Susie M. Barstow

Susie M. Barstow (May 9, 1836 – June 12, 1923) was an American painter associated with the Hudson River School who was known for her luminous landscapes.

Susie M. Barstow
Born(1836-05-09)May 9, 1836
DiedJune 12, 1923(1923-06-12) (aged 87)
EducationRutgers Female Institute of New York City
Known forPainting
Kaaterskill Creek, c. 1870

Biography

Susie M. Barstow was the daughter of old-time New York City tea merchant Samuel Barstow (1805-1884) and Mary Tyler Blossom (1813-1895), whose lineage traces back to one of the original passengers of the Mayflower.[1][2][3] She was born on May 9, 1836.[4] She studied at the Rutgers Female Institute in New York, graduating in 1853, and received additional artistic training in Europe.[1] For a number of years she taught at the Brooklyn Institute of Arts and Sciences.[5]

Barstow's mature landscapes exude serenity and are infused with light.[1][5] She exhibited at the National Academy of Design from 1858, the Brooklyn Art Association, and the Pennsylvania Academy of the Fine Arts among other venues.[2] Barstow's A Bit of Catskill Woods was in the collection of American art patron Thomas B. Clarke between 1872 and 1879.[6] At the time, women artists did not have the same opportunities to exhibit their work as male artists did, so her work remained relatively little known until art historians began to reassess women artists of the Hudson River School.[1][7]

Her work was included in the 2010 survey exhibition "Remember the Ladies: Women of the Hudson River School" at the Thomas Cole National Historic Site in Catskill, New York[7] and the 2019 exhibition "The Color of the Moon: Lunar Painting in American Art" at the Hudson River Museum in Yonkers, New York, where Barstow was a featured artist alongside works by Thomas Cole, Albert Bierstadt, and George Inness among others.[8]

Barstow, an early member of the Appalachian Mountain Club,[9] was an avid hiker who climbed hundreds of mountains in New York and New England — including all the principal peaks of the Catskills, White Mountains, and Adirondacks — as well as the Alps and the Black Forest in Europe.[1][7] She often went on expeditions along the Hudson River and in the mountains that combined hiking with sketching and painting.[1][7] Finding women's dress of the era cumbersome and impractical, Barstow developed a hiking costume that included sturdy boots and shortened skirts paired with trousers (a combination advocated by the rational dress movement).[1] Barstow never married.

Her niece Susie B. Skelding also became an artist and illustrator, and the two went on sketching expeditions together.[10]

References

  1. Bittermann, Caro. "Susie M. Barstown 1836-1923". The History of Painting Revisited.
  2. New York Times, June 13, 1923. (Obituary).
  3. "Blossom Family-MAYFLOWER". Rootsweb. 30 October 2006.
  4. https://www.findagrave.com/memorial/135034854/susie-moore-barstow
  5. Krieger, Jennifer C. "Women Artists of the Hudson River School". AFA News, March 21, 2010.
  6. "Weinberg, Barbara. Thomas B. Clarke: Foremost Patron of American Art from 1872 to 1899," American Art Journal, Vol. 8, No. 1 (May, 1976)
  7. Dobrzynski, Judith H. "The Grand Women Artists of the Hudson River School". Smithsonian.com, July 20, 2010.
  8. Hudson River Museum, "The Color of the Moon: Lunar Painting in American Art." February 8-May 12, 2019. First comprehensive museum examination of the moon in American art, commemorating the 50th anniversary of the Apollo 11 mission.
  9. Boardman, Julie. When Women and Mountains Meet: Adventures in the White Mountains, pp. 69-70.
  10. Brooklyn Daily Eagle, October 23, 1898, p. 16.
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