Sally Robinson

From 1974 to 1983 Robinson worked at the Australian Museum in Sydney as a designer, a position which allowed her to travel to remote areas of Australia. In her private practice in her studio, Robinson’s screen prints captured those places, and established her reputation in the printmaking community.[3]

From 1976 to 1983 Robinson was also teaching part-time at Alexander Mackie College (subsequently renamed the City Art Institute). After leaving the Museum Robinson spent four years as a full-time lecturer at the City Art Institute (which became the College of Fine Arts, UNSW and is now called UNSW Art & Design).[4]

From the 1970s till the early 1990s Sally Robinson worked as a fine art screen printer. She became recognised in the Australian printmaking community for bold and humorous depictions of Australian culture, landscape, flora and fauna, which were collected by private and State Galleries. These screen prints depicted iconic tourist destinations around the country such as Bondi Beach, Uluru (Ayers Rock),[5] Kakadu, The Twelve Apostles.[6]

After receiving an Australian Antarctic Division Humanities Program Award in 1991, Robinson travelled to the Australian bases of Mawson, Davis, and Heard Island. This voyage resulted in a series of ten silk screen prints documenting her response to the ice, history and wildlife of Antarctica.[7][8]

In the late 1990s Robinson made a shift from silk screens back to painting, which was her first love, incorporating and adapting the stencil technique from printmaking to create dynamic, pixelated surface textures in acrylic on linen canvas.[9] The resulting portraits have garnered critical attention for the sensitivity of the portraits combined with the boldly fragmented surfaces. A deeply moving portrait of "The Artist's Mother" in the final stage of terminal cancer won the Portia Geach Memorial Award in 2012.[10] This portrait travelled to the Embassy of Australia in Washington, D.C. as part of a group exhibition by Portrait Artists Australia.[11]

Robinson has received many portrait commissions, both private and institutional. Portrait commissions include Sir Keith Peters, Regis Professor of Physic (for Cambridge University UK), Sir Bruce Ponder, Emeritus Professor of Oncology at the University of Cambridge (for CRUK Institute, Cambridge, UK); Mary Gaudron, first woman High Court Judge of Australia (for NSW Law Society) and Professor Sir Keith Peters for the Academy of Medical Sciences, London. Robinson’s portrait of Brett Weymark, the conductor of the Sydney Philharmonia Choirs, was hung in a group exhibition by Portrait Artists Australia at the Australian Parliament House in Canberra in 2012.[12] Robinson's portrait of Tim Winton was hung in the 2019 Darling Portrait Prize in the National Portrait Gallery (Australia), and subsequently acquired for the collection.[13]

Robinson has created a series of penetrating self-portraits, one of which won the Portia Geach Memorial Award in 2019 – "Body in A Box".[14]

Robinson has exhibited her work in numerous solo and group exhibitions all around Australia during her 45-year career. As of 2020 Sally Robinson's studio and gallery are located in the historic Astor building in Macquarie Street, Sydney.[15]