Las Piñas Church

On November 5, 1795, the Archbishop of Manila assigned Las Piñas, then a small town of farmers and fishermen, to the Augustinian Recollects to establish a new church. Diego Cera de la Virgen del Carmen, a native of Spain, traveled from Mabalacat, Pampanga province and arrived on the town on the day after Christmas of 1795. Soon after, he started building the church made from adobe (volcanic) stones in the Earthquake Baroque architectural style.[1][2]

The new parish priest was a very gifted man. He was a natural scientist, chemist, architect, community leader, as well as organist and organ builder. He also built the organs for the Manila Cathedral and San Nicolas de Tolentino Church, the main Augustinian church in the old walled city of Manila. In 1816, when the stone church was almost complete, he started building the organ made of bamboo and completed the instrument in 1824.[1]

Diego Cera served as the parish priest of Las Piñas till May 15, 1832, when he could no longer perform his duties due to severe illness. He died on June 24, 1832, in Manila.[1]

During that period, Las Piñas was a third class municipality. The natives were mostly salt bed tenders, fishermen, farmers, laborers, embroiderers, and others engaged in small businesses. Despite the condition of the parish, Cera set a goal to construct a temporary chapel and convent near the seashore made out of nipa and bamboo. The inhabitants, which were only 1200 before, saw his dedication and in return helped him in construction by means of manual labor or donating construction materials.

From perishable materials, the natives, together with Cera, aspired of establishing a stone church. It will serve as the inhabitant's protection from outsiders and natural calamities. In 1797, Cera bought the present site of the church for only one hundred and fifty pesos. There was an existing house standing at that period, which belonged to the Recollect estate. He initiated and drew architectural plans for the stone church. While the foundations were being laid, big store rooms were built to keep construction materials. After three years, Cera requested for polistas or townspeople to render the construction of the church. The request was granted and they were only given free food, equivalent to their compensation. In 1813, religious activities were held temporarily at the old chapel. in 1816, the church's roof was completed and painting of walls began. With the cooperation of all 300 families in the city, the stone church was finished in 1819. It resembles solemn simplicity – truly an Earthquake Baroque architectural style.

The church had three naves, a dome, side altars with Romanesque-styled tables, crypt stones each with a replica of the "Nuestra Señora dela Consolacion" on one side and Saint Augustine on the other, a baptistry with a stone altar, and two sacristies with two wall closets each and a table with six drawers in one, and a tower with three posts topped by a spire. An antique statue of St. Joseph and life-size statue of the dead Christ, bought from San Dionisio, Parañaque in the amount of 2 dozen (24pcs) eggs, were also among the first religious objects owned by the parish.

The stone church and the parochial house was destroyed by three earthquakes on January 18, July 29, and September 30, 1829. Don Jose Rueda, former Gobernadorcillo (1925) of the town of Las Piñas concisely described the damages wrought to the church. According to him, the two arches were cracked, two naves and walls were destroyed, and the whole roof of the church including its cross beams and its dome were ruined. All the wooden structures inside the church were left standing in the midst of the rain.

Cera did not only solidify his name in building the stone church, but also in terms of architectural restoration. According to the remarks of Jose Sequi, Archbishop of Manila, after visiting Las Piñas Church on October 29, 1831, he was amazed by the restoration works. He expressed thus: "After I have seen the beautiful church of this place which was the work of the parish priest and also the very delicate adornments done in spite of the poverty of the town, and for his (Cera's) effort to procure the best for his church even without the help he needed, the Holy Mother Church is rendering unto him the utmost gratitude and concern."

Between 1971 and 1975, the church was restored by Francisco Mañosa and Partners, with architect Ludwig Alvarez, through the administration of Mark Lesage, to bring back the 19th-century look of the church and to re-position the main altar to face the people, as required by the new ecumenical church guidelines.[3] The assessment revealed that the Las Piñas Church was in a depressing state due to:

• Heavily plastered walls,[3]
• Aquamarine wall paint finish,[3] and
• Few fluorescent tubes hanging from the ceiling[3]

The repair works were conducted such as removal of plaster, ranging from 3 to 4 inches thick, and removal of debris. A 9-inch clay pot was discovered during the course of repair works in the church. It was believed to be as old as the church and even contained pieces of gold which enabled Lesage to continue the restoration works. The walls and the Bamboo Organ were the remaining parts of the original church. The original thatch roof was burned twice, thus, replaced with galvanized sheets. The major portion of the restoration of the exterior walls was cleaned to reveal the original walls. Missing stones were replaced with similar stones to limit the use of cement. Carved stones were provided by the high school students of St. Joseph Academy, as a part of their school project. Retablos, which accentuates the main altar, came from the Vatina – a store in Makati. All silver items, or retablos, were eventually donated by the owner of Vatina – after she attended a thanksgiving mass of the church. The original baptismal font, hewn out of stones, were discovered buried in the courtyard of the church. This was cleaned by Eduardo Castrillo, a notable sculptor. He also added a brass basin sculpture as his additional contribution.[3]

On December 3, 1972, the newly restored church was inaugurated. The original framework were retained – complementary additions were executed. It features capiz chandeliers, aged bricks, old statues, bamboo ceiling, a choir loft with antique balustrades of carved wood and potted native palms.

The event coincided with the return of the Las Piñas Bamboo Organ on March 13, 1975 after three years of rehabilitation in Bonn, Germany, reviving the organ back to its original state.

On May 9, 1975, the bamboo organ made its inaugural concert at the newly renovated church and surrounding buildings. [2]

The Las Piñas Church was designated as Historic Structure by the National Historical Commission of the Philippines with the placing of a historical marker in 1995.[5]

On July 15, 2013, the Las Piñas Church was declared as a Historic Landmark by National Historical Institute.[7]