Maribojoc Church

Damaged ruins of the church,

On October 15, 2013, a strong earthquake heavily damaged the church and several other churches designated as National Cultural Treasures.[7] Major damage was observed at the churches of Maribojoc and Loon.[8] Both churches were left in rubble, having been totally destroyed. At Maribojoc Church only the image of the Sacred Heart of Jesus that remained standing in front of the church.[8]

The Diocese of Tagbilaran restored Maribojoc Church and all other churches destroyed by the earthquake.[6] The church's edifice and the paintings in the ceiling were restored. The church reopened on December 12, 2021, Gaudete Sunday.[9]

Its façade was simply decorated by narrow pilasters and niches of saints.[10] A bas relief of the church's secondary patron, San Vicente Ferrer, was prominently located on the center of the facade.[3] A string of finely cut coral stones, molded into flowers, could be seen on the lower cornice of the facade.[3] Beside the façade was an extension of a bulky belfry.[3]

The belltower of Maribojoc had seven bells and two windows with clock faces. One of the clocks, installed on October 15, 1893, during the term of Father Lucas Martínez,[11] had an inscription of "José Altonaga", indicating that it came from a well-known company in Manila during the late 19th century.[3][12] On that same day, lightning rods costing ₱ 900 were installed.[11] It also had a separate entrance on the ground floor, possibly for easy access during changing shifts of watchmen. The largest of its seven bells was dedicated to San Vicente in the 1870s.[13] When Father Pedro Quiterio was assigned to Maribojoc, he ordered the repair of the clock in the bell tower in December 1933.[11]

The interior exhibited a contrast of bare nave walls against the paintings drawn on the metal ceilings leading to the main altar and retablo mayor. The ceiling paintings were known to be works of Raymundo Francia, as shown by his signature on one corner of the dome in the 1930s.[14] An acknowledgment on the initiative of the San Tarcisio Martir Maribojoc Catholic Association 'Comité de Obras' could also be seen painted before the crossing.[14] Several paintings by Francia on metal had deteriorated even before the total destruction of the church by earthquake in 2013. The Francia paintings were never touched up nor repainted.[15] The new church dome (or cimborrio) was constructed in June 1889. Ray Francia was again commissioned to do mural works on the cimborrio by painting the Epistles of The Four Apostles, namely the saints John, Matthew, Luke and Mark.[16]

Church dome

Main altar (Retablo-mayor)

Maribojoc had five intricately carved Neo-Gothic retablos in the sanctuary and transepts.[8] Striking features of the retablo were the presence of arches, crockets, Mudéjar stars and the profusion of carving. The whole retablo was probably completed on January 7, 1934, as a project of the Comité de Obras during the term of Father Quiterio Sarigumba (P.Q.S.) as seen on the inscription in the upper reaches of the central retablo.[14] An older retablo, built from 1616 to 1692, predated the church.[5]

The image of Santa Cruz, the town's patron, was located in a small shrine on top of another containing the wooden statue of San Vicente Ferrer, the town's secondary patron, on the central niche of the retablo-mayor.[14] Above the central niche was the image of the Holy Trinity.[14] On both sides, above the two other niches on the main altar, were paintings of the allegories of the Finding and Veneration of the True Cross.[14] The rest of the retablos in the transept contained images of saints.[14]

Spanish-era pipe organ

Connected to the choir loft was a small area where a large organ with metal pipes could be seen. The organ, which still needed restoration at the time of the earthquake, was last played in 1975.[17] Estimated to have been built by Spanish pipe organ makers between the 17th and 19th centuries, the Maribojoc organ was one of the remaining 14 Spanish era pipe organs, three of which were in Bohol.[18] Also located in the choir loft was a lectern for choral books. On the ceiling, a mural of the sacrament of baptism depicted Father Quiterio Sarigumba as the officiating priest.[14] Father Sarigumba, also known as the "builder priest", was known for having repaired portions of Jagna Church and the addition of new facades to the churches of Inabanga and Panglao. A passage to the belfry was located in the choir loft.[3]

The sacristy was located behind the sanctuary. Another passageway lead from the sanctuary to the church convent. Unlike other churches, the convent of Maribojoc, built under the second term of Father Fernando Rubio, was attached to the back of the church and parallel to the epistle transept, forming a continuous "I" pattern instead of the usual "L" pattern.[12] The convent was a traditional bahay-na-bato, with its ground floor made of stone and the second floor made of contemporary materials.[12] Parts of the convent were used as the St. Vincent Institute, a school and the church museum, which housed liturgical objects, old canonical books (Bautizos, Defuociones, Casamientos, Actas), relics of St. Vincent Ferrer and another relic of the Holy Cross brought by Father Soriano, SJ from Jerusalem.[4][19] Another stone stairway at the back of the convent, finished in 1864, connected the downtown to the port and led to an octagonal tower.[20]