse and "Curtis" was from Kurtz, a surname in his mother's family.[10] Although Universal Pictures taught him fencing and riding, Curtis admitted he was initially only interested in girls and money--adding that he was pessimistic regarding his chances of becoming a major star. Curtis's biggest fear was having to return home to the Bronx as a failure:

I was a million-to-one shot, the least likely to succeed. I wasn't low man on the totem pole, I was under the totem pole, in a sewer, tied to a sack.[7]

Curtis's uncredited screen debut came in the crime drama Criss Cross (1949) playing a rumba dancer, dancing with Yvonne de Carlo. The male star was Burt Lancaster who would make a number of films with Curtis.

In his second film, City Across the River (also in 1949), he was credited as "Anthony Curtis"IMDB He had four lines in The Lady Gambles (1949) and a bigger part in Johnny Stool Pigeon (1949). He was also in Francis (1950), Woman in Hiding (1950), and I Was a Shoplifter (1950).

He was additionally in three Westerns, Sierra (1950), Winchester '73 (1950), and Kansas Raiders (1951), in which he was billed as "Tony Curtis."

Curtis was receiving numerous fan letters, so Universal gave him the starring role in The Prince Who Was a Thief (1951), a swashbuckler set in the Middle East with Piper Laurie. It was a hit at the box office and Curtis was now established.

He followed it up with Flesh and Fury (1952), a boxing movie; No Room for the Groom (1952), a comedy with Laurie directed by Douglas Sirk; and Son of Ali Baba (1952), another film set in the Middle East with Laurie.

Curtis then starred with then-wife Janet Leigh in Houdini (1953), in which Curtis played the title role. His next movies were more "B" fare: All American (1953), as a football player; Forbidden (1953), as a criminal; Beachhead (1954), a war film; Johnny Dark (1954), as a racing car driver; and The Black Shield of Falworth (1954), a medieval swashbuckler with Leigh. They were moderately successful financially, and Curtis was growing in popularity.

Curtis then starred in the musical So This Is Paris in (1955), before appearing in Six Bridges to Cross (1955), as a bank robber; The Purple Mask (1955), as a swashbuckler; and the boxing film The Square Jungle (1955).

Curtis graduated to more prestigious projects when he was cast as a co-star of Burt Lancaster and Gina Lollobrigida in Hecht-Lancaster Productions' Trapeze (1956). It was one of the biggest hits of the year. Curtis and Leigh formed their own independent film production company, Curtleigh Productions, in early 1955.[11][12]

Curtis made a Western, The Rawhide Years (1957), was a gambler in Mister Cory (1957) and a cop in The Midnight Story (1957). Lancaster asked for him again, to play scheming press agent Sidney Falco in Sweet Smell of Success (1957), starring and co-produced by Lancaster. The film was a box office disappointment, but Curtis, for the first time in his career, received sensational reviews.

Curtis starred alongside Kirk Douglas and Janet Leigh in The Vikings (1958), which was a box office hit. Curtis then co-starred with Frank Sinatra and Natalie Wood in the war movie Kings Go Forth (1958), before starring in The Defiant Ones the following year as a bigoted white escaped convict chained to a black man (played by Sidney Poitier). At the 31st Academy Awards, Curtis was nominated for the Academy Award for Best Actor in a Leading Role for his performance - losing to David Niven in Separate Tables.[13]

Curtis with Marilyn Monroe in
Some Like It Hot (1959)

Curtis and Janet Leigh then starred in Blake Edwards' The Perfect Furlough (1958). He subsequently co-starred with Jack Lemmon and Marilyn Monroe in Some Like It Hot as well as Cary Grant in Operation Petticoat (1959).

Curtis and Leigh made one more film together Who Was That Lady? (1960), a comedy with Dean Martin. He and Debbie Reynolds then starred in The Rat Race (1960). He then started in a supporting role in Spartacus (1960), before making two biopics: The Great Impostor (1961), directed by Robert Mulligan, playing Ferdinand Waldo Demara; and The Outsider (1961), in which he played war hero Ira Hayes. He returned to epics with Taras Bulba (1962), co starring Yul Brynner and Christine Kaufmann, who became Curtis's second wife.

On October 6, 1961, Curtis formed a new film production company, Curtis Enterprises, Incorporated.[14] The company would make 40 Pounds of Trouble, which co-starred Curtis, Suzanne Pleshette and Phil Silvers; it was the first motion picture ever filmed at Disneyland.[15][16][17] On August 3, 1962, Curtis formed another new film production company, Reynard Productions, Incorporated.[18]

Curtis was one of many stars who had small roles in The List of Adrian Messenger (1963). He supported Gregory Peck in Captain Newman, M.D. (1963) and had an uncredited dual role in Paris When It Sizzles (1964). He and Kaufmann made their third movie together, the comedy Wild and Wonderful (1964). His focus remained on comedies: Goodbye Charlie (1964), with Debbie Reynolds; Sex and the Single Girl (1964), with Natalie Wood; The Great Race (1965), with Wood and Lemmon for Blake Edwards — the most expensive comedy film up till that time, but popular; Boeing Boeing (1965) a sex farce with Jerry Lewis; Not with My Wife, You Don't! (1966) with George C. Scott; Drop Dead Darling (1966), a British comedy with Rosanna Schiaffino; Don't Make Waves (1967), a satire of beach life from director Alexander Mackendrick, with Claudia Cardinale; and On My Way to the Crusades, I Met a Girl Who... (1967), an Italian comedy with Monica Vitti. In the early 1960s, he was a voice-over guest star on The Flintstones as "Stoney Curtis".

