Sylvia Syms

Syms was born in Woolwich, London, England, in 1934, the daughter of Daisy (née Hale) and Edwin Syms, a trade unionist and civil servant.[3] With the outbreak of World War II, Syms was evacuated to Kent and subsequently Monmouthshire.[4] She grew up in Well Hall, Eltham.[5]

When Syms was 12, her mother died from a brain tumour. At 16, she suffered a nervous breakdown and contemplated taking her own life until an intervention from her stepmother.[4] Syms was educated at convent schools before deciding to become an actress and attending the Royal Academy of Dramatic Art, graduating in 1954. She later served on RADA's council.

Syms's career began in repertory theatre in Eastbourne and Bath.[6] She made her West End debut in The Apple Cart with Noël Coward.

Syms appeared in a TV play The Romantic Young Lady. This led to two offers, one to make a film for Herbert Wilcox, My Teenage Daughter, another to sign a long term contract with Associated British. She accepted both. In My Teenage Daughter (1956), Syms played Anna Neagle's troubled daughter. The film was successful at the British box office.[3]

For Associated British she made No Time for Tears then appeared in The Birthday Present. Syms had the third lead in Woman in a Dressing Gown for director J. Lee Thompson which was very popular. She then made the English Civil War film, The Moonraker and the war film Ice Cold in Alex, also directed by Thompson. In early 1958 she made a third film for Thompson, No Trees in the Street.[3] She announced she would make her first screen comedy The Light Blue.[7] This became Bachelor of Hearts. In March 1959 she was voted Variety Club's Film Actress of 1958.[8]

In 1959, Syms appeared in the film Expresso Bongo as Maisie King, opposite Cliff Richard.[3] She played opposite Dirk Bogarde in the 1961 film Victim, as the wife of a barrister who is a closet homosexual. The film is thought to have broadened the debate that led to the decriminalisation of homosexual acts in private in the United Kingdom.[9]

Syms made Ferry to Hong Kong, The World of Suzie Wong and Conspiracy of Hearts.

Syms travelled to Ireland to play opposite Patrick McGoohan as the wife of a condemned man in The Quare Fellow.

She played Tony Hancock's wife in The Punch and Judy Man. The film also featured her nephew, Nick Webb. In 1963 she ended her contract with Associated British which by then guaranteed her £10,000 a year but which she felt was too restrictive.[10] She appeared in East of Sudan. In 1965 she appeared on stage in Dual Marriageway.

Other comedies followed, such as The Big Job (1965) with Sid James and Bat Out of Hell (1967), but it was for drama that she won acclaim, including The Tamarind Seed (1974) with Julie Andrews and Omar Sharif, for which she was nominated for a British Film Academy award.

In 1970, Syms changed direction playing Beatrice opposite Julian Glover's Benedick in a production of William Shakespeare's Much Ado About Nothing.[11] The Prospect Theatre Company production, directed by Tony Richardson, was first presented at the Edinburgh International Festival and subsequently toured the United Kingdom.

Syms featured in the husband-and-wife TV comedy My Good Woman from 1972 to 1974[12] and on the weekly BBC programme Movie Quiz as one of two team captains.

In 1975, Syms headed the jury at the 25th Berlin International Film Festival.[13]

In 1989, Syms guest-starred in the Doctor Who story Ghost Light.[14] Shortly after the end of British Prime Minister Margaret Thatcher's term in office in 1990, Syms portrayed her in Thatcher: The Final Days (1991),[15] a Granada television film for ITV, which dramatises the events surrounding Thatcher's removal from power, a role she recreated for the stage.[3] From 2000 to 2003, she played Marion Riley in the ITV comedy-drama At Home with the Braithwaites. She also featured in the serial The Jury (2002) and in the same year contributed Sonnet 142 to the compilation album When Love Speaks.[3]

For Stephen Frears's biopic The Queen (2006), Syms was cast as Queen Elizabeth The Queen Mother.[3] She also appeared in The Poseidon Adventure (2005), an American TV film that was a loose remake of the 1972 feature film. Syms also took up producing and directing.

In 2009, Syms appeared in the film Is Anybody There? alongside Michael Caine and Anne-Marie Duff.

In 2009, she featured in the ITV drama series Collision. In 2010, she guest-starred as a patient in BBC One's drama series Casualty, having played a different character in an episode in 2007. Syms also appeared as another character in Casualty's sister series Holby City in 2003. From 2007 to 2010, she had a recurring role in BBC One's EastEnders, playing dressmaker Olive Woodhouse.[3] In 2010, Syms took part in the BBC's The Young Ones, a series in which six celebrities in their seventies and eighties attempt to overcome some of the problems of ageing by harking back to the 1970s.[16] From 2013 to 2019, Syms was the narrator of Talking Pictures, which aired on BBC Two.[3]

Syms had numerous theatre roles, including in productions of Much Ado About Nothing, Who's Afraid of Virginia Woolf? and Antony and Cleopatra.[3]

From 9 June 1956 to 1989, Syms was married to Alan Edney, whom she had dated since she was a teenager.[3] In 1961 they lost a baby daughter, Jessica.[17][18] Later that year Syms and her husband adopted a son, Benjamin Mark.[19] In October 1962 she gave birth to a daughter, Beatie Edney who is also an actress.[6][20] Syms and her husband divorced in 1989 when she discovered he had a mistress for several years and that they shared a two year old daughter.[21]

She was the aunt of musicians Nick and Alex Webb.

Syms was a longtime supporter of the Stars Foundation for Cerebral Palsy, serving on its board as an officer for 16 years until 2020, with singer Vera Lynn.[22]

In the last year of her life, Syms lived at Denville Hall, a retirement home for actors in London. She died there on 27 January 2023, three weeks after her 89th birthday.[15][23]

In the words of Filmink magazine:

I don’t think any actress in English speaking cinema of this era had such a variety of love interests as Sylvia Syms. It helped that she was beautiful, of course ... that she could act: it's hard to think of a bad Sylvia Syms performance – sometimes she was miscast, but never bad. She always brought a level of intelligence to her roles along with a sense of fun. And she was highly adept playing "smouldering hot lava of emotion and sensuality under an outwardly straight-laced and sensible facade" that made her – and this is meant with nothing but the greatest respect to the recently departed – sexy as hell.[24]

Source:[25]

• Official website
• Sylvia Syms at IMDb
• Sylvia Syms at the British Film Institute
• Sylvia Syms at the BFI's Screenonline
• Sylvia Syms discography at Discogs
• Parliament & the Sixties- Sylvia Syms- 1962 - UK Parliament Living Heritage
• Portraits of Sylvia Syms at the National Portrait Gallery, London