Rip the Jacker

After producer Stoupe the Enemy of Mankind of the group Jedi Mind Tricks produced the track "Liberal Arts" from Canibus' fourth album Mic Club: The Curriculum (2002), Babygrande Records CEO Chuck Wilson raised the possibility of Stoupe producing an album. Before enlisting in the United States Army, Canibus recorded his vocals before any production and then sent the a cappellas to Stoupe.[1][2] Canibus claimed that he wrote the lyrics on a "stained dinner table in Hell's Kitchen".[3] In 2003, he stated that the album consisted of his most complex rhymes to date[4] and it "describes our civilization through the eyes of a modern day lyricist/poet".[5] Due to his military obligations, he did not hear the songs in the final format until a week after the album's release when he purchased a copy at Best Buy.[1] Although he released future albums, Rip the Jacker was intended to be his last.[3] As a concept album, the record represents the third "personality" of the rapper: "Prof. Emeritus Rip The Jacker", the others being "Dr. PhD Canibus" and "Germaine Williams" (his real name).[1][6] Canibus explained the alter-egos:

Germaine created Canibus and Canibus had to deal with things in the industry that he had no idea existed. I didn't know that the competition was unfair, that the competitive nature of the music was cut-throat. Then when I had the chance to experience that, Canibus had to create another level. Rip the Jacker is like a foot side of Jack the Ripper".[7]

Professional ratings

Review scores
Source	Rating
AllHipHop	[8]
AllMusic	[9]
The A.V. Club	Favorable[10]
Entertainment Weekly	Ambivalent[11]
HipHopDX	[12]
MV Remix	8.5/10[13]
RapReviews	10/10[14]
The Situation	4/5[15]
Stylus Magazine	(B+)[16]
Yahoo! Music	Favorable[17]

Produced by Stoupe the Enemy of Mankind, the album frequently samples golden age hip hop tracks.[9] Canibus is characterized for his "deep vocabulary, scientific concepts, battle rhymes and descriptive imagery" throughout the album.[8] Stylus Magazine's Kilian Murphy wrote that:

The entire English language is seemingly contained in [Canibus'] mind: the sheer volume and variety on each track is astounding. He has word after word lined up in his head, bursting to be articulated. So he deletes and re-arranges until they are moulded into a savage, scholarly verbal assault ... He consistently spits rhymes out with manic fury, but rarely alters the texture of his voice, takes care to emphasize individual words or alter pronunciations for effect.[16]

The album received favorable reviews from music critics. AllMusic's Andy Kellman considered the album to have the "best set of productions Canibus has had to work with".[9] C. Brown of AllHipHop wrote that Canibus provides "incredibly sharp lyricism" and "has adopted a more technical approach to his rhyming since the 1990s."[8] HipHopDX called Rip the Jacker Canibus' best album and praised the "lyrical dexterity" which can be "matched by very few".[12] Entertainment Weekly's Jonah Weiner described the rhymes as "high-flown and delivered with gruff scorn -- but inane".[11] URB magazine writer Steve Juon of RapReviews.com ranked it the best album of 2003[18] and said it may be Canibus' "first album of perfection".[14] Kilian Murphy of Stylus Magazine praised the record for its "pleasing level of instrumental detail and liquidity".[16] Nathan Rabin of The A.V. Club wrote that Canibus "sounds like a kid who spends his free time reading the dictionary" and that the album was his "strongest, most consistent work to date. A shameless name-dropper, he references Noam Chomsky, Joseph Heller, Niels Bohr, and David Hume in his dense, challenging rhymes".[10] Samuel Chesneau of The Stranger called it "easily his best album" which "incorporates a much different sound and a real gothic feel".[19]

All songs written by Canibus and produced by Stoupe the Enemy of Mankind.

Information taken from AllMusic.[25]

• Executive producer – Louis Lombard III, Chuck Wilson
• Design – Jeff Chenault
• Mixing – Chris Conway
• Photography – Stephen Mitchell Gilbert
• Production coordination – Charles "Chase" Jones
• Mastering – Emily Lazar, Sarah Register
• Art direction – Luminati
• Marketing – Jesse Stone
• Vocal engineer – Todd Watson