Royal College of Music

The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history, and has trained some of the most important figures in international music life. The RCM also undertakes research, with particular strengths in performance practice and performance science.

Not to be confused with the Royal Academy of Music, the Royal Conservatory of Music, or the Royal College of Music, Stockholm.

Royal College of Music
Front façade of the Royal College of Music
TypePublic
Established1882 (1882)
Endowment£44.6 million (2022)[1]
Budget£33.1 million (2021-22)[1]
ChairmanGuy Black, Baron Black of Brentwood[2]
PresidentCharles III
DirectorColin Lawson
Patronvacant
Students890 (2019/20)[3]
Undergraduates440 (2019/20)[3]
Postgraduates450 (2019/20)[3]
Location
Prince Consort Road, London
,
England

51°29′59″N 0°10′37″W
CampusUrban
AffiliationsConservatoires UK
Associated Board of the Royal Schools of Music
Universities UK
Websitercm.ac.uk

With more than 900 students from more than 50 countries, the RCM is a vibrant community of talented and open-minded musicians. RCM professors are musicians with worldwide reputations, accustomed to working with the most talented students of each generation to unlock their artistic potential.

The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.

History

Background
Main article: National Training School of Music

The Royal College of Music was founded in 1883 to replace the short-lived and unsuccessful National Training School of Music (NTSM). The idea for the NTSM was initially proposed by the Prince Consort decades before the school opened. Conservatoires to train young students for a musical career had been set up in major European cities, but in London the long-established Royal Academy of Music had not supplied suitable training for professional musicians: in 1870 it was estimated that fewer than ten per cent of instrumentalists in London orchestras had studied at the academy.[4]

The NTSM opened in 1876, with Arthur Sullivan as its principal. Under Sullivan, a reluctant and ineffectual principal, the NTSM failed to provide a satisfactory alternative to the Royal Academy and, by 1880, a committee of examiners comprising Charles Hallé, Sir Julius Benedict, Sir Michael Costa, Henry Leslie and Otto Goldschmidt reported that the school lacked "executive cohesion".[4] The following year Sullivan resigned and was replaced by John Stainer.[5] The original plan was to merge the Royal Academy of Music and the National Training School of Music into a single, enhanced organisation. The NTSM agreed, but after prolonged negotiations, the Royal Academy refused to enter into the proposed scheme.[5]

In 1881, with George Grove as a leading instigator and with the support of the Prince of Wales, a draft charter was drawn up for a successor body to the NTSM. The Royal College of Music occupied the premises previously home to the NTSM and opened there on 7 May 1883. Grove was appointed its first director.[6] There were 50 scholars elected by competition and 42 fee-paying students.[7]

Early years

Grove, a close friend of Sullivan, loyally maintained that the new college was a natural evolution from the NTSM.[4] In reality, his aims were radically different from Sullivan's. In his determination that the new institution should succeed as a training ground for orchestral players, Grove had two principal allies: the violinist Henry Holmes and the composer and conductor Charles Villiers Stanford.[4] They believed that a capable college orchestra would not only benefit instrumental students, but would give students of composition the essential chance to experience the sound of their music.[4] The college's first intake of scholarship students included 28 who studied an orchestral instrument. The potential strength of the college orchestra, including fee-paying instrumental students, was 33 violins, five violas, six cellos, one double bass, one flute, one oboe and two horns.[4] Grove appointed 12 professors of orchestral instruments, in addition to distinguished teachers in other musical disciplines including Jenny Lind (singing), Hubert Parry (composition), Ernst Pauer (piano), Arabella Goddard (piano) and Walter Parratt (organ).[6]

The old premises proved restrictive and a new building was commissioned in the early 1890s on a new site in Prince Consort Road, South Kensington. The building was designed by Sir Arthur Blomfield in Flemish Mannerist style in red brick dressed with buff-coloured Welden stone.[8] Construction began in 1892 and the building opened in May 1894.[9] The building was largely paid for by two large donations from Samson Fox, a Yorkshire industrialist, whose statue, along with that of the Prince of Wales, stands in the entrance hall.[10]

Grove retired at the end of 1894 and was succeeded as director by Hubert Parry.[11]

Later history

Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Matthews(1985–93) and Dame Janet Ritterman (1993–2005). The College's current Director is Colin Lawson whose tenure began in July 2005.[12]

The College's teaching professoriate numbers over 200 musicians, including internationally known figures like Dmitri Alexeev, Martyn Brabbins, Natalie Clein, Danny Driver, Martin Gatt, Chen Jiafeng, Jakob Lindberg, Mike Lovatt, Patricia Rozario, Brindley Sherratt, Ashley Solomon, Mark-Anthony Turnage, Maxim Vengerov, Roger Vignoles, Raphael Wallfisch and Errollyn Wallen as well as principals of the major London orchestras including the London Symphony, BBC Symphony, London Philharmonic and the Philharmonia.[13]

Since its founding in 1882, the college has been linked with the British royal family. Its patron was Queen Elizabeth II. For 40 years Queen Elizabeth The Queen Mother was president; in 1993 Charles III (then Prince of Wales) became president.[14]

Opened in 2016, the Royal College of Music’s hall of residence, Prince Consort Village, provides accommodation for more than 400 students and with acoustically treated bedrooms and dedicated practise rooms.

The college is a registered charity under English law.[15]

Curriculum

The college teaches all aspects of Western classical music from undergraduate to doctoral level. There is a junior department, where 300 children aged 8 to 18 are educated on Saturdays.[16]

Partnership

Since August 2011, RCM has been collaborating with Nanyang Academy of Fine Arts, Singapore, and now offers both undergraduate and taught postgraduate degree programmes, jointly conferred by both institutions.[17]

Performance venues

The RCM has a wide variety of concert venues including the Amaryllis Fleming Concert Hall, a 468-seat barrel-vaulted concert hall designed by Blomfield, built in 1901 and extensively restored in 2008–09. The Britten Theatre seats 400, and was opened by Queen Elizabeth II in 1986 and is used for opera, ballet, music and theatre. There is also a 150-seat recital hall dating from 1965, as well as several smaller recital rooms, including three organ-equipped Parry Rooms.

