Susuwatari
Susuwatari (Japanese: ススワタリ, 煤渡り; "wandering soot"), also called Makkuro kurosuke (まっくろくろすけ; "makkuro" meaning "pitch black", "kuro" meaning "black" and "-suke" being a common ending for male names), is the name of a fictitious sprite that was devised by Hayao Miyazaki and Studio Ghibli, known from the famous anime-productions My Neighbor Totoro (1988) and Spirited Away (2001) where, in the former, they are identified as "black soots" in early subtitles, as "soot sprites" or "dust bunnies" in the Streamline Pictures English dub,[1][2] and as "soot gremlins" in the Walt Disney Studios English dubbed version.
Susuwatari | |
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Studio Ghibli character | |
First appearance | |
Last appearance |
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Created by | Hayao Miyazaki |
Description
Susuwatari are described and shown as golf ball-sized, pitch-black and fuzzy-haired beings with two large eyes and long, thin limbs. They move by hovering around, but they can extend stick-like limbs from their bodies to do certain tasks, and can lift objects many times their own weight. They make a squeaky murmuring sound when excited, and dissolve into powder (soot) if crushed.
My Neighbor Totoro
In My Neighbor Totoro,[3] the house the main characters move into is full of Susuwatari, which are rationalized as Makkuro Kurosuke, an optical illusion caused by moving quickly from light into darkness. Seeing that the family consists of good people, the Susuwatari leave the house to move to another abandoned area.
Spirited Away
They later reappeared in Spirited Away as workers in Kamaji's boiler room.[4][5]
The protagonist Sen (Chihiro) befriends a number of them by helping them carry coal. Sen is told that if these Susuwatari are not given a job to do, they turn back into soot. Another character, Lin, feeds the Susuwatari much like farmers feed chickens, throwing handfuls of the Japanese candy konpeitō onto the ground for them to eat.[4] After Sen is accepted among the staff of the bathhouse, chiefly by Kamaji and Lin, the Susuwatari become almost admiring of her,[6] and help her in their small ways.[5]
Zen - Grogu and Dust Bunnies
In 2022, Studio Ghibli and Lucasfilm collaborated on a Star Wars short for Disney+ where The Mandalorian character Grogu interacts with a band of dust bunnies that give him a flower as a gift.[7]
See also
References
Citations
- Turner, Jon (2009-09-05). "My Neighbor Totoro (Fox dub and Disney dub)". LiveJournal. Archived from the original on 2016-02-07. Retrieved 2016-01-23.
- "My Neighbor Totoro by 20th Century Fox, Hayao Miyazaki, Dakota Fanning - 24543059233". Barnes & Noble. Archived from the original on June 6, 2014.
- Nobuhiro 2005
- Miyazaki 2008, pp. 94–95
- Miyazaki 2008, p. 108
- Miyazaki 2008, p. 151
- Ettenhofer, Valerie (2022-11-11). "Lucasfilm And Studio Ghibli Announce Animated Star Wars Short For The Mandalorian's Third Anniversary". Slashfilm. Retrieved 2022-11-12.
Bibliography
- Nobuhiro, Watsuki (2005). The Art of My Neighbor Totoro. Studio Ghibli Library. Viz Media. ISBN 978-1591166986.
- Miyazaki, Hayao (2008). The Art of Miyazaki's Spirited Away. Studio Ghibli Library. Viz Media. ISBN 978-1569317778.
- Miyazaki, Hayao; Oniki, Yuji (2003). Spirited Away. San Francisco: Viz Communications. ISBN 1-56931-794-1.
- Miyazaki, Hayao (2005). My neighbour Totoro. San Francisco: Viz Communications. ISBN 1-59116-699-3.
- Fielding, Julien R. (2008). Discovering world religions at twenty-four frames per second. Scarecrow Press. p. 317. ISBN 0-8108-5996-3.
- Drazen, Patrick (2011). A Gathering of Spirits: Japan's Ghost Story Tradition: from Folklore and Kabuki to Anime and Manga. New York: iUniverse. p. 144. ISBN 1-4620-2942-6.
- Suzuki, Ayumi (2008). Animating the chaos: Contemporary Japanese anime, cinema, and postmodernity. Carbondale: ProQuest. p. 14. ISBN 0-549-60505-3.
- Professor Tamah Nakamura (2013). Hiroshi Kudo; Bobby Recinos (eds.). "Spirited Away". "Hayao Miyazaki's World" 'Best of' Booklet (PDF ed.). Kyushu University: 17–91.
- Hartman, Emma. "Tradition vs. Innovation and the Creatures in Spirited Away". Digital Literature Review. Vol. 4, no. 4 (PDF ed.). pp. 1–13.