Royal Melbourne Philharmonic

The Royal Melbourne Philharmonic was founded in 1853 and the orchestra was then called the Melbourne Philharmonic Society.[7] One of its founders was Charles La Trobe, who was the appointed superintendent of NSW in 1839.[8] The original purpose of creating the organization was to hold regular performances with a non-profitable basis.[8]

During the 19th century, British musical taste was dominating the RMP's opinion in making musical decisions, including selecting performance repertoires, outlining the list of the programmes as well as employing the concert pitch.[9] George Peake, the appointed conductor of the Philharmonic in 1889 to 1911, decided the high Philharmonic pitch to be employed for the orchestra instead of using the normal pitch or the French pitch, as the high pitch was still being used by the orchestras in the UK (ibid.).[9]

During the first and second world war, two oratorios, Elijah and Messiah had always dominated the Philharmonic's concerts program.[3] The main reason for the Philharmonic to depend on the two oratorios was the high demand from the listeners during that time, which helped the Philharmonic in receiving financial income.[3] There was a decline of appreciation toward large-choral societies during the outbreak of the second world war.[10] During those times less singers joined the Philharmonic, particularly the men, and there were less regular concerts being performed by the Philharmonic.[10] Eight conductors were appointed one after another during the second world war with the aim of gaining more attention from the audience yet the attempts were unsuccessful.[10]

During the Great Depression era in 1927, Bernard Heinze, the conductor of the Philharmonic appointed Zelman as the new conductor. In 1936, the Commission of the Royal Melbourne Philharmonic agreed to do a reformation and reconstitution of the management system as well as the orchestra.[3] The ex-conductor of the Philharmonic, Bernard Heinze, was appointed to be the commission's musical advisor.[3] He became a part of the Commission together with Charles Moses as the general manager, William James as the federal controller of music and W. J. Cleary as the chairman of the commission.[3] The role of the commission was to give inputs and plans related to the Philharmonics' practices, repertoires, customs and hiring.[3] The chorus master of the choir, Dan Hardy, was replaced by George English. New repertoires were added to the Philharmonic's concerts program, including Bach's mass in B minor, Walton's Belshazzars Feast and Verdi's Requiem.[10]

The Philharmonic received financial support from the government, where they were granted about $20.000 annually.[11] In 2014, the annual funding from the City of Melbourne had discontinued as they removed the Philharmonic from the council's grants lists. Since then, RMP has been relying on their income from donations, fundraising, membership fees and box office.[11] Andrew Wailes, the director of the Philharmonic reported that these were not enough to cover all of their operation expenses.[11]

The Royal Melbourne Philharmonic began to have a contractual agreement with the Australian Broadcasting Commission (ABC) on 17 August 1936, wherein the ABC took over the choir.[7] As the Philharmonic entered a contract with the ABC, the burden of orchestral members fees and promotional costs were reduced.[10] Based on the agreement with ABC, the RMP had given permission for ABC to do an audition and replacement of choir members.[4] The ABC also gained the authorization to nominate the conductors, soloists, choirmaster and the repertoires to be performed.[4] The ABC retained any profits made by the choir as well as the Philharmonic concerts, and they were also responsible for any financial risk related to the concert expenses and covered most of its disbursements.[4] The ABC continued to work with the Philharmonic throughout the 1960s, delivering mostly choral works in the concerts.[10]

The structure of the organisation began to change in 1969 due to the performance standard of the Philharmonic that started to decline in the 1960. The Philharmonic's original agreement with the ABC was terminated in the year of the changes to the organisation and a new contract with the ABC along with the revised agreement was issued in 1970.[4] The ABC and the Philharmonic agreed on improving the quality of performance. The ABC took over the control of the RMP's concerts entirely and did a strict audition to the choristers.[4] By 1970 to 1975, the Philharmonic became a regular part of ABC's programs including Red and Blue series and the annual prom concert at the Moomba Festival.[10]

The Philharmonic's contract with the ABC ended in 1986 and it has been replaced by the Melbourne Chorale as the choir of choice for the ABC.[10]

