Supreme Show

In September 2008, it was confirmed by Suzuki that she would release a then-upcoming studio album.[1] Supreme Show is Suzuki's first solo studio album since Around the World in 2005.[2] Suzuki and her record label Avex Trax hired Japanese musician and Capsule member Yasutaka Nakata to compose, produce, write, and arrange the then-upcoming album.[3] This marks Nakata's first full-length production effort with Suzuki, and his second collaboration with Suzuki since their August 2007 a-side single "Free Free" and "Super Music Maker".[4][upper-alpha 1] Supreme Show was Nakata's fourth fully produced studio album in 2008, and his last production of 2008; he had produced, written, composed, and arranged the studio albums: Game by Japanese female trio Perfume, Step by Japanese musician Meg, and More! More! More! by Capsule.[6][7][8] Supreme Show marks her seventh studio album to be produced by a sole producer; her first three albums SA (1999), Infinity Eighteen Vol. 1, and Infinity Eighteen Vol. 2 (2000) were produced by Japanese producer Tetsuya Komuro, whilst her latter three albums Around the World, Connetta (2007), and Dolce were produced by Max Matsuura.[9][10][11][2][12][13]

Supreme Show has been compared to Australian recording artist Kylie Minogue (pictured); Suzuki covered Minogue's single "Can't Get You Out of My Head" the following year.[14][15][16]

Supreme Show is an electronic dance music album with numerous elements of dance-pop, house, synthpop, and J-pop.[17][18][19][20] According to Suzuki, she stated that she was trying to "re-invent" herself during the 2007 period; as a result, her enlisting Nakata allowed her to work through electronic dance and house music.[21] An editor from Channel-Ai labelled Suzuki during her 2008 music period as a "disco queen".[21] Suzuki had spoken with Robert Michael Poole from The Japan Times, and stated during the process; "I was wondering what kind of music would fit me now, and as I searched, I realized that house and electro really fits me. I had been going to a lot of club events recently with Nakata... That scene attracts hardcore music fans, and I realized that working with this producer would be extremely cool and would transcend Japanese pop convention."[15] She later stated "I have made a lot of different styles of music in my career, and I want to be free to go with what I feel in my bones at the time. People may wonder which form is the one I enjoy the most, or which one fits me best, but at this time I can say with confidence that this electro style is great for me."[15]

Majority of the album's tracks are composed as electronic dance songs, and Suzuki's vocals on every track are processed with autotune and vocoder post-production work.[3][17][18] This is Suzuki's second studio album to use autotune and vocoder effects since Dolce.[13] "Can't Stop the Disco", the album's second single, was described as a dance-pop song with numerous musical elements, including techno, disco, and club music.[18][22][23] "Super Music Maker" is a remixed version by Nakata that appeared on Dolce.[3][13] "Climb up to the Top" was described as a 1990s inspired dance song.[18] "Mysterious" was described as a "sexy" atmospheric song by critics, whilst "A Token of Love" was noted for its strong rhythm.[18] "One" was described as a dance-pop song with numerous musical elements, including club music.[24][25] Suzuki contributed to the album as the lead vocalist, background vocalist, and co-songwriter for the track "Love Mail"; Nakata wrote and composed all the tracks.[3] The album is Suzuki's second album after Dolce to emphasize full English language songs; in total, Supreme Show features three English, one bilingual, and seven Japanese tracks.[3][upper-alpha 2][upper-alpha 3]

Supreme Show was released in four different formats on November 12, 2008, by Avex Trax as her 10th anniversary album.[3] It was also released ten months after her joint project album Dolce, but this album was not recognized as a 10th anniversary album.[13] This is Suzuki's first double album release in one year; in 2000, both Infinity Eighteen Vol. 1 and Infinity Eighteen Vol. 2 were released, in February and April respectively.[10][11] Supreme Show's first format, the stand-alone CD, features the eleven tracks in a jewel case, with first press editions including an obi with details of her 10th anniversary.[3] The CD and DVD format features the eleven tracks in a jewel case, and a bonus DVD with the music videos to "One" and "Can't Stop the Disco", and a live performance at Club Asia.[26] The limited edition CD and DVD format features the eleven tracks in a jewel case, and a live DVD releases of her Cruise Party concert and the live performance at Club Asia.[27] This edition was released exclusively to mu-mo stores in Japan.[27] The final format is the digital release.[28]