Because of the poor performance of a series of comedies, Curtis fired his agent and took a pay cut to $100,000 to play the title role in The Boston Strangler (1968), his first dramatic film in several years.[19] Response from the critics and public was excellent. He returned to comedy for Monte Carlo or Bust! (1969), an all-star car race film in the vein of The Great Race.

He made some comic adventure tales: You Can't Win 'Em All (1970) with Charles Bronson and Suppose They Gave a War and Nobody Came (1970).

Curtis decided it was time to turn to television and co-starred with Roger Moore in the TV series The Persuaders! (1971).

He was one of the villains in The Count of Monte Cristo (1975) and had the title role in the gangster film Lepke (1975). Curtis had the lead in a TV series that did not last, McCoy (1975–76). He was one of many names in The Last Tycoon (1976) and had the title role in an Italian comedy Casanova & Co. (1977). Later, Curtis co-starred as a casino owner in the Robert Urich 1978-1981 ABC series Vega$ and was in The Users (1978).

Curtis in 1997

Curtis supported Mae West in Sextette (1978) and starred in The Manitou (1978), a horror film, and The Bad News Bears Go to Japan (1978), a comedy. He had good roles in It Rained All Night the Day I Left (1980), Little Miss Marker (1980) and The Scarlett O'Hara War (1980) and was one of many stars in The Mirror Crack'd (1980). On ABC, he co-starred from 1978 to 1981 in prime time, as Las Vegas Desert Inn casino owner Philip (Slick) Roth, in 17 episodes of the Aaron Spelling produced series hit series, Vega$. After Vega$, on television, Curtis continued to make occasional guest appearances (sometimes playing fictional versions of himself) into the mid-2000s. His final TV series was as host of the documentary-retrospective series "Hollywood Babylon" (adapting Kenneth Anger's book series) in 1992–1993; each episode would include Curtis recalling some anecdotes from his own career. In 2002, Curtis was in the national tour of Some Like it Hot, a modified revival of the 1972 musical Sugar, itself based on the film in which he starred.[20] Curtis played the supporting role of Osgood Fielding.

Throughout his life, Curtis enjoyed painting and, beginning in the early 1980s, painted as a second career. In the last years of his life, he concentrated on painting rather than movies. A surrealist, Curtis claimed Van Gogh, Matisse, Picasso, and Magritte as influences.[6] "I still make movies but I'm not that interested in them any more. But I paint all the time." In 2007, his painting The Red Table was on display in the Metropolitan Museum of Art in New York City. His paintings can also be seen at the Tony Vanderploeg Gallery in Carmel, California.

Curtis spoke of his disappointment at never being awarded an Oscar. In March 2006, Curtis received the Sony Ericsson Empire Lifetime Achievement Award. He also has a star on the Hollywood Walk of Fame inducted in 1960, and received the Ordre des Arts et des Lettres from France in 1995.[21]

Beginning in 1990, Curtis and his daughter Jamie Lee Curtis took a renewed interest in their family's Hungarian Jewish heritage, and helped finance the rebuilding of the Great Synagogue in Budapest, Hungary. The largest synagogue in Europe today, it was originally built in 1859 and suffered damage during World War II.[30] In 1998, he also founded the Emanuel Foundation for Hungarian Culture, and served as honorary chairman. The organization works for the restoration and preservation of synagogues and the 1300 Jewish cemeteries in Hungary and is dedicated to the 600,000 Jewish victims of the Holocaust in Hungary and lands occupied by the Royal Hungarian Army.[31] Curtis also helped promote Hungary's national image in commercials.[32]

Curtis in 2009, during a book-signing of his memoir American Prince

In 1965, Tony Curtis was animated in an episode of The Flintstones; he also voiced his character Stoney Curtis. In 1994, a mural featuring his likeness, painted by the artist George Sportelli, was unveiled on the Sunset Boulevard overpass of the Hollywood Freeway Highway 101 in Los Angeles. The mural was relocated to Hollywood Boulevard and Bronson Avenue in September 2011.[33] His face is featured among the celebrities on the cover of the Sgt. Peppers Lonely Hearts Club Band album by The Beatles.

Also in 1994, the U.S. Navy Memorial Foundation awarded its Lone Sailor Award for his naval service and his subsequent acting career.

In 2004, he was inducted into the University of Nevada, Las Vegas Hall of Fame.[34] A street is named after him in the Sun City Anthem development of his adopted hometown, Henderson, Nevada.[35]

In 2005, Curtis was criticized after he stated that he would refuse to watch Brokeback Mountain. He additionally stated that John Wayne would not have approved of a film about gay cowboys.[36]

In 2008, he was featured in the documentary The Jill & Tony Curtis Story about his efforts with his wife to rescue horses from slaughterhouses.[37] In October 2008, Curtis's autobiography American Prince: A Memoir, was published.[38] In it, he describes his encounters with other Hollywood legends of the time including Frank Sinatra and James Dean, as well as his hard-knock childhood and path to success. It was followed by the publication of his next book, The Making of Some Like it Hot: My Memories of Marilyn Monroe and the Classic American Movie (2009).[39] Curtis shared his memories of the making of the movie, in particular about Marilyn Monroe, whose antics and attitude on the set made everyone miserable.

On May 22, 2009, Curtis apologized to the BBC radio audience after he used three profanities in a six-minute interview with BBC presenter William Crawley. The presenter also apologized to the audience for Curtis's "Hollywood realism." Curtis explained that he thought the interview was being taped, when it was in fact live.[40]