In 1891, the orchestra members of the Philharmonic were said to be miming during the concert by George Peake, the appointed conductor of the orchestra.[9] The Philharmonic was facing concerns by the audience in 1922 to 1935, as the orchestra did not play in time and in tune and there were no strict audience conducted.[3] This was because the musical ability of the members did not meet the minimum standard of playing the repertoire.[3]

In 1935, Bernard Heinze, the conductor of the Philharmonic, felt depressed due to the choristers' performance quality, as their vocal technique had not improved.[7] This happened as there was a lack of community support and interest to participate in the choir, hence they were not able to attract the performers that met the requirement.[7]

The auditions for choir and orchestral members began to occur after the RMP signed the partnership agreement with the ABC.[7] All of the applicants including the current members were required to do an audition in front of the committee and the representation of the Society.[7] The Philharmonic regained a surge of popularity under the ABC's management by appearing on their TV programmes and events.[7]

After 1975, the popularity of the RMP started to decline due to the listeners demand that favour more of the chorale works which were regularly presented by the Melbourne Chorale and the University Choral Society.[10]

The RMP has had a long tradition of playing the Messiah and Mendelssohn's Elijah during Christmas season as well as producing choral works in the Australian premieres.[4] Within 21 years starting from 1919 to 1939, RMP had performed Handel's Messiah on 37 occasions.[3] In 1998, The Royal Melbourne Philharmonic orchestra and choir presented The Magic Moments from Opera Concert, a fund-raising concert for the Christmas Toy Appeal.[15] By August 2014, The RMP had performed Messiah for 234 times with 250 part-time musicians and singers participating in it.[16] The Philharmonic also presented both Messiah and Carols at the AFL grand final, Anzac Day service, international rugby games and Melbourne Cup.[11]

On 31 July 2004, the Royal Melbourne Philharmonic held their 74th concert presenting Mendelssohn's oratorio, Elijah.[17] The concert was performed at Melbourne Town Hall under the baton of John Lemmone, with Kirsti Harms on Soprano, David Hobson on Tenor and Rodney Macann on bass and baritone.[17] The Royal Melbourne Philharmonic Choir had collaborated with the Californian orchestra, Stanford Symphony Orchestra at Royal Melbourne Townhall.[18] It is the first collaboration of NSW's long history with the US musicians, where 135 singers from Stanford Symphony Orchestra and 130 NSW singers joined together to perform the Requiem at the Opera House on 26 June 2005.[18] RMP held multiple concerts performing Lux Aeterna in 2012 to 2013, a repertoire comprising religious texts which was composed by an Australian composer, Morten Lauridsen.[19]

On 27 February 2015 The RMP presented three parts of Beethoven's works in collaboration with the Australian Ballet, the Melbourne Symphony Orchestra and Orchestra Victoria.[5] The performance was held at Hamer Hall with Diego Matheuz as the principal guest conductor, featuring an RMP Aria Competition winner Christopher Richardson, the British soprano Susan Gritton, Palestinian-Israeli pianist Saleem Ashkar and Australian singers including Fiona Campbell and Jacqueline Porter.[5] On 12 May 2018, the Philharmonic collaborated with the Melbourne University Choral Society presenting a Mozart-themed concert at St. Paul's Cathedral in Melbourne.[20] The concert started with a Clarinet Concerto, followed by the C minor Mass with full formation of the orchestra playing and ended with Mozart's small piece, Ave Verum Corpus.[20]

The Royal Melbourne Philharmonic concerts presenting Tchaikovsky's cantata that was planned to be held in May has been postponed to 2021 due to the coronavirus pandemic.[21] They are preparing to release and sell digital performances of the Philharmonic's concerts from their archives in the coming months.[21]

RMP has presented a series of vocal competitions, known as the Royal Melbourne Philharmonic Aria, focusing on oratorio performances.[22] In 2018, there were more than 100 participants joining the twelfth edition of the contest, with Cassandra Wright, a mezzo-soprano singer as the winner.[22] Louis Hurley, a tenor singer, won first place the following year by performing a work from Benjamin Britten in the latest competition, which was held in August 2019.[23]