A £40 million development was completed in 2021 and the estate’s footprint was almost doubled including the creation of two new performance spaces, the Performance Hall which seats 140 people, and the Performance Studio, an intimate venue for solo and chamber performance.  

Royal College of Music Collections
Alfred Schnittke by Reginald Gray

The Royal College of Music Museum houses over 14,000 items, representing a range of music-making activities over a period of more than five centuries. Amongst instruments housed in the museum is a clavicytherium, thought to be the world's oldest surviving keyboard instrument, and the earliest known guitar. Following a £3.6million investment from Heritage Lottery Fund, the Museum underwent a major redevelopment in 2020-21.

Owing partly to the vision of its founders, particularly Grove, the RCM now holds significant Collection Materials, dating from the fifteenth century onwards. These include autograph manuscripts such as Haydn's String Quartet Op. 64/1, Mozart's Piano Concerto K491 and Elgar's Cello Concerto. More extensive collections feature the music of Herbert Howells and Frank Bridge and film scores by Stanley Myers. Among more than 300 original portraits are John Cawse's 1826 painting of Weber (the last of the composer), Haydn by Thomas Hardy (1791) and Bartolommeo Nazari's painting of Farinelli at the height of his fame. A recent addition to the collection is a portrait of the Russian composer Alfred Schnittke by Reginald Gray. 10,000 prints and photographs constitute the most substantial archive of images of musicians in the UK. The RCM's 600,000 concert programmes document concert life from 1730 to the present day. There are also more than 800 musical instruments and accessories from circa 1480 to the present.

head and shoulders shots of four youngish men in early 20th century dress
Early RCM pupils included (clockwise from top left) Coleridge-Taylor, Holst, Vaughan Williams and Ireland

Alumni
Main article: List of Royal College of Music people

Since opening in 1882, the college has had a distinguished list of teachers and alumni, including most of the composers who brought about the "English Musical Renaissance" of the 19th and 20th centuries.

Students in the time of Stanford and Parry included Samuel Coleridge-Taylor, Gustav Holst, Ralph Vaughan Williams and John Ireland.[18] Later alumni include Louise Alder, Sir Thomas Allen, Benjamin Britten, Dame Sarah Connolly, Colin Davis, Sir James Galway, Gwyneth Jones, Rowland Lee, Neville Marriner, Anna Meredith, Hugh McLean, Tarik O'Regan, Gervase de Peyer, Trevor Pinnock, Anna Russell, Dame Joan Sutherland, Mark-Anthony Turnage, Andrew Lloyd Webber, Julian Lloyd Webber, James Horner, Sir Reginald Thatcher, Michael Tippett and the guitarist John Williams.

Directors of the RCM

Awards

Awards include ARCM (Associate), LRCM (Licentiate) and FRCM (Fellow).

Each year the Royal College of Music bestows a number of honorary degrees, memberships and fellowships on individuals who have made an exceptional contribution to life at the RCM and the wider musical community.[19]

For a more comprehensive list, see List of Fellows of the Royal College of Music.

See also

References
  1. "Royal College of Music Annual review and financial statements 2021/22" (PDF). Royal College of Music. Retrieved 24 January 2023.
  3. "Where do HE students study?". Higher Education Statistics Agency. Retrieved 1 March 2020.
  4. Wright, David "The South Kensington Music Schools and the Development of the British Conservatoire in the Late Nineteenth Century", Journal of the Royal Musical Association, Vol. 130, No. 2 (2005), pp. 236–282 (subscription required)
  5. "The Proposed College for Music", The Musical Times and Singing Class Circular, Vol. 23, No. 467 (January 1882), pp. 17–18 (subscription required)
  6. "Royal College of Music", The Musical Times and Singing Class Circular, Vol. 24, No. 484 (June 1883), pp. 309–310 (subscription required)
  7. Rainbow, Bernarr and Anthony Kemp. "London – Educational establishments", Grove Music Online, Oxford Music Online, accessed 4 January 2012 (subscription required)
  8. "State opening of the Royal College of Music", Musical Times, 35 (1 June 1894:390); the style was reported as "Renaissance, freely treated"
  9. The date 1892 on a tablet in the peak of the central pavilion. The formal opening was in May 1894.
  10. "Royal College of Music | British History Online". British-history.ac.uk. 22 June 2003. Retrieved 2 May 2010.
  11. Young, Percy M. "Grove, Sir George (1820–1900)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2006 accessed 2 November 2010 (subscription required)
  12. "Royal College of Music: Director" Archived 13 May 2013 at the Wayback Machine, AIM 25, accessed 6 January 2012
  13. "Faculties" Archived 8 November 2011 at the Wayback Machine, Royal College of Music prospectus 2012, accessed 6 January 2012
  14. "History of the RCM", Royal College of Music, accessed 6 January 2012
  15. "Royal College of Music, registered charity no. 309268". Charity Commission for England and Wales.
  16. "Royal College of Music, Junior Department". Archived from the original on 28 December 2009. Retrieved 2 June 2008.
  17. "RCM-NAFA degree programme". RCM Website. Retrieved 2 November 2017.
  18. Firman, Rosemary. "Stanford, Sir Charles Villiers (1852–1924)", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 11 December 2011 (subscription required)
  19. "Honours and Fellowships | Royal College of Music". Rcm.ac.uk. Retrieved 23 October 2021.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.