Stian Aarstad
Stian Aarstad is a Norwegian pianist and keyboard player best known for his four-year (1993–1997) stint with the symphonic black metal band Dimmu Borgir during which he played keyboards and synthesizers while engendering criticism and controversy for appearing onstage and performing in a top-hat-and-cape outfit reminiscent of Jack the Ripper,[1] while wearing minimal corpse makeup and not moving or showing any emotion. Upon joining Dimmu Borgir, he did not listen to metal music, preferring only to listen to classical.[1]
Stian Aarstad | |
|---|---|
| Birth name | Stian Aarstad |
| Origin | Jessheim, Norway |
| Genres | Heavy metal, Black metal, Symphonic black metal, Electronica |
| Occupation(s) | Musician, Songwriter, Record Producer |
| Instrument(s) | Keyboards, piano, synthesizers |
| Formerly of |
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Dimmu Borgir's second album Stormblåst (1996) was laced with plagiarism, Stian Aarstad stole from the Magnum track "Sacred Hour" [2] in the opening song "Alt lys er svunnet hen" ("All Light Has Faded Away") and he copied the title track of the Amiga game "Agony" [3] for the song "Sorgens kammer" ("Chamber of Sorrow"). Aarstad contributed little if any originality to this album, the band re-recorded the album in 2005 leaving these plagiarised tracks out.[4][5]
In 1998 to 1999, he produced a demo for the unblack metal band Vaakevandring, which was later re-released as a self-titled EP in 2004. In the 2000s, Aarstad had been the pianist for the band Enthral,[1] but left his regular position during the recording of the band's third album.
As of 2005, Aarstad has been performing with the electronica/pop music act Karatkorn.
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