Schöpfungsmesse

The Mass No. 13 in B-flat major, Hob. XXII/13, was composed by Joseph Haydn in 1801.[1] It is known as the Schöpfungsmesse or Creation Mass because of the words "qui tollis peccata mundi" in the Gloria. He recycled music from Adam and Eve's final duet in The Creation,[2] a fact which scandalized Empress Maria Theresa so much that she ordered Haydn to recompose that passage for her own copy.[3]

Missa
Schöpfungsmesse
Mass by Joseph Haydn
KeyB-flat major
CatalogueHob. XXII/13
Composed1801 (1801)
VocalSATB choir and soloists
InstrumentalOrchestra

The recurrent motif in measure 51 of the Gloria is identical to the solo soprano/tenor motif in measure 13 of "Der Herr ist Groß" from Haydn's "Die Schöpfung".

The work was first performed on 13 September 1801.[4] It consists of six movements:

  1. Kyrie, Adagio, B-flat major, 3/4
    Kyrie, Allegro moderato, B-flat major, 6/8
  2. Gloria, Allegro, B-flat major, alla breve
    Qui tollis, Adagio, E-flat major, 3/4
    Quoniam tu solus sanctus, Molto vivace, B-flat major, common time
    In gloria Dei Patris, Presto, B-flat major, common time
  3. Credo, Vivace, B-flat major, common time
    Et incarnatus est, Adagio, G major, 3/4
    Et resurrexit, Allegro, B-flat major, common time
    Et vitum venturi, Più Allegro, B-flat major, common time
  4. Sanctus, Adagio, B-flat major, common time
    Pleni sunt coeli, Allegro, B-flat major, common time
  5. Benedictus, Allegretto, E-flat major, 6/8
  6. Agnus Dei, Adagio, G major, 3/4
    Dona nobis pacem, Allegro moderato, B-flat major, alla breve

Notes

  1. p. 132 (1974) Hugues
  2. p. 282 (1992) Holoman
  3. p. 652 (2009) Heartz
  4. Joseph Haydn: Mass in Bb, Schöpfungsmesse (Creation Mass) Boston Baroque

References

  • Heartz (2009) Daniel. New York. Mozart, Haydn and Early Beethoven: 1781 — 1802 W. W. Norton & Co.
  • Holoman (1992) D. Kern. New York Evenings with the Orchestra: a Norton Companion for Concertgoers W. W. Norton & Co.
  • Hughes (1974) Rosemary. London. Haydn J. M. Dent & Sons Ltd


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