Roger Mason (musician)

Roger Ashley Mason[1][2] was a keyboardist in Colt early in 1979. He joined vocalist and guitarist James Freud (ex-Spread, Teenage Radio Stars) in James Freud & the Radio Stars with fellow Colt members Murray Doherty on bass guitar, Glenn McGrath on drums and Bryan Thomas on guitar, and later Tony Harvey on guitar and Mick Prague on bass. This line up plus various guest artists recorded the album " Breaking Silence" between July and November 1979 with further contributions made by Tony Lugton and Peter Cook before its completion and release in 1980.[3][4] Further changes by year's end resulted in Freud and Mason joined by Peter Cook on guitar and backing vocals and Tommy Hosie on drums.[3] They signed with Mushroom Records and their debut single, "Modern Girl," was released in May 1980, which peaked at No. 12 on the Australian Kent Music Report Singles Chart.[3][5] They supported the English singer-keyboardist, Gary Numan, on his Australian tour. James Freud & the Radio Stars' debut album Breaking Silence was released in June, it was produced by Tony Cohen.[3][4] Numan liked the album and offered to produce the next one in London, as there was already a UK band called The Radio Stars, a name change to James Freud & Berlin occurred. While in London, Mason joined Numan's backing band and was recorded on the live album, Living Ornaments '80.[6] Neither Freud nor Numan were happy with the London-recorded album for James Freud & Berlin and it was not released and one month later, in March 1981, Freud disbanded the group.[7] Freud and Mason returned to the UK with the intention of forming a new band, Orient-R, which only played a single performance before disbanding. Mason then went on to join Numan's touring band, and appeared on Numan's 1981 album, Dance and subsequent 1982 album, I, Assassin. While in London, Mason worked for glam rock guitarist, Rob Dean (ex-Japan) on a potential solo album. By 1984, Mason and Dean had combined with Hugo Burnham (Gang of Four) and Australian singer and bass guitarist Philip Foxman (Supernaut) to form funk rock outfit, Illustrated Man.[4] They released a six-track mini-LP, Illustrated Man, then toured to New York but soon disbanded.

In late 1984, Mason re-joined with Freud to replace Andrew Duffield on keyboards in Models.[7] He appeared on their best performed album, Out of Mind, Out of Sight which reached No. 3 on the Australian Kent Music Report Albums Chart and spawned a No. 2 hit "Barbados" and a No. 1 hit "Out of Mind, Out of Sight".[5] With Mason and Freud, the line-up of Models was Sean Kelly on lead guitar and vocals, Canadian-born Wendy Matthews on backing vocals, New Zealand-born Barton Price on drums and James Valentine on saxophone. Their final studio album, Models' Media was released in December 1986, which peaked in the Top 30 and the band had a slot on the Australian Made Tour into early 1987.[7] Mason as lead singer and Kelly, formed a side-project, The Clampetts, to record cover versions of nine country music tracks, which was released in 1987 as The Last Hoedown.[4][8]

Mason joined Jenny Morris's backing band late in 1987, together with Amanda Vincent (ex-Eurogliders), Jehan Lindsay (Richard Clapton Band), Paul Burton (Mark Williams Band) following the release of Morris' debut solo album, Body and Soul.

In 1988 Mason toured with Los Angeles new wave group Wall of Voodoo and appeared on their live album The Ugly Americans in Australia. In late 1989 Mason re-united with former Models members, Kelly and Matthews performing on Absent Friends' first single, "Hallelujah". Mason then toured with Icehouse, following the release of their seventh studio album, Code Blue. He also was a member of Tommy Emmanuel's touring band between 1988 and 1992.[4] In 1990, Matthews recorded her debut solo album Émigré with the assistance of Mason and various bandmates, Garry Gary Beers (Absent Friends, INXS), Kelly, Mick King (Absent Friends), Valentine and Duffield as well as Tim Finn and Peter Blakeley.[9] Mason wrote her hit song, "Token Angels" which reached No. 18 on the Australian singles chart and won Matthews an ARIA Award in 1991 for 'Breakthrough Artist – Single'.[10][11]

1992 saw Mason (keyboards) join Johnny Diesel's Rock 'n' Soul Tour, with Kane Baker on drums, Leslie Barlow on backing vocals, Matthew Branton on guitar and Jim Hilbun on bass guitar.[12] In 1997, Mason teamed up with Graeme Revell to create the album Vision II - Spirit of Rumi, released through New York based Angel Records. The two coproduced, supplied some of the instrumental accompaniment, and set to music 11 poems by renowned 13th century poet Jalāl ad-Dīn Muhammad Rūmī. Vocals were provided by Noa, Lori Garson, Esther Dobong'Na Essiene a.k.a. Estha Divine, and the late Nusrat Fateh Ali Khan.[13]

As a composer, Mason has won Australasian Performing Right Association (APRA) Awards for 'Best Soundtrack Album' for The Extra in 2005,[14] 'Best Music for a Television Series or Serial' for Peking to Paris in 2006,[15] 'Best Music for a Telemovie' for The Last Confession of Alexander Pearce in 2009, and Australian Academy of Cinema and Television Arts (AACTA) Awards for 'Best Original Music Score in Television' for The Code (Episode 1) (ABC) in 2015.[16]{[17]

On 27 October 2010, Models were inducted into the ARIA Hall of Fame by Matthews.[18][19] He has played with Steve Kilbey and the Winged Heels.[20][21]

The Australian Guild of Screen Composers (AGSC) presented their annual awards for works by their members from 1996 to 2000.[22] These awards were incorporated into the APRA Music Awards as the Screen Music Awards from 2002 (see below).[23]

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.

The APRA Music Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters."[25] After 2002 they also include the associated Screen Music Awards handed out by APRA, Australasian Mechanical Copyright Owners Society (AMCOS) and Australian Guild of Screen Composers (AGSC), which "acknowledges excellence and innovation in the field of screen composition."[23]