Shady Grove (Quicksilver Messenger Service album)

At the start of 1969, guitarist and vocalist Gary Duncan temporarily left the band, upon which they ceased touring. The remaining members played a small handful of gigs in the spring and summer of the year with guest vocalist Nick Gravenites before hiring ace session keyboardist Nicky Hopkins to permanently join them that August, although only three gigs were played with this lineup until regular touring began again on New Year's Eve with the return of Duncan and the addition of Dino Valenti. Nonetheless, the band began recording their third album with Hopkins that summer.

The influence of Nicky Hopkins, the English journeyman pianist who appears on albums by Jeff Beck, The Rolling Stones, The Who, all four of The Beatles and Steve Miller is felt throughout Shady Grove, and his contributions pushed the group in new directions. However, David Freiberg's vocal presence and John Cipollina's idiosyncratic guitar stylings make the Quicksilver sound of the first two albums still apparent.

Hopkins re-recorded the closing track, "Edward, The Mad Shirt Grinder", on his solo album The Tin Man Was a Dreamer, which features members of the Rolling Stones and the Beatles. (“Edward” was a nickname for Nicky Hopkins, made up by Brian Jones during a 1967 session at Olympic Studios in London. The story goes that Jones was tuning his guitar and asked Hopkins to give him an E on the piano; with other noise interfering and Nicky unable to hear what he was saying, Brian eventually shouted out: "Give me an E, like in Edward!")[1] The track's elaborate, classically inspired keyboard work and extended jamming veers closer to an English progressive rock sound. "Flute Song", with its melancholic piano and string backing (ironically, no flute appears), is also prog-influenced. "Joseph's Coat", co-written by John Cipollina and Nick Gravenites, also appears on Big Brother and the Holding Company's album Be a Brother, which featured Gravenites on vocals.

The cover was designed by George Hunter's Global Propaganda and featured a slightly edited version of a work by painter L.K. Hollister, of otherwise unknown personal information.[2]

The album became the group's highest-charting when it hit #25 on Billboard that winter.

Professional ratings

Review scores
Source	Rating
AllMusic	[3]
Rolling Stone	(mixed) [4]
The Village Voice	C+[5]
MusicHound Rock	2/5[6]
Select	[7]

In his review of the album, for AllMusic, Lindsay Planer writes: "This somewhat uneven effort would sadly foreshadow QMS's journey from psychedelia and into a much more pop-oriented sound on their follow-up, Just for Love (1970). However, enthusiasts of those albums will find much more to revisit on Shady Grove than those who favored the first two records."[3]

Quicksilver Messenger Service

• John Cipollina – guitar, vocals
• Nicky Hopkins – piano, organ, celeste, harpsichord, cello
• David Freiberg – bass, vocals, guitar, viola
• Greg Elmore – drums, percussion

• Engineer – Dan Healy, Robert Shumaker, David Brown, Michael Leary
• Mixing – Dan Healy, Quicksilver Messenger Service, Snarly Grumble
• Executive producer – John Palladino
• Mixed at Pacific High Recorders

Album

Billboard (United States)