Soft Machine

Soft Machine (billed as The Soft Machine up to 1969 or 1970)[7] were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ). Allen, Wyatt and future bassist Hugh Hopper first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers, Hopper and Hopper's brother Brian, another future Soft Machine member, had been founding members of The Wilde Flowers, incarnations of which would also include future members of another Canterbury band, Caravan.

In late 1966/early 1967, Soft Machine became involved in the early UK underground, performing at the UFO Club and other London clubs like the Speakeasy Club and Middle Earth. According to Wyatt, the negative reactions the Soft Machine received when playing at venues other than these underground clubs were what led to their penchant for long tracks and segued tunes, since playing continuously left their audiences no chance to boo.[8] In February 1967, the band released a single, "Love Makes Sweet Music" (recorded 5 February 1967, produced by Chas Chandler), on Polydor Records, with "Feelin' Reelin' Squeelin'" (recorded January 1967, produced by Kim Fowley) as the B-side. It was a commercial flop.[8] In April 1967 they recorded nine demo songs with producer Giorgio Gomelsky in De Lane Lea Studios that remained unreleased for several years in a dispute over studio costs.[9] Polydor later released these demos in 1972 as Jet Propelled Photographs. In 1967, as well as the UK, the band also played in the Netherlands, Germany, and on the French Riviera. During July and August 1967, Gomelsky booked shows along the Côte d'Azur with the band's most famous early gig taking place in the village square of Saint-Tropez. This led to an invitation to perform at producer Eddie Barclay's trendy "Nuit Psychédélique", performing a forty-minute rendering of "We Did It Again", singing the refrain over and over in a trance-like quality. This made them instant darlings of the Parisian "in" crowd, resulting in invitations to appear on television shows and at the Paris Biennale in October 1967. When returning from France, Allen (an Australian) was denied re-entry to the United Kingdom,[8] so the group continued as a trio, while he returned to Paris to form Gong.

Sharing the same management as Jimi Hendrix, the band supported The Jimi Hendrix Experience's North America tour throughout 1968.[10] Now signed to ABC Records, Soft Machine's first album was recorded in New York City in April at the end of the first leg of the tour. Back in London, guitarist Andy Summers, later of The Police, joined the group following the breakup of his previous band Dantalian's Chariot. After a few weeks of rehearsals, the quartet began a tour of the U.S. with some headlining shows before supporting Hendrix during August and September 1968. By the time the Hendrix tour began, Summers had been fired at the insistence of Ayers.[11] Ayers himself departed amicably after the final tour date at the Hollywood Bowl in mid-September, and Soft Machine disbanded. Wyatt stayed in the U.S. to record solo demos, while Ratledge returned to London and began composing in earnest. One of Wyatt's demos, Slow Walkin' Talk, allowed Wyatt to make use of his multi-instrumentalist skills (Hammond organ, piano, drums and vocals) and featured Hendrix on bass guitar.[12]

In December 1968, to fulfill contractual obligations, Wyatt and Ratledge re-formed Soft Machine, with their former road manager Hugh Hopper replacing Ayers on bass, and recorded their second album Volume Two (1969), which started a transition toward jazz fusion. The album fulfilled the band's contract with ABC and they signed with CBS Records by the beginning of 1970. In May 1969 this line-up acted as the uncredited backing band on two tracks of The Madcap Laughs, the debut solo album by Syd Barrett. That same month, Hopper's brother Brian Hopper joined the band on saxophone for five months. After Brian Hopper's departure, Soft Machine became a septet with Wyatt, Ratledge and Hugh Hopper adding a four-piece horn section comprising saxophonists Elton Dean and Lyn Dobson, cornet player Mark Charig and trombonist Nick Evans, though the latter two departed after two months.

The resulting Soft Machine quintet (Wyatt, Hopper, Ratledge, Dean and Dobson) continued until March 1970, when Dobson departed. The remaining quartet recorded the double album Third (1970) and its single album follow-up Fourth (1971). Fourth was the first of their fully instrumental albums and the last one featuring Wyatt.

Their propensity for building extended suites from regular-sized compositions, both live and in the studio (already in the Ayers suite in their first album), reached its apogee in the 1970 album Third, unusual for its time with each of the four sides featuring one suite.[3] Third was also unusual for remaining in print for more than ten years in the U.S., and is the best-selling Soft Machine recording.[13]

Ticket for a 1971 Soft Machine concert in the Deutschlandhalle, West Berlin, supported by Family, Yes and Man.

They received unprecedented acclaim across Europe, and they made history by becoming the first rock band invited to play at London's Proms in August 1970, with the show being broadcast live on national TV.

