Si Gomar

After a run-in with robbers, Badjoeri and his son Soebardja are set adrift on a river. Badjoeri's wife and daughter, Ramina and Mariani, are captured by the bandits. Though they escape with the help of Wirama, Ramina dies soon afterwards. Badjoeri also dies, soon after leaving Soebardja with Mansur.

Years pass, and Soebardja and Mariani are set to marry. As they have been raised separately, by different people, they do not realize that they are brother and sister. The marriage is only called off after their cousin Ismail realizes the true relationship of the would-be bride and groom.[1]

Si Gomar was written and directed by Tan Tjoei Hock for Action Film, a subsidiary of Java Industrial Film (JIF). The film was produced by The Teng Chun, owner of the company,[2] who had signed Tan in 1940 after seeing him at Prinsen Park (now Lokasari).[3] Artistic arrangement was handled by Hajopan Bajo Angin. Music was provided by Mas Sardi, whereas sound was handled by The Teng Chun's brother TS The.[2]

Hadidjah, Mohamad Mochtar, and Tan Tjeng Bok starred in Si Gomar; the film also featured Bissu, Aysah, M. Sani, and Said Thalib. Hadidjah and Tan Tjeng Bok both took a dual role; Hadidjah played Ramina and Mariani, whereas Tan Tjeng Bok played Badjoeri and Soebardja.[1] Filming of this black-and-white production had been completed by August 1941.[4]

Si Gomar was released by September 1941. An anonymous review for Pertjatoeran Doenia dan Film praised the movie, particularly Tan Tjeng Bok's acting in his double role and the visual effects – such as those showing an erupting volcano and a forest fire.[5]

Soon after the completion of Si Gomar, Action Film began production on another work, Singa Laoet.[4] This later production featured the same cast and crew.[6] Action Film, together with JIF, continued as the most productive studio in the Dutch East Indies until the Japanese occupation began in March 1942, causing all but one film studio to be shut down.[7]

Si Gomar was shown as late as December 1943.[8] It is now likely lost, as are all Indonesian films from before 1950 according to American visual anthropologist Karl G. Heider.[9] As elsewhere in the world at the time, movies produced in the Indies were shot on highly inflammable nitrate film, and after a fire destroyed much of Produksi Film Negara's warehouse in 1952, old films shot on nitrate stock were deliberately destroyed.[10] However, Kristanto records several as having survived at Sinematek Indonesia's archives, and film historian Misbach Yusa Biran writes that several Japanese propaganda films have survived at the Netherlands Government Information Service.[11]