Short Movie

Following the release of Once I Was an Eagle, Marling felt dissatisfied with the songs she had written for her fifth record. She described the attempt as "a boring afterthought [to Once I Was an Eagle.]"[2] Following her tour in support of the previous record, she decided to turn away from music for six months, and instead invested her time in a number of different pursuits, exploring the spiritualist and mystical side of Los Angeles. This period was highly formative, and forms a large part of the subject matter on Short Movie.[3] Marling later called the album, "The middle of a thought, rather than a conclusion," in a radio interview.

The album is a relative departure from Marling's previous four albums. It is her first self-produced record, Marling wanting to "demystify production."[4] As well as this, Short Movie is the first of Marling's records not to have a six syllable title. Marling also added a layer of distorted, bowed, electric guitar, to the album, creating a low, dissonant sound, reminiscent of urban background noise. At times this is so quiet that it is unnoticeable, and at others is far more prominent, as in the opening track, ″Warrior″.

The record deals with Marling's feelings of solitariness and dislocation in Los Angeles. Marling has described Los Angeles as a city that rejects negative attitudes in people, and this is reflected in the sixth track, ″Don't Let Me Bring You Down″, in which she sings "Living here is a game I don't know how to play." Marling's activities in Joshua Tree are referenced when she sings "I've got us lost so I've turned us off in Joshua tree," in the song ″Easy″, her implied exploration with psychedelics apparent in the line, "It was a bit too high for me/ I spent a month thinking I was a high desert tree." Marling describes another part of her American experience in the lead single, ″False Hope″, which is about her time in Manhattan when Hurricane Sandy struck. The title of the record comes from a meeting Marling had with a hippie in a bar in Mount Shasta. Often his response to what Marling said was, "It's a short fucking movie, man," this attitude influencing the lyrics on the title song.[5]

Marling was also inspired by the work of Chilean filmmaker, Alejandro Jodorowsky. Part of his biography is the subject matter of ″Gurdjieff's Daughter″, in which he recounts a meeting with Renya D'Assia, the spiritualist's daughter. The opening track ″Warrior″, is also partly inspired by Jodorowsky's film, The Holy Mountain.

Marling recorded and co-produced the album in Urchin Studios, in London. She recorded with long-time cellist, Ruth de Turberville, the bassist, Nick Pini, and Noah and the Whale fiddler, Tom Hobden, with her co-producer Matt Ingram playing the drums. She requested that the string players perform blind, meaning that they only heard each track once and were given just the key of the track, before recording their parts.[6]

Marling released the music video for the first single, Short Movie, on 17 December, when the album's release was announced. Prior to this, she performed at a number of Holiday shows, as a support or guest act.[7] Marling released the album's second single, False Hope, on 21 January. The song received its first airing on Zane Lowe's programme on BBC Radio 1, and was followed by the official audio release. Two live videos of the songs, False Hope and I Feel Your Love, were uploaded to Marling's YouTube account as part of promotion for the record. The video version of I Feel Your Love is noticeably different from that of the album, with Marling playing electric guitar and the live version containing no strings.

In the run up to the album's release, Marling hired a number of artists to paint murals on billboards in various locations in London.[8] The murals are based upon the album's abstract cover, with each muralist being given free rein to augment the artwork if they so chose.

On 1 April, Marling released a music video for the song, Gurdjieff's Daughter. The video is set in Marling's former home in Silverlake, LA. It is directed by Chris Perkel and Max Knight, with whom Marling worked on the short movie, 'Woman Driver'.[9]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.9/10[10]
Metacritic	81/100[11]
Review scores
Source	Rating
AllMusic	[12]
The A.V. Club	B[13]
The Daily Telegraph	[14]
The Guardian	[15]
The Independent	[16]
NME	8/10[17]
Pitchfork	7.4/10[18]
Q	[19]
Rolling Stone	[20]
Spin	8/10[21]

Like Marling's previous four records, Short Movie has achieved critical acclaim, despite achieving a less unanimously positive reception than Once I Was An Eagle. On review collation site Metacritic, the record has an aggregate score of 81 based upon 28 reviews, signifying "universal acclaim".[11] Writing for The Daily Telegraph, Helen Brown said, "No doubts about this: Short Movie is a masterpiece".[14] Similarly, Michael Hann of The Guardian, called Short Movie a "Slightly frayed masterpiece".[15] Sarah Greene of Exclaim! praised Marling's songwriting, writing that "her bold statements and revelations seem more grounded in real life observations this time around, less in archetypes."[22] Many reviewers have described Short Movie as a transitional record, marking her departure from a typically folk style to a more alternative or rock-oriented sound.