Sarah Elizabeth Tanner

Sarah Elizabeth Tanner (May 18, 1840 — August 2, 1914[1]) was active as a missionary worker and a religious leader in the African Methodist Episcopal Church.

Mrs. Sarah Tanner with her husband Bishop Benjamin Tucker Tanner.

She was the wife of Benjamin Tucker Tanner. She was the mother of the artist Henry Ossawa Tanner and the physician Halle Tanner Dillon Johnson, and the grandmother of civil rights activist Sadie Tanner Mossell Alexander.

She was the subject of two portraits by her son, his Portrait of an Artist's Mother and Mother of Henry O.

Biography

Sarah Tanner was born in Winchester, Virginia as Sarah Elizabeth Miller, the daughter of Charles Jefferson Miller (1808 — 1856[2]) and Louise (Saunders) Miller (1809 — ?[2]), and one of their six children.[3][1] Charles was the mulatto son of a Virginia planter who took his family to "the free state of Pennsylvania" in 1846, driving them north in an ox cart.[4] Alternatively, the family may have moved to Pittsburgh, Pennsylvania in 1843.[5] Sarah's father took work as a porter in Pittsburgh, but passed away when she was 16.[3][5] Homeschooled, she was able to attend Avery College, and became a teacher after her father's death.[5] Her studies at college were cut short with her father's death.[5]

There is another version of Sarah's history, in which she was said to be one of eleven children born to an enslaved mother, who sent Sarah north using the Underground Railroad.[6] In this version of the story, the family was divided up by the Pennsylvania Abolitionist Society, and Sarah was sent to Pittsburgh.[6]

She married Benjamin Tucker Tanner in 1858.[5]

Life

With her husband she had nine children, managing to raise seven of them to adulthood.[5] She was praised for her devotion to her family, working as a homemaker for more than 25 years and managing her family's finances.[5] Married to a Methodist minister (later a Bishop), her own religious convictions were strong, and she taught children in her church's Sabbath School.[5] She also engaged in missionary work, acting as president and treasurer of the "Parent Mite Missionary Society."[5] As her children matured, she was able to devote more time to missionary work, traveling "throughout the country."[5]

Death and interment

A resident of 2908 Diamond Street in Philadelphia, Pennsylvania in her early seventies, Tanner died at the age of 74 in Philadelphia on August 2, 1914. She was interred at the Merion Memorial Park in Bala Cynwyd.[7][8]

Portraits

Henry Ossawa Tanner focused his talent on two portraits of his mother, "the central, stabilizing figure in her large and distinguished African American family."[9]

Henry painted the earlier image (Portrait of the Artist's Mother) during a visit home in 1897.[9] Over his father's objections, he had left home to become an artist, studying in Philadelphia, beginning 1879 and then in Paris in 1891.[10] However his parents did not stop his dreams, even offering financial support.[10] He had achieved what few Americans had, success in the Paris Salon and the beginnings of a successful career as an artist.[10] The painting was one of at leasr three works that her son made, which showed African American subjects in an attitude of respect, so different from mainstream portrayals in the late 1890s.[11][12] The painting is an example in which Henry mixed American Realism with Impressionism in a style also seen in two other works, The Banjo Lesson and The Thankful Poor.

The second image Mother of Henry O. is closer in style to his later impressionist-style paintings.

  • Portrait of the Artist's Mother by Henry Ossawa Tanner. 1896.
    Portrait of the Artist's Mother by Henry Ossawa Tanner. 1896.
  • Mother of Henry O. Tanner, a second portrait of Sarah Elizabeth Tanner by Henry Ossawa Tanner. Undated.
    Mother of Henry O. Tanner, a second portrait of Sarah Elizabeth Tanner by Henry Ossawa Tanner. Undated.

References
  1. "Louisa Saunders Mentioned in the Record of Sarah Elizabeth Tanner (Louisa Saunders's Daughter) Death • Pennsylvania, Philadelphia City Death Certificates, 1803-1915". Name of father Charles J. Miller; Birthplace of father Winchester, Va; Name of mother Louisa Saunders; Birthplace of mother Carlisle, Pa.
    [info from familysearch.org: "Pennsylvania, Philadelphia City Death Certificates, 1803-1915," database with images, FamilySearch (familysearch.org/ark:/61903/1:1:JFF8-CGH : 18 February 2021), Louisa Saunders in entry for Sarah Elizabeth Tanner, 02 Aug 1914; citing cn 18848, Philadelphia City Archives and Historical Society of Pennsylvania, Philadelphia; FHL microfilm 1,429,047.]
  2. "Sarah Elizabeth Miller". familysearch.org.
  3. "Sarah Miller Census • United States Census, 1850". familysearch.org. [Note: Sarah and her family are on lines 9-16.] "United States Census, 1850," database with images, FamilySearch (www.familysearch.org/ark:/61903/1:1:M448-Y5F : 21 December 2020), Sarah Miller in household of Charles Miller, Pittsburgh, Allegheny, Pennsylvania, United States; citing family , NARA microfilm publication (Washington, D.C.: National Archives and Records Administration, n.d.).
  4. Mathews, Marcia M (1969). Henry Ossawa Tanner, American artist. Chicago: University of Chicago Press. p. 6.
  5. Homespun Heroines and other women of distinction. New York: Oxford University Press. 1988. pp. 32–33.
  6. "Mother of Henry O. Tanner". Smithsonian American Art Museum.
  7. "Sarah Elizabeth Tanner" (death certificate). Harrisburg, Pennsylvania: Commonwealth of Pennsylvania, Department of Health, Bureau of Vital Statistics (file no.: 84786, registered no.: 18848), August 2, 1914.
  8. "Sarah E. Tanner, 2908 Diamond street" in "$100,000 Holdings of Alfred D. Silliman Co. to Family." Philadelphia, Pennsylvania: Evening Ledger, September 25, 1914, p. 7 (subscription required).
  9. "Portrait of the Artist's Mother". Philadelphia Museum of Art.
  10. Mathews, Marcia M (1969). Henry Ossawa Tanner, American artist. Chicago: University of Chicago Press. pp. 16, 65, 79.
  11. Ervin Dyer (23 February 1997). "Portrait of a Painter". Pittsburgh Post-Gazette. Pittsburgh, Pennsylvania. p. 81. ...he was sick at heart to learn of the extent to which race hatred continued. The growing negative depictions of blacks, through minstrel shows and other media, were at a high point...he responded eloquently...As a result, in 1893 he crafted "The Banjo Lesson"...
  12. Charles McQuillen (3 January 2016). "Cross-Curricular Connect: The Banjo Lesson". [Note: this quote is about The Banjo Lesson; however it applies to other works in which Tanner presented African Americans in positive or neutral light.] ...allowed Tanner to share his unique perspective and showcase his artistic skills and genius. Challenging stereotypical norms that presented mocking images of blacks...
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.