Situla

Urnfield culture, bronze situla with bird-headed sun ship motif, Hungary, c. 1000 BC.[3]

Bronze situlae were a feature of the Urnfield culture which dominated central Europe and parts of southern Europe in the Late Bronze Age. They frequently incorporated schematic depictions of solar boats with bird head protomes, known as the 'sun-bird-ship' motif.[4]

Typical Iron Age situlae are bronze, as in the types of libation vessels found as grave goods in Etruscan graves, the Este culture (example, the Situla Benvenuti) and neighbouring Golasecca culture, and the eastern zone of the Hallstatt culture of Central and Southeast Europe. Here they have a distinctive style, often without a handle; the Vače situla is a Slovenian example. These usually have sides sloping outwards, then a sharp turn in at the shoulder, and outside Etruria often a short narrower neck. The shape has similarities with the narrower spouted Etruscan shape of flagon that was also copied to the north, as in the 5th-century Basse Yutz Flagons found in France. They are often decorated, in the most elaborate examples with several bands of figures running round the vessel. They may or may not have handles, and sometimes have lids.[5] Many are made of several sheets held together with rivets.[6]

The Etruscan examples are most characteristic in the 7th century BC, though continuing well afterwards. They are in various materials, from pottery to bronze, and sometimes silver. The Situla of the Pania is an unusual luxury Etruscan example in ivory, and the Bocchoris vase a ceramic import from Egypt from an Etruscan burial. The Este and Hallstatt examples are later, with the Slovenian production reaching a peak in quality in the 5th century, up to about 400 BC, well after the Hallstatt period had ended over much of its area.[7] Some were found containing cremated ashes, but they were essentially luxury vessels used at feasts.[8]

Numerous Hallstatt situlae were found in Slovenia, mainly (19 of them) in the area of Novo Mesto in Lower Carniola, which has been named the "City of Situlae" due to this.[9][10] Japodian burial urns made by the Japodes tribe of Illyrians are a 5th-century BC extension into modern Bosnia of this style.

Later Etruscan and then Roman styles favoured a simple shape curving from the base, becoming vertical at the top, with a wide mouth and no shoulder, but sometimes a projecting rim. These had a variety of uses, including for washing and bathing. Any decoration was often concentrated on the upper part of the sides.

Priestess of Isis carrying situla, Roman statue, 2nd century BC

The term is also used for pails carried by figures in other art forms; according to Plutarch and other sources this was a sign of a devotee of Isis, who herself is often shown carrying one (containing water from the sacred Nile), of a rather different shape, with a rounded bottom, and sometimes lidded. This rounded shape, often with a "nipple" at the bottom (see Luristan example in § Gallery, below), is believed to have represented the female breast.[16] These were also donated to temples as votive offerings by devotees.

Elaborate early medieval situlae, sometimes called aspersoria (singular: aspersorium), were Christian liturgical objects used to hold holy water, also usually of bronze, and straight-sided with a handle. An aspergillum was dipped in the situla to collect water with which to sprinkle the congregation or other objects.

Four richly carved ivory examples from the 10th century are known: the Basilewsky Situla of 920 in the Victoria & Albert Museum, decorated with twelve scenes from the life of Christ on two levels (it contains one of the very few depictions of Judas Iscariot showing remorse and throwing the thirty silver coins on the floor of the Temple),[17] the "Situla of Gotofredo" of c. 980 in Milan Cathedral,[18] one in the Aachen Cathedral Treasury,[19] and one in the Metropolitan Museum of Art in New York.[20] All came from the milieu of the Ottonian court: an inscription says that Archbishop Gotfredus presented the Milan example in anticipation of a visit by the Emperor,[21] also referred to in the London example which was possibly from the same workshop.[22] The latest and most lavish is the Aachen example, which is studded with jewels and shows an enthroned Emperor, surrounded by a pope and archbishops. This was probably made in Trier about 1000.[23]

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  The Basilewsky Situla, 920, Ottonian, in ivory
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  Ottonian ivory situla with scenes from the Life of Christ c. 860-880 AD

The term may also be used for similar vessels from other cultures, especially the ancient Middle East and China and Vietnam.[24]

Bronze bath buckets are also found in Islamic art, such as the 12th century Persian Bobrinsky Bucket in the Hermitage Museum.

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  Egyptian faience situla with erased cartouche of Akhenaten, 12 inches high
• 
  Situla from Luristan, 9th century BC; note the "nipple" at the bottom
• 
  Egyptian, 305-30 BC, Ptolemaic Dynasty, bronze
• 
  Nasrid situla from the Alhambra, 14th century. Bronze with niello.

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• Beckwith, John. The Basilewsky Situla, 1963, HMSO
• Kastelic, Joze, and Karl Kromer, Guido Mansuelli. Situla Art: Ceremonial Bronzes of Ancient Europe, NY McGraw-Hill 1965