All four cover sleeves for Supreme Show were photographed by Japanese photographer and designer Takaki Kumada.[3][26][27][28] The standalone CD artwork has Suzuki in a female-esque tuxedo; the tuxedo jacket is digitally created with small blue fluorescent orb lights.[3] The CD and music video DVD format has Suzuki turning her back, posing towards the camera; the mini-dress is digitally created with small pink fluorescent orb lights.[26] The CD and live DVD format has a close-up shot of Suzuki's face wearing a feathered hat; the feathered hat is digitally created with small yellow fluorescent orb lights.[27] The digital release uses the standalone CD format.[28] The cover sleeve for all four formats is placed at the back of the jewel case, with the front cover featuring a booklet with an unreleased photo.[3][26][27][28] The booklet and photo shoot were designed by Masaru Yoshikawa, and each booklet from the four format features slightly different images of Suzuki.[3][26][27][28]

Supreme Show received favourable reviews from most music critics. A staff reviewer from CD Journal was positive towards the album, praising the collaboration between Suzuki and Nakata. The reviewer commended the "futuristic" sound, and believed Nakata's production was the reason why its quality "shine[d]".[17] A staff reviewer from Amazon Japan was very positive towards its "authentic electro" sound, and complimented its commercial appeal; the reviewer notified its commercial appeal through Suzuki's "fashion" on the album cover, and sound. The reviewer went on to say the album was a "cool" evolution of Suzuki's career.[19] A retrospective review came from Kaichan at Gooume.jp, stating that the album "still [sounds] modern and up to date." Labelling it a "great album", Kaichan concluded "Supreme Show is an impeccable and super solid piece of work for people who love EDM."[18] A staff reviewer from HMV Japan was positive towards the album, complimenting the "excellent" collaborations between Suzuki and Nakata. The reviewer also commended Suzuki's "sexy" and "cute" image throughout the album.[20] Robert Michael Poole from The Japan Times compared the album to Australian recording artist Kylie Minogue, and believed it was her "comeback" album after poor sales from previous studio albums.[15]

Supreme Show debuted at number 16 on both the Japanese Daily and Weekly Oricon Albums Chart, with an estimate 8,748 sold units in its first week of sales.[29][30][upper-alpha 4] This was the eighth highest charting album by a female, and the ninth highest chart debut album of that week.[31] This Suzuki's first studio album to reach the top twenty on Japan's Oricon Albums Chart, since Around the World at five.[32] Supreme Show fell to fifty-three in its second week with an estimated 2,373 sold units, and eventually stayed in the top 300 for four weeks; this is her fourth equal studio album alongside Dolce with the most weeks on Oricon.[29] Supreme Show entered the Billboard Top Albums Sales Chart at 24, the fifth highest debut album of that week.[33] It fell to 66 in its second charting week, and stayed in the top 100 for two weeks overall.[34] At the end of 2008, Supreme Show sold over 13,094 units in Japan; this is Suzuki's highest selling album since Around the World with 62,022 sold units.[30] As of January 2016, Oricon's database has ranked Supreme Show as Suzuki's sixth best-selling album overall.[35]

All songs written and composed by Yasutaka Nakata, except "Love Mail" was co-written by Suzuki.

Credits adapted from the liner notes of Supreme Show.[3]

• Ami Suzuki – vocals, background vocals, song writing
• Yasutaka Nakata – song writing, producing, composing, arranging, engineer, mixing, recorded by
• Takuji Koga – A&R
• Masaru Yoshikawa – art direction, design
• Masahiro Nakawaki – art direction
• Max Matsuura – executive producer
• Takaki Kumada – album photography
• Yoshihiro Seki – promotion supervisor
• Avex Trax – Suzuki's record label and management
• Avex Entertainment Inc. – Suzuki's distribution label
• Contemode – Nakata's distribution label, co-rights

• Ami Suzuki discography

• Supreme Show – Ami Suzuki's Official website.