Standing Next to Me

The song started during the Arctic Monkeys 2005 U.K. tour, where Kane's band The Little Flames acted as support. Kane played a rough version of the track to Turner on their dressing room, which he had a positive reaction to.[1]

On 15 July a music video directed by Richard Ayoade was released. The video, shot in London, featured Turner on tambourine and Kane on guitar performing the song with shadowing in what resembles to be a television studio accompanied by a group of dancers in matching striped dresses, but differently coloured leggings.[2][3]

Before the album release, the song was first played live at The Last Shadow Puppets' first ever concert, at Sound Fix Records, Brooklyn on 4 March 2008.[4] The band performed the song throughout 2008 on "The Age of the Understatement Tour" where it would often be played as the show closer.[5] Standing Next to Me, was subsequently performed during the band hiatus in 2010, when they played an acoustic set at Club Nokia in Los Angeles, for Brian O'Connor's benefit concert. This marked the first live performance of the band since 2008.[6] On 3 February 2012, Miles Kane supported Arctic Monkeys at their Paris Olympia show. At the conclusion of the support slot, Turner joined Kane to perform the song. This was repeated again a year later, at Kane's Glastonbury set, near the end of his performance. At Finsbury Park 2014, both reunited once more for an acoustic performance.[7][8] The song was brought back again in 2016 during the "Everything You've Come to Expect Tour," once again serving as the show closer.[9][10][11] The song is often performed similarly to the music video, with Turner playing tambourine and Kane an acoustic guitar, singing at their respective microphones. During the instrumental break, one of them will move towards the other and sing together, sharing one mic, for the remainder of the song. This was done for the first time in 2008 at their concert in Tempodrom Berlin and has become a staple ever since.[12][13][14]

Professional ratings

Review scores
Source	Rating
The Skinny	[15]

For The Skinny, the song is "another testament to the songwriting prowess of Turner and [...] Miles Kane", describing it as, "finely crafted retro pop, but there are certain flourishes present that allude to new territories."