Richard Glatzer

Glatzer and Westmoreland's first collaboration was The Fluffer, a look at obsession, addiction and power relationships in the gay porn industry. It premiered at Berlin and Toronto Film Festivals in 2001 and secured US distribution from First Run Features. It received mixed positive reviews and gained almost instant cult status, John Waters including it in his most famous series Ten Movies That Will Corrupt You. The film starred Michael Cunio, Roxanne Day, Scott Gurney, and Deborah Harry.

Made for a budget of under $500,000, and featuring many first-time actors, Quinceañera ended up winning both the Audience Award and the Grand Jury Prize at the 2006 Sundance Film Festival. It went on to win the prestigious Humanitas Prize, the John Cassavetes Prize at the Spirit Award in 2007, and many other film festival prizes all over the world.[14] It was picked up for the U.S. by Sony Pictures Classics and distributed in over 25 countries worldwide.[15]

The plot focussed on a multigenerational Mexican-American family preparing for their daughter's quinceañera against the back drop of a gentrifying neighborhood. The film was entirely shot in Echo Park, which is where the directors live. On release, it received strong positive reviews scoring 87% on Rotten Tomatoes.[16] The lead actress, Emily Rios, went on to have a successful career starring in Friday Night Lights, Breaking Bad, and The Bridge.

Working with Bunim-Murray productions, Glatzer and Westmoreland executive-produced a movie called Pedro about Pedro Zamora — the AIDS activist who was cast on MTV's The Real World in 1993.[17] The movie was directed by Nick Oceano and produced by Maggie Malina and Jon Murray. For a made for MTV movie, Pedro enjoyed a surprise International festival run. It premiered at Toronto International Film Festival 2007 and Berlin 2008. President Bill Clinton recorded a special introduction for it when it premiered on television.

Glatzer originally heard of a book about Errol Flynn's last love affair, The Big Love, through his mentor, Jay Presson Allen, the screenwriter of The Prime of Miss Jean Brodie and Cabaret. The story is told by Flynn's girlfriend's mother, Florence Aadland with co-writer Tedd Thomey and has been praised by the likes of William Styron and W.H. Auden as the ultimate unreliable narrator story. Glatzer and Westmoreland started researching the screenplay in 2003, earning the trust of Florence's daughter, Beverly, and the friendship of author Tedd Thomey and Flynn's chauffeur in his final years, Ronnie Shedlo.[18] They wrote the first draft of the screenplay in 2007 but it was not until 2011, and the attachment of Kevin Kline, that things started to move forward. Killer Films' Christine Vachon and Pam Koffler came on to produce, and Susan Sarandon and Dakota Fanning signed on for the mother-daughter team of Florence and Beverly.[19] Production took place in Atlanta Georgia in 2013. The city's various locations were used to represent Los Angeles, New York, French Equatorial Africa, Cuba and Vancouver.

The movie premiered at Toronto International Film Festival in 2013[20] to a mixed critical response. Several critics praised Kline's performance as Oscar worthy,[21] whereas other seemed confounded by the movie's lack of a moral stance.[22] Glatzer and Westmoreland's intent had always been to focus on the permission for the relationship, afforded by the mother, rather than its morality.

Based on a 2007 book written by Lisa Genova, Still Alice is a film about a 50-year-old linguistics professor who develops early onset Alzheimer's disease. Glatzer and Westmoreland were hired to adapt the book in 2011 by UK-based producing duo Lex Lutzus and James Brown.[23] Killer Films' Christine Vachon and Pam Koffler then came on as US production partners and Maria Shriver and Elizabeth Gelfand Stearns came on as executives and co-executive producers. Julianne Moore was Glatzer and Westmoreland's first choice to play Alice. She was soon joined by Kristen Stewart and Kate Bosworth, who had been a long time fan of the book.[24] Alec Baldwin then came on to round out the cast, he and Moore having worked together on the TV show 30 Rock.[25]

Glatzer and Westmoreland changed the location for the film from Boston to New York and the university from Harvard to Columbia. Shooting took place over 23 days in March 2014.

The movie was picked up by Sony Pictures Classics, and released in December 2014.[12] Glatzer was living with ALS and some critics have suggested a connection between his own battle with illness and the raw, honest depiction of illness in the film.[13] Moore won the Academy Award for Best Actress for her performance, and dedicated her win to Glatzer.