After differences over the group's musical direction, Wyatt left (or was fired from)[14] the band in August 1971 and formed Matching Mole (a pun on machine molle, French for soft machine; also said at the time to have been taken from stage lighting equipment "Matching Mole").[3] He was briefly replaced by Australian drummer Phil Howard. This line-up toured extensively in Europe during late 1971 and began the recording of their next album, but further musical disagreements led to Howard's dismissal during the recording of Fifth (1972) at the beginning of 1972, with the album being completed with his replacement, John Marshall. On the released album, the tracks recorded with Howard made up side one and the tracks recorded with Marshall made up side two. Later in 1972, Dean left the band,[3] and was replaced by Karl Jenkins, who also played keyboards in addition to saxophone. Both Marshall and Jenkins were former members of Ian Carr's Nucleus, and the band's next album, the half-live half-studio double album Six (1973), saw their sound develop even more towards jazz fusion.

After the release of Six in 1973, Hopper left the band.[3] He was replaced by Roy Babbington, another former Nucleus member, who played 6-string bass guitar, while Karl Jenkins took over as bandleader and main composer. After they released Seven (1973), the band switched record labels again, this time moving from CBS to Harvest Records, a sub-label of EMI Records. On their 1975 album, Bundles, a significant musical change occurred with Allan Holdsworth adding guitar as a prominent melody instrument to the band's sound, sometimes reminiscent of John McLaughlin's Mahavishnu Orchestra, setting the album apart from previous Soft Machine albums which had rarely featured guitars. Holdsworth was replaced by John Etheridge in 1975, while saxophonist Alan Wakeman was added at the beginning of 1976.[3] Wakeman's time with the band was brief, but did record with them on the next album Softs (1976), the first album without Ratledge, the last remaining original member of the band, who left in March 1976. Other musicians in the band during the later period were bassists Percy Jones (of Brand X) and Steve Cook,[15] saxophonist Ray Warleigh and violinist Ric Sanders. Their 1977 performances, documented on the live album Alive & Well released early the following year, were among the last for Soft Machine as a working band, their last performance (until the 1984 reformation) being the only Soft Machine concert of 1978, at the Sound & Musik Festival in Dortmund, Germany on 8 December, with Allan Holdsworth rejoining the band in place of Etheridge.[16][nb 1]

The Soft Machine name was resurrected for the 1981 album Land of Cockayne. Soft Machine also briefly reformed for a series of dates at London's Ronnie Scott's Jazz Club in the summer of 1984,[nb 2] featuring John Marshall, Karl Jenkins, John Etheridge, Ray Warleigh, bassist Paul Carmichael and pianist Dave MacRae.

Soft Heap (Hugh, Elton, Alan, Pip) formed in January 1978, featuring Hugh Hopper and Elton Dean from Soft Machine, and Alan Gowen and Pip Pyle from the band National Health. The newly formed band toured in the spring and summer of 1978 as Soft Head as Dave Sheen replaced Pip Pyle, due to the latter's commitments with the band National Health.[1] The live album Rogue Element was recorded on that tour and was released in 1978.

The original Soft Heap line-up reconvened in October 1978 to record their eponymous studio album Soft Heap which was released in 1979.

After two line-up changes that occurred in 1979–81, the new line-up toured intermittently throughout the 1980s, embarking on four tours during the decade with a total of 25 European concerts, culminating with a gig on 11 May 1988 at the Festival "Jazz sous les pommiers" in Coutances, France.[1]

Soft Ware (sometimes SoftWhere) formed in September 1999, featuring Elton Dean, Hugh Hopper, John Marshall (on drums) and longtime friend Keith Tippett. This line-up would remain together only briefly, and played just a single gig (Augustusburg Hunting Lodge, Germany, Sept. 4, 1999). Then in 2002, with Tippett unavailable, another former Soft Machine member, Allan Holdsworth (on guitar), was brought in with the remaining three members of Soft Ware, who renamed themselves Soft Works in June 2002[16] to avoid confusion with Peter Mergener's band Software. As Soft Works, they made their world live debut on 17 August 2002 at the Progman Cometh Festival (at the Moore Theater in Seattle, Washington), released (on 29 July 2003)[17] their only (studio) album, Abracadabra, consisting of all new material recorded at the Eastcote Studios in London on 5–7 June 2002, and toured Japan in August 2003, Italy in January and February 2004, and Mexico in March 2004.[16]

During a Japanese Soft Works tour in August 2003, Elton Dean (on saxophone) and Hugh Hopper (on bass) formed the (very) short-lived band Soft Mountain along with Japanese musicians Hoppy Kamiyama (on keyboards, whose name translates as "God Mountain"), whom Hopper had met a couple of years earlier, and Yoshida Tatsuya (from the band Ruins) on drums. Indeed, looking for a break from relatively fixed set lists and song forms, Hugh Hopper had contacted Kamiyama with the idea of hitting a studio for a day to see what might happen. Kamiyama brought in Tatsuya, and, with no discussion, the quartet dove right in, playing two 45-minute improvisations. In 2007, a year after Elton Dean unexpectedly died aged 60, the one-time meeting band released their eponymous album Soft Mountain that they had recorded on that 10 August 2003 day in Tokyo, Japan.[18] The two-part "Soft Mountain Suite" extracts the best thirty minutes from each improvisation.[19] Soft Mountain named themselves after Hoppy Kamiyama, whose name translates to "God Mountain" in English.[18]

