String Quartet No. 2 (Villa-Lobos)

Villa-Lobos composed his Second Quartet in 1915, either in Rio de Janeiro or Nova Friburgo. It was first performed on 3 February 1917 by a quartet consisting of Judith Barcellos and Dagmar Noronha Gitahy, violins, Orlando Frederico, viola, and Alfredo Gomes, cello. The published score bears the indication "Op. 56".

As in all of Villa-Lobos's quartets except the first, there are four movements:

1. Allegro non troppo
2. Scherzo: Allegro
3. Andante
4. Allegro deciso – Presto – Prestissimo final

One writer, however, regards the Prestissimo final as a separate, fifth movement.[1]

This early quartet in Villa-Lobos's catalogue is composed according to the cyclic principles developed by César Franck and Vincent d'Indy. Franck and Debussy were two of the most important influences on Villa-Lobos's early style, and he had studied d'Indy's 1912 textbook, Cours de Composition Musicale.[2]

The composer describes the scherzo as a novelty, played in harmonics, "whose harmonies involve a syncopated melody in a context that suggests small bamboo rustic flutes (a sort of Panpipe played using the nose by the Pareci Indians of Mato Grosso)".[3]

In order of date of recordings:

• Villa-Lobos: Quatuors a Cordes Nos. 1–2–3. Quatuor Bessler-Reis (Bernardo Bessler, Michel Bessler, violins; Marie-Christine Springuel, viola; Alceu Reis, cello). Recorded at Studios Master in Rio de Janeiro, July 1988 and September – December 1989. CD recording, 1 disc: digital, 12 cm, stereo. Le Chant du Monde LDC 278 1052. [S.l.]: [S.n.], 1991.
  • Also issued as part of Villa-Lobos: Os 17 quartetos de cordas / The 17 String Quartets. Quarteto Bessler-Reis and Quarteto Amazônia. CD recording, 6 sound discs: digital, 12 cm, stereo. Kuarup Discos KCX-1001 (KCD 045, M-KCD-034, KCD 080/1, KCD-051, KCD 042). Rio de Janeiro: Kuarup Discos, 1996.
• Heitor Villa-Lobos: String Quartets Nos. 2 and 7. Danubius Quartet (Mária Zs. Szabó and Adél Miklós, violins; Ágnes Apró, viola; Ilona Ribli, cello). Recorded at the Rottenbiller Street Studio in Budapest, 12–16 November 1992. CD recording, 1 disc: digital, 12 cm, stereo. Marco Polo 8.223394. A co-production with Records International. Germany: HH International, Ltd., 1994.
• Villa-Lobos: String Quartets, Volume 4. Quartets Nos. 2, 12, 16. Cuarteto Latinoamericano (Saúl Bitrán, Arón Bitrán, violins; Javier Montiel, viola; Alvaro Bitrán, cello). Recorded at the Sala Blas Galindo of the Centro Nacional de las Artes in Mexico City, November and December 1998. Music of Latin American Masters. CD recording, 1 disc: digital, 12 cm, stereo. Dorian DOR-93179. Troy, NY: Dorian Recordings, 1998.
  • Reissued as part of Heitor Villa-Lobos: The Complete String Quartets. 6 CDs + 1 DVD with a performance of Quartet No. 1 and interview with the Cuarteto Latinoamericano. Dorian Sono Luminus. DSL-90904. Winchester, VA: Sono Luminus, 2009.
  • Also reissued (without the DVD) on Brilliant Classics 6634.

• Villa-Lobos: A integral dos quartetos de cordas. Quarteto Radamés Gnattali (Carla Rincón, Francisco Roa, violins; Fernando Thebaldi, viola; Hugo Pilger, cello); presented by Turibio Santos. Recorded from June 2010 to September 2011 at the Palácio do Catete, Palácio das Laranjeiras, and the Theatro Municipal, Rio de Janeiro. DVD and Blu-ray (VIBD11111), 3 discs. Rio de Janeiro: Visom Digital, 2012.

• Béhague, Gerard. 1979. Music in Latin America: An Introduction. New Jersey: Prentice-Hall.
• Béhaque, Gerard. 1994. Heitor Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin.
• Béhague, Gerard. 2003. Villa-Lobos, Heitor: String Quartets, Cuarteto Latinoamericano. [review] Latin American Music Review / Revista de Música Latinoamericana 24, no. 2 (Autumn–Winter): 293–94.
• Estrella, Arnaldo. 1978. Os quartetos de cordas de Villa-Lobos, second edition. Rio de Janeiro: Museu Villa-Lobos, Ministério da Educação e Cultura.
• Farmer, Virginia. 1973. "An Analytical Study of the Seventeen String Quartets of Heitor Villa-Lobos". DMA diss. Urbana: University of Illinois at Urbana-Champaign.
• Gilman, Bruce. 1999. "Enigma de vanguardia", translated by Juan Arturo Brennan. Pauta: Cuadernos de teoría y crítica musical 17, no. 69 (January–March): 29–34.
• Kraehenbuehl, David. 1957. "George Rochberg: String Quartet, 1952. (Society for the Publication of American Music, 37th Season, 1956.) New York: Society for the Publication of American Music; distr.: Carl Fischer, 1957; Toch, Ernst. Dedication. For string quartet or string orchestra, with optional bass part. New York: Mills, 1957. Heitor Villa-Lobos: String Quartets, Nos. 4, 7, and 12. New York: Associated Music Publishers, 1956; Ernest Gold: String Quartet No. 1. (Society for the Publication of American Music, 37th Season, 1956.) New York: Society for the Publication of American Music; distr.: Carl Fischer, 1957". Notes 15, no. 1 (December): 147.
• Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação, edited by Marisa Rezende and Mário Nogueira, 71–76. Rio de Janeiro: Universidade Federal do Rio de Janeiro (UFRJ) (Escola de Música).
• Tarasti, Eero. 2009. "Villa-Lobos's String Quartets". In Intimate Voices: The Twentieth-Century String Quartet, vol. 1: Debussy to Villa-Lobos, edited by Evan Jones, 223–55. Eastman Studies in Music 70. Rochester, NY: University of Rochester Press. ISBN 978-1-58046-322-5; ISBN 978-1-58046-229-7; ISBN 978-1-58046-340-9.
• Villa-Lobos, sua obra: Programa de Ação Cultural. 1972. Second edition. Rio de Janeiro: MEC, DAC, Museu Villa-Lobos.
• Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989.