Smoke Ring for My Halo

Following the release of Childish Prodigy (2009), Vile and his backing band, the Violators, embarked upon an extensive tour, with Vile stating, "There has been a lot of touring and more growing – more than people might know."[13] The tour was the first to feature the full Violators line-up, with Vile noting, "[It was the] first time the full band could come along. We had kind of a shitty rental van and it was the first time we were all together for that long. At points it was like Lord of the Flies, everyone ready to eat each other up, and then we're suddenly like best friends again. And we still are best friends."[17]

The band subsequently entered the studio with producer John Agnello. Comparing Smoke Ring for Halo's sessions to his previous studio album, Vile stated, "With Childish Prodigy, I had made a whole record not knowing where I was going – it was me in my studio, somewhere between lo-fi and, maybe not super, hi-fi. [...] I wanted to have a concept of this album being a statement as a whole, as opposed a little bit from here and a little bit from there. It shows a kind of introspective folk side more, while still being into rock. It doesn't capture my whole sound, but it captures part of my sound and is more concise as a record."[13]

During the album's initial recording sessions, Vile attempted to record "kind of trance-like, Appalachian folk-style songs [...] and at the time it was too rushed, and I still hadn't nailed it. I attempted to get these tunes down, but they aren't ready yet."[18] The final two songs to be recorded for the album were "Society Is My Friend and "Puppet to the Man", with Vile stating: "Matador did say, 'It's great, but there aren't any rockers on it.' So I [went] back in and recorded a couple rockers, which I'm glad I did. "Society Is My Friend" and "Puppet to the Man" – I recorded them at the end."[19]

Reflecting upon the album in 2013, Vile stated, "I proved myself with Smoke Ring. It was me maturing. I made a good pop record. And all the songs were me, but that was like a growing record. Growing in a lot of ways. But it didn't feel exactly me. I wasn't entirely comfortable or experienced with the scenario, and I feel that [subsequent album, Wakin on a Pretty Daze] is just 100% my voice all the time."[20]

As of January 2012 UK sales stand at 14,000 copies according to The Guardian.[21]

Much of the album's material was written on an acoustic guitar, with Vile stating, "I bought a new Martin guitar at the time and I was using at home to get ready to record and it came out real acoustic."[22]

Regarding the religious connotations of the album's second track, "Jesus Fever", Vile stated, "My family was religious – I am not particularly practicing religion myself but I was definitely exposed to it. They were super-religious but not like over-the-top to the point it turns negative. But, it is also kind of a gospel thing – back to old music. The Rolling Stones and Spacemen 3 tap into that religious thing really well, as it is kind of a blues-gospel thing. So, it is a combination of coming from a religious family and that musical lineage."[13]

"Ghost Town" was previously released as "Sad Ghost," a B-side on the single release of "In My Time." The song "Runners-up" contains some of the same lyrics as the song "Red Apples" from the album, God Is Saying This to You... (2009).