In June 2004, Elton Dean and Hugh Hopper formed the (very) short-lived band Soft Bounds along with Sophia Domancich (keyboards) and Simon Goubert (drums), playing at the Festival "Les Tritonales" at Le Triton in Les Lilas, France[1] (a suburb in the northeast of Paris). This concert was partially released as the (unique Soft Bounds) album Live at Le Triton in 2005.

In October 2004, a new variant of Soft Works, with John Etheridge permanently replacing Holdsworth, took the name of "Soft Machine Legacy" and performed their first two gigs (two Festival shows on 9 October in Turkey and 15 October in Czech Republic), Liam Genockey temporarily replacing John Marshall who had ligament problems (the first Soft Machine Legacy line-up being consequently: Elton Dean, John Etheridge, Hugh Hopper and Liam Genockey).[16] Later on, Soft Machine Legacy released three albums: Live in Zaandam[20] (2005), the studio album Soft Machine Legacy[20] (2006) recorded in September 2005 and featuring fresh material and the album Live at the New Morning[21] (2006). After Elton Dean died in February 2006, the band continued with British saxophonist and flautist Theo Travis, formerly of Gong and The Tangent.

In December 2006, the new Legacy line-up recorded the album Steam[22][23][24] in Jon Hiseman's studio. Steam was released in August 2007 by Moonjune before a European tour.

Hopper left in 2008 because he was suffering from leukaemia, so the band continued live performances with Fred Thelonious Baker deputising for Hopper. Following Hopper's death in 2009, the band announced that they would continue with Roy Babbington again replacing Hugh Hopper on bass.[25]

Soft Machine Legacy released their fifth album in October 2010: a 58-minute album entitled Live Adventures recorded live in October 2009 in Austria and Germany during a European tour.[26]

Founding Soft Machine bassist Kevin Ayers died in February 2013, aged 68,[27][28] while Daevid Allen died in March 2015 following a short battle with cancer, aged 77.[29][30]

On 18 March 2013, the Legacy band released a new studio album, titled Burden of Proof.[31] Travis stated that "legally we could actually be called Soft Machine but for various reasons it was decided to be one step removed."[32]

In September and October 2015, it was announced that the band Soft Machine Legacy (made of guitarist John Etheridge, drummer John Marshall, bass player Roy Babbington and sax, flute and keyboard player Theo Travis) would be performing under the name "Soft Machine" in late 2015 and early 2016: two shows in the Netherlands and Belgium in early December 2015[33][nb 3] and a series of seven UK shows in March–April 2016.[33][35][nb 4]

In December 2015, it was confirmed that the band had dropped the "Legacy" tag from their name, as the band featured three of the group's 1970s members – John Etheridge, John Marshall and Roy Babbington – joined by Theo Travis on sax, flute and keyboard.[35]

Another former Soft Machine member, Allan Holdsworth, died on 15 April 2017 at the age of 70 at his home in Vista, California, from heart failure.[38][39][40]

On 7 September 2018, Soft Machine released Hidden Details on Cuneiform Records, their first new studio album since 1981. In Fall and Winter 2018, they toured the world as part of their 50th anniversary celebration and in support of the new album, and the US in January and February 2019.[nb 5]

On 20 March 2020, Soft Machine released Live at The Baked Potato (on Tonefloat Records), their first original live album in decades. It was recorded live at The Baked Potato, Los Angeles, on 1 February 2019 and was initially only available as a twelve-track only-200-numbered-copy limited edition double vinyl LP; it has since been released on CD. The album documents their extensive 2018–2019 world tour.[43][44]

On 7 December 2021 Soft Machine issued a press release announcing that Babbington was retiring from the band, to be replaced by another former band member, Fred Thelonious Baker.[45]

In June 2023, the band released a new studio album, Other Doors. The album was recorded with John Marshall before he retired, and prior to his death on 16 September 2023.[46]

Now composed of John Etheridge (guitar), Theo Travis (saxophones, flutes, keyboards), Fred Thelonious Baker (bass) and Marshall's replacement Asaf Sirkis (drums),[47][48] Soft Machine embarked on 3 February 2023 at the New Cross Inn in London on a seven-date UK "Spring 2023 Tour" ending on 26 May 2023 at City Varieties in Leeds.[nb 6] The band is also due to perform another show in Leeds on 7 November 2023 at Farsley Old Woollen.[49]