Song Machine, Season One: Strange Timez

On 28 January 2020, the band officially released images via social media teasing a concept entitled Song Machine. A 23-second promotional single entitled "Song Machine Theme Tune" was released on streaming services with an accompanying video.[5] Damon Albarn and Remi Kabaka Jr spoke to BBC Radio 1's Annie Mac for the official premiere, saying that Song Machine "may have an obtuse narrative arc at the end of each season, but it's more Ozark, than Designated Survivor. You just keep going until you run out of ideas."[6][7]

Upon the premiere of Episode One on 30 January, Albarn revealed that the group had been in the studio with Schoolboy Q among others, although he did say that these songs were likely to be saved for future series of Song Machine.[8] A press release was put out to explain Song Machine further, with virtual Gorillaz member Russel Hobbs saying: "Song Machine is a whole new way of doing what we do, Gorillaz breaking the mould 'cos the mould got old. World is moving faster than a supercharged particle, so we've gotta stay ready to drop. We don't even know who's stepping through the studio next. Song Machine feeds on the unknown, runs on pure chaos. So whatever the hell's coming, we're primed and ready to produce like there's no tomorrow."[9]

Episode Two released on 27 February 2020.[10] Despite an initially revealed monthly schedule, no singles were released in March due to the spike of the COVID-19 pandemic. On March 24, the band released a statement via Instagram, reassuring fans that despite "serious times" Song Machine would proceed.[11] Episode Three was then released on 9 April.

On 2 May, a standalone single called "How Far?" was released without any prior announcement in the middle of Season One's release schedule as a tribute to Tony Allen, who died on 30 April, and was a frequent collaborator with Albarn.[12] As a result, Episode Four, originally teased to be up next at the end of the music video for Aries, delayed its release to 9 June.[13] On 13 June, the album was revealed on the Gorillaz website under the name Almanac CD, said to be a 10 track album that would be packaged with the Gorillaz Almanac in October 2020.

After the premiere of Episode Five on 20 July, it was stated that the project would commence a brief hiatus, lasting until an unspecified date in September.[14][15] On 7 September, it was revealed the band's next single would be titled "Strange Timez", and would feature Robert Smith.[16] Episode Six, the first of the singles to have had its music fully recorded during the pandemic, was released on 9 September, alongside the announcement of the album's title and tracklist.[17]

Episode Seven was released on 1 October.[18] Episode Eight was released on 5 November. Episode Nine was released on 24 December; unlike previous Song Machine releases, the song was not released as a single.

Critics have primarily described the record as alternative rock,[19][20] hip hop,[21][20] and electronic music.[20][22] Critics have also noted throughout the album pop,[23] punk rock,[24] indie rock,[19] electropop,[25] psychedelic pop,[20] R&B,[26] funk,[20] soul,[20] bossa nova,[27] reggae,[28] acid house,[29] and downtempo[30][31] in various specified tracks.

Soey Kim of Vogue commented that the record "is an ambitious and chaotic amalgamation of sounds and genres", and further specified that the sound ranged from "punk rock to R&B to hip-hop."[32] Thomas Smith of NME also noted the album's stylistic diversity, stating that the record is a "varied affair that pulls from Albarn and the band's perchance [sic] for exploration: punk rock sits effortlessly next to glitzy piano ballads, while playful hip-hop and melancholic post-rave ambience soothe our pounding heads."[33]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.6/10[34]
Metacritic	81/100[35]
Review scores
Source	Rating
AllMusic	[36]
Consequence of Sound	B[37]
Clash	[38]
Entertainment Weekly	7.5/10[39]
The Guardian	[40]
Gigwise	[41]
The Independent	[3]
Mojo	[4]
NME	[42]
Rolling Stone	[29]

Song Machine, Season One: Strange Timez received generally positive reviews from critics on Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the release received an average score of 81, based on 15 reviews, indicating "universal acclaim".[35] Aggregator AnyDecentMusic? gave the album a 7.6 out of 10, based on their assessment of the critical consensus.[34]

In a positive review, The Guardian's Alexis Petridis lauded the album’s guest artists, stating "It's not just that the guests demonstrate Albarn's excellent taste in music, although they do – from St Vincent to Octavian to Georgia to Unknown Mortal Orchestra, at least in the deluxe edition tracks – it's what he chooses to do with their voices."[40] Consequence of Sound's Jordan Blum also praised the guest artists, commenting that the album "encapsulates Gorillaz's trademark tongue-in-cheek bizarreness, stylistic flexibility, and enticing incorporation of guest musicians."[37] Blum also praised the album's pacing, stating that the album "flows very smoothly nonetheless, maintaining fluid pacing while also shifting styles with consistent regularity."[37]

All tracks are written by Damon Albarn, Remi Kabaka Jr., and the tracks' respective guest(s) and produced by Gorillaz and Remi Kabaka Jr., except where noted.

Notes

• ^{^[a]} indicates an additional producer
• ^{^[b]} indicates a co-producer

Credits adapted from the liner notes and Tidal.[45]

Gorillaz

• Damon Albarn – production (all tracks), vocals (tracks 1–14, 16), keyboards (tracks 1–6, 8–10, 12–18), bass (tracks 2, 3, 5, 6, 8, 10, 13–14, 18), guitar (tracks 2, 4–5, 7, 8, 10–14, 16–18), drum programming (tracks 2, 10, 16), synthesizer (tracks 4, 7), backing vocals, drums, percussion (track 4), piano (tracks 6, 12), melodica (tracks 16–17)
• Jamie Hewlett – artwork, design
• Remi Kabaka Jr. – production (all tracks), drum programming (tracks 1–2, 5–9, 11–16), percussion (tracks 1, 3–5, 7, 10, 12–13, 15, 17), drums (tracks 3–4, 7)
• Stephen Sedgwick – mixing (all tracks), engineering (tracks 1–4, 6–18)
• John Davis – mastering (tracks 1–12, 14–18)
• Samuel Egglenton – engineering (tracks 1–14, 16–18)
• James Ford – production, drums, percussion (tracks 3, 7, 10), keyboards (tracks 3, 10), guitar (track 3), synthesizer, drum programming (track 7), balafon, zither (track 10)

Additional musicians

Additional technical

Additional artwork

• Stars Redmond – assistance

Notes

• ^{^[c]} "Voice Messengers" consist of Sylvain Bellegarde, Emmanuel Laniece, Augustin Ledieu, Vanina de Franco, and Neima Naouri