Second Toughest in the Infants

The album opens with the multi-song suite "Juanita : Kiteless : To Dream of Love", which features all three parts intersecting each other at various points during the piece; hence, the use of colons instead of slashes in its name. The loungy, drum and bass track "Banstyle" follows, alongside its downtempo, half-speed counterpart "Sappy's Curry". The rest of the record showcases advancements in the Underworld sound: both "Rowla" and "Pearl's Girl" feature club-ready abrasive beats and basslines, while "Blueski" and "Stagger" incorporate live acoustic guitar and light, melancholic arrangements, respectively. "Pearl's Girl" is one of the few Underworld songs to use breakbeats.

Due to the success of the single "Born Slippy .NUXX", Second Toughest was re-issued with a bonus disc containing the single-only tracks "Born Slippy .NUXX" and "Rez"; Japanese editions also featured "Cherry Pie" and the "(Carp Dreams... Koi)" mix of "Pearl's Girl".

The song titles "Sappy's Curry", "Pearl's Girl" and "Born Slippy" all come from the names of greyhounds from an English racing stadium. These greyhounds finished third, second, and first during Underworld's visit to the races.[3]

Professional ratings

Contemporary reviews
Review scores
Source	Rating
AllMusic	[4]
Encyclopedia of Popular Music	[5]
Entertainment Weekly	B+[6]
The Guardian	[7]
Muzik	5/5[8]
NME	8/10[9]
The Rolling Stone Album Guide	[10]
Select	5/5[11]
Uncut	8/10[12]
The Village Voice	C+[13]

Like their previous effort Dubnobasswithmyheadman, Second Toughest in the Infants received critical acclaim. Anya Sacharow of Entertainment Weekly described the album as "no dumb-bass dance music", adding that Underworld "know how to expand the frenzy of techno and jungle and then retreat to an ambient cool".[6] Melody Maker called Underworld "modest/cynical/smart enough to borrow jungle's finest trademarks",[14] while NME praised them as "smooth of touch, sleek of footing and downright slippery of rhythm" and concluded that they "breezily persevere in their quest for Western groove domination."[9] Stephen Thomas Erlewine of AllMusic said that Second Toughest in the Infants "carries the same knockout punch of their debut, Dubnobasswithmyheadman, but it's subtler and more varied, offering proof that the outfit is one of the leading dance collectives of the mid-'90s."[15]

Melody Maker named Second Toughest in the Infants the fifth best album of 1996,[16] and the album was also ranked at number 37 in NME's 1996 critics' poll.[17] In 2006, the album was ranked at number 96 on Mojo's list of "Modern Classics", with an accompanying write-up stating: "Everything with Underworld is in the detail – never has the introduction of a hi-hat seemed quite so exciting."[18] The album is featured in the book 1001 Albums You Must Hear Before You Die.[19]

In a retrospective review, AllMusic critic Paul Simpson said that "Second Toughest in the Infants endures as a landmark album, spotlighting Underworld at their creative peak, and remaining an important document of an era when experimental, cerebral electronic dance music received significant mainstream attention."[4]

2015 reissue

Professional ratings

Retrospective reviews
Review scores
Source	Rating
The Guardian	[20]
The Line of Best Fit	9.5/10[21]
Louder than War	10/10[22]
Mojo	[23]
Pitchfork	8.8/10[24]
PopMatters	10/10[25]
Q	[26]
Record Collector	[27]
Uncut	9/10[28]

In 2015, the album was reissued on vinyl and 2-CD and 4-CD expanded editions. Highlighting alternate mixes, remixes and unreleased songs, the 4-CD version includes a full CD of variations of "Born Slippy .NUXX", from one of the song's earliest versions in 1994, up until its final form a year later (which is included here in its 1996